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Loading... Landscape And Memory (original 1995; edition 1996)by Simon Schama
Work InformationLandscape and Memory by Simon Schama (1995)
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Late Night Live 27:07:23 An early book written while teaching Environment History Now Professor of Art History and History at Columbia University. Got it. Finally. Took me one and a half years to read that fucker! Actually, I stopped after the most - and only - relevant part, the one about ROCK, leaving the summary part out. Doesn't make for smooth bedside reading... My eyes would capitulate after a couple of pages. It is highly interesting and Schama tries hard to make the reading entertaining, but it remains scientific and in parts highly speculative. His line of reasoning is not always easy to follow and I couldn't always detect a red line between the places that he presents and how they are perceived and how they mirror the society of a certain time. Lastly, some contents have been put in quite arbitrarily - at least that's what it seems to me. This book is a fascinating treatise on the role nature (specifically wood, water, and rock) has played in Western culture. Art and history professor at Columbia University, Schama considered this the one book he needed to write. He expertly touches on so many examples of our environment's influence on our collective memory that the book is difficult to describe- everything from Hitler's obsession with the forests of Europe and the battles fought to get Susan B. Anthony on Mount Rushmore, to Western lust for Egyptian obelisks and dance parties held on the massive stumps of California Sequoias in the mid-nineteenth century. This work is also, with its classical layout and type font and its many excellent illustrations, one of the most beautifully designed books I've ever seen. Highly recommended.
In various cultures, both classic and contemporary, the author studies myths and how they relate to landscapes. Repeatedly, the subject of an idyllic, pastoral place, an Arcadia, arises. In the last chapter, he focuses briefly on Central Park, praising its designer, Frederick Law Olmsted, for his vision of a heroic urban Arcadia. For Mr. Schama, Central Park seems to encapsulate the double-sided nature of the Arcadian concept. The dreamlike version is, he said, "a place of effortless bucolic sweetness, where you can lie on your back and smell the grass while there's a faint noise of people hitting balls with bats." The nightmare version is "a slightly scary, sinister, dense place of sex and death." AwardsNotable Lists
Opening a radically new and original path into history, Simon Schama explores the scenery of our Western culture, both real landscapes and landscapes of the mind that have given us our sense of homeland, the dark woods of our imagined origins. What unfolds is a series of compelling journeys through space and time: from the ancient woodland of Poland, a symbol over the centuries of national endurance, through the forest birthplace of the German psyche, to the Big Trees of Yosemite that gave a new nation its holy past. Through all of history, from pre-classical antiquity to the Third Reich and beyond, Schama uncovers the myths and memories that have stamped themselves on our most basic social instincts and institutions: territorial identity, the wild and domestic, mortality and immortality. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)304.23Social sciences Social Sciences; Sociology and anthropology Factors affecting social behavior Human ecologyLC ClassificationRatingAverage:
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