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Consider This, Señora by Harriet Doerr
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Consider This, Señora (1993)

by Harriet Doerr

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Showing 5 of 5
a nice flowing story without any up and downs but steady moving story line. A quiet book. lots of reflection on life and people. first it took a moment to really connect all the different people but along the story the grow on me and into a full and round book. ( )
  kakadoo202 | Jul 19, 2012 |
i really liked this. americans who are kind to the poor mexicans but have no real attachment to the place. they are all gone by the end. an interesting portrait of mexico and aging. ( )
  mahallett | Jan 11, 2012 |
Harriet Doerr came to be a writer at a very high age, clearly free from careerist ambitions or other vanity, and that shows in her writing. Set in Mexico, where Doerr lived many years, this quiet novel develops a feeble story line, allowing the reader to focus more on the characters than on action. Not much thicker than the average novel, nonetheless, by the end of it, the reader feels as if they have spent a long time with the characters, and gotten to know them intimately. The reader almost comes away from the novel, as if they were one of the tenants of the estate, in the quiet settlement of Amapolas. The story enables the reader to develop sympathy, even for a dubious character like Bud Loomis, or other eccentrics, such as Don Enrique or the concert pianist.

A very touching, and beautifully written novel. ( )
  edwinbcn | Oct 3, 2011 |
Collection of glimpses, insights and minute observations from the lives of four North American people who have lots of time, leisure and cash to withdraw to a hidden Mexican village building their own little expatriate compound.
  allsun | Jan 24, 2007 |
From Kirkus Reviews
From the author of the American Book Award-winning Stones for Ibarra (1984): a novel that limns in lapidary prose a story of loss and renewal in a small Mexican village--a town transformed by Americans inadvertently ``into something more beautiful than it is.'' As in an old morality fable--without the moralizing--Doerr tells of four expatriates driven to seek refuge in a place so unfamiliar that its ``otherness'' will be the catalyst that restores them. When ``two irresolute Americans'' arrive in tiny Amapolas, set in the midst of a barren mesa, and together buy ten acres from the local grandee, the villagers observe them with curiosity and tolerance. But recently divorced artist Sue Ames and her unlikely business partner, Bud Loomis (on the run from the Arizona tax authorities), have different reasons for making the purchase: Sue hopes to live there forever, and Bud wants to restore his finances. Realizing, though, that they can't afford their houses unless they subdivide the land, they sell plots to the 79- year-old Ursula Bowles, a recent widow, who was born in Mexico and now wants to regain ``the brilliant patchwork of her never-ending past,'' and her twice-divorced daughter, Fran, who wants a house so that her Mexican lover can visit her. Over a period of five years, houses are built; droughts take their toll; locals in the Americans' employ prosper; and the four Americans begin to change: Sue realizes that she'd been too hasty in divorcing her husband; the now-dying Ursula accepts the loss of life and love (``an individual life is in the end nothing more than a stirring of air''); Fran, abandoned by her glamorous lover, meets a homely but dependable archaeologist; and Bud pays back his taxes and becomes a local benefactor. Wisdom and happiness prevail. A beautifully rendered novel in which the happy endings are more eloquent epiphanies than facile plot wrap-ups--and a second novel well worth the wait. ( )
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  gnewfry | Nov 24, 2006 |
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A NUMBER OF years ago in the town of La Luz, on an August day half of hot sun, half of rain, Don Enrique Ortiz de Leon prepared to sell his ancestral estate to an American gentleman and an American lady.
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Amazon.com Product Description (ISBN 0156000024, Paperback)

The long-awaited and highly praised second novel by the author of Stones for Ibarra. The American characters here find themselves waiting, hoping, and living in rural Mexico-a land with the power to enchant, repulse, captivate, and change all who pass through it. Named a Best Book of the Year by Publishers Weekly and a Notable Book of the Year by the New York Times.

(retrieved from Amazon Mon, 30 Sep 2013 13:50:29 -0400)

(see all 2 descriptions)

In her customary crystalline prose Harriet Doerr examines the lives of four North American expatriates in a small Mexican village of a thousand souls. Set on the barren mesa of Amapolas, we see the newcomers settling in their adobe houses and gradually adjusting to an environment of excesses - hot sun, torrential downpour, sweeping landscapes, and a vastness of untouched nature - and watch as each is drawn into the aura of this land and changed. For young, recently divorced Sue Ames - artist and part owner of the land in Amapolas - this countryside of wet earth and jasmine, animal dung and charcoal fire, as well as the inhabitants, enable her to see her own life more clearly. But for her partner, Bud Loomis, ambitious investor, fleeing tax evasion charges in Arizona, Amapolas is a chance to escape. Then there is Frances Bowles, for whom this new, exotic place is a constant enigma that is at once simplistically seductive and eternally elusive; in planning to create a new future for herself, she succeeds in an unexpected way. For her mother, Ursula Bowles, seventy-nine and widowed, the land is critical. Born in Mexico, she returns not only because of her love for the place and its people but to connect - as best she can - the end of her life with its beginning. All their experiences are brought vividly to life as they interact with the Mexicans, who observe the Americans with a curious mixture of fascination and tolerance. With an unfailingly true ear, eye, and voice, Harriet Doerr's story unfolds clearly and beautifully, equally accurate in its observations of the American, the Mexicans, and the landscape that contains them.… (more)

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