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Win These Posters and Other Unrelated Prizes Inside

by Norma Cole

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512,953,144 (1)11
Win These Posters and Other Unrelated Prizes Inside opens with a foreword, an envoi laying out the concerns of the book. The book's rhythmic geography tracks a shadow epic with its "1400 Facts," aspects of feats, or anti-feats, events on the ground, but the hero/anti-hero is "you" & "I" & "we" and the narrative is "splinters of stars." Fact/fiction, the West/Middle East, present/past, surface/depths, sound/silence-- antinomies or continua? "More Facts" marks the question, "When// does the past/ begin?" What does it mean, "to be at war"? How do we measure agency or time? Compression, compassion, rigor, reduction, focus. By means of posters, messages, notices, announcements and images. The poems, linked to one another by motion, emotion, image, diction, consider questions & "facts" - what are facts? "It is the simple fact of one's own existence as possibility or potentiality." [Giorgio Agamben, The Coming Community Ch.11] What are dreams? The book closes with "If I'm Asleep" --don't wake me.… (more)
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This was probably the most inscrutable collection of poems I've ever read. Here's an example:

Blackberry bushes beside the freeway. Ajuga (bugleweed). Without
leave. Howl, Homer. Sylvia rode up on her bike smiling younger than
springtime. A child is able, hears music as other music.
I wasn't sleeping. The government begins without bees, rocks,
figuring out how much time's gone by by how cold the coffee gets.
Now is the cover of your pen and ink. Names the human project:
earmuffs: shamrocks: a verbal gap. In the early part of the morning a
small hole in the ceiling, a foot pulls up into the hole, ceiling covers
over paradise or charade. You never hear from her. Picking up tissue
from the floor. Transport. They can't stand and shoot. And talk
to each other (even) can't talk to each other, as I said. Up-coming
passages. Epistle of forgiveness: spat on the hair, spat on the faces,
spat on the other foot. Mount Brake-up or Back-up. Heals the words
in her foot. She got plenty. To be or not the little dot bouncing
toward her.


Reading this collection reminded me of the book English As She Is Spoke, the ill-fated but humorous attempt by two 19th century Portuguese men who didn't know English to create a Portuguese-English guide book using Portuguese-French and French-English dictionaries, with predictably disastrous results. However, Win These Posters doesn't have that as an excuse to explain its unfathomable poems.

I may give this book another go, after I have a few gin and tonics as a comprehension aid. ( )
2 vote kidzdoc | Nov 3, 2014 |
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Win These Posters and Other Unrelated Prizes Inside opens with a foreword, an envoi laying out the concerns of the book. The book's rhythmic geography tracks a shadow epic with its "1400 Facts," aspects of feats, or anti-feats, events on the ground, but the hero/anti-hero is "you" & "I" & "we" and the narrative is "splinters of stars." Fact/fiction, the West/Middle East, present/past, surface/depths, sound/silence-- antinomies or continua? "More Facts" marks the question, "When// does the past/ begin?" What does it mean, "to be at war"? How do we measure agency or time? Compression, compassion, rigor, reduction, focus. By means of posters, messages, notices, announcements and images. The poems, linked to one another by motion, emotion, image, diction, consider questions & "facts" - what are facts? "It is the simple fact of one's own existence as possibility or potentiality." [Giorgio Agamben, The Coming Community Ch.11] What are dreams? The book closes with "If I'm Asleep" --don't wake me.

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