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Persuasion by Jane Austen
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Persuasion (original 1817; edition 2008)

by Jane Austen

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21,038418107 (4.23)1 / 1375
Member:adto
Title:Persuasion
Authors:Jane Austen
Info:CreateSpace (2008), Paperback, 150 pages
Collections:Your library
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Work details

Persuasion by Jane Austen (1817)

  1. 333
    Pride and Prejudice by Jane Austen (carlym)
  2. 172
    The Blue Castle by L. M. Montgomery (allisongryski)
    allisongryski: This is by no means an obvious recommendation. However, the quality of writing and something of the heroines' characters is similar. The heroines of these two books are both under-appreciated members of their families, who are thought beyond any chance of marriage. They are both forced by circumstance to find courage that they didn't know they possessed and they are rewarded with eventual happiness.… (more)
  3. 195
    Wives and Daughters by Elizabeth Gaskell (Shuffy2)
    Shuffy2: In addition to North and South by Gaskell, Wives and Daughters is another great read for people who love Austen's Persusion and Sense and Sensibility!
  4. 165
    North and South by Elizabeth Gaskell (Anonymous user)
  5. 94
    The Remains of the Day by Kazuo Ishiguro (electronicmemory)
    electronicmemory: Slow, languid stories about regret and life choices not understood until they've passed by.
  6. 105
    Captain Wentworth's Diary by Amanda Grange (mzackin)
    mzackin: This is the story of persuasion told from the other side. It is very well written and stays true to the story, even quoting lines from Austen.
  7. 20
    The Course of Honour by Lindsey Davis (electronicmemory)
    electronicmemory: Mature lovers who find that time brings them together and push them apart over the course of many years.
  8. 11
    The Old House at Railes by Mary Emily Pearce (sferguson)
    sferguson: A great book that will be enjoyed by those who are interested in a bit of non-standard romance.
  9. 514
    Bridget Jones: The Edge of Reason by Helen Fielding (spygirl)
    spygirl: Helen Fielding's first novel Bridget Jones's Diary was a remake of Jane Austen's Pride and Prejudice. The sequel, Bridget Jones: The Edge of Reason is a remake of Austen's Persuasion.
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English (397)  Spanish (6)  Italian (4)  Dutch (2)  Catalan (2)  Swedish (2)  German (2)  Portuguese (1)  Portuguese (Portugal) (1)  Hungarian (1)  All languages (418)
Showing 1-5 of 397 (next | show all)
(Original Review, 1981-02-25)

I think it's evident, once one steps back from an emotional response to the novel, that it would have benefited from some editing and expanding by Austen, had she lived.

I can see the flaws in it. It seems disjointed and overly episodic, and I think the excursion to Lyme is a bit forced into the narrative although I believe it’s essential to the novel. The trip to Lyme is essential: the flirtation between Wentworth and Louisa comes to a crash, he can see Anne's steadiness, and we can see her lack of romantic desperation—her grit in the teeth, not of poverty (bad enough), but of loneliness—… and it's all by the sea, place of both voyage and anchorage. On reflection I've found the Mrs. Smith episode slightly unbelievable as well - not in the sense that Anne wouldn't visit her now that she's fallen on hard times, but that she would so serendipitously know all about Anne's scheming suitor (a scene or two of Mrs. Smith, where she and Anne could have some interaction beyond her being an information booth, might've been flesh rather than padding.) Wentworth's letter to Anne, on the other hand. . . what a sublime piece of literature, all on its own; I have to admit also that I felt a bit of a hot flush myself on reading Wentworth's letter to Anne... If I'm in the right frame of mind, I can actually get palpitations reading it :-).

I think Austen herself found the ending problematic. She rewrote it at least once--originally, the concluding chapters were fewer and shorter, and the denouement was to have occurred when Anne and Wentworth accidentally end up alone together at her father's house, and explanations ensue. I think what we have now is at least better than that.

This theme of a love from the past that recurs over and over and over again in literature, especially from or set in this period, is completely alien to me. I accept that everyone's experience is individual, but I've never had an unrequited love and whenever I've met any of my partners from my youth, even the best ones, I've never felt much in the way of regret, let alone proclaimed: "they must be mine again!"

I do like the idea of two people who were "in love" having to come to terms with dealing with each other now. But I've never liked this (or any) of these pop culture memes that make teenage sensations the epitome of human existence and experience! Don't get me wrong, I like romance and I see how themes of escapism can be explored and how a dynamic contrast can be useful in a narrative, but still, find it so weird. It's pretty normal to think of missed opportunities in terms of second chances, not just in romance (in this, you confess to being unusually well-adjusted to your own past), but in education, business, friendship, family connections, and so on. In this case, it might seem a bit Hollywood, that the couple, well-matched when one is convinced to reject the other, are even more perfectly suited after he gets rich and she finds even lonely toil preferable to any other suitor. You sometimes see this criticism of Shakespeare's comedies: so much turmoil results, with a bit of happy accident, in the first day of a happy marriage. But that sense of 'comedy' is a vision of life, of fertility and regeneration, that coexists (for many) alongside the grime and sleaze and villainy that Shakespeare exults weirdly in, and that Austen shows menacing from first page (Sir Walter's stupid vanity) to nearly the last (William Elliot's… well, read it and see).

It's not that 'comedy', in the sense of romantic happy endings, is Hollywood, but rather, that 'Hollywood' is mutilation and degradation, a bastardization, of a human instinct for fecundity, even as tragedy is confrontation with the limits of health and strength.

It seemed that for the first half of the book not a lot happens other than people moving house, or "popping round for a chat." When Louisa abruptly jumps off the wall and lands on her noggin, the interest perked up a bit, particularly as she seemed to be dead - then it turned out she's just got a concussion. For me, it wasn't until Anne finds out the truth about her cousin from Mrs. Smith that the tension you describe really began for me - then the whole underlying tension between her and Wentworth really starts to go from simmering to boiling. ( )
  antao | Dec 2, 2018 |
While I admire Jane Austen’s eloquent language, a gripping plot is not in evidence here. I didn’t expect fast-paced excitement but did hope for something deeper.

It's the only Austen novel I've read that features no memorable or larger-than-life characters. Mary was quite amusing with all her complaining, but this wasn't enough to keep me hooked.

Apart from a few comedy moments, plus Louisa's accident, I found this story quite a bore. My mind kept wandering and the only reason I didn't give up on it was because I listened to an audiobook version. ( )
  PhilSyphe | Oct 11, 2018 |
According to me a Prologue or the 1st Chapter of a book is THE reflection → SO it must capture my attention from page 1 I will continue a few more chapters to give the Book a fair chance to change my mind!



Herewith my review!




If nobody figured it out yet → person above *wink* I am stalking
Persuasion is something meant to get you to do or accept something as true!. If you’re not sure you want to go or do something, your friend might use persuasion to talk you into it.

Prologue OR Chapter 1

DO you not love the old classics novels and learning more about the background like when a book was published, I love to do internet research about anything and everything I can lay my hands upon, but most of all I like the writing style and the Grammar – I will never be this good – or can hardly interpret the paragraphs, but as you read more these type of classics you become a type of an expert – especially if you read crap after that!


Some info Jane Austen
Persuasion is Jane Austen's last completed novel, published posthumously. She began it soon after she had finished Emma and completed it in August 1816. Persuasion was published in December 1817, but is dated 1818. The author died earlier in 1817.


more info – NOPE NOT ME WIKI – I am not that good!:

Anne Elliot — The second daughter of Sir Walter is intelligent, accomplished and attractive



Captain Frederick Wentworth — A naval officer who was briefly engaged to Anne some years




Sir Walter Elliot, Bt. — A vain, self-satisfied baronet
Elizabeth Elliot — The eldest and most beautiful daughter of Sir Walter encourages her father's imprudent spending and extravagance.

Mary Musgrove — The youngest daughter of Sir Walter, married to Charles Musgrove, is attention-seeking, always looking for ways she might have been slighted or not given her full due

Charles Musgrove — Husband of Mary and heir to the Musgrove estate.

Lady Russell — A friend of the Elliots, particularly Anne, of whom she is the godmother. She is instrumental in Sir Walter's decision to leave Kellynch Hall and avoid financial crisis.

Mrs Clay — A poor widow with children, daughter of Sir Walter's lawyer, and companion of Elizabeth Elliot. She aims to flatter Sir Walter into marriage, while her oblivious friend looks on.
.
Admiral Croft — Good-natured, plainspoken tenant at Kellynch Hall and brother-in-law of Captain Wentworth.

Sophia Croft — Sister of Captain Wentworth and wife of Admiral Croft for the last 15 years.
Louisa Musgrove — Second sister of Charles Musgrove, Louisa, aged about 19, is a high-spirited young lady who has returned with her sister from school. She likes Captain Wentworth and seeks his attention.

Henrietta Musgrove — Eldest sister of Charles Musgrove. Henrietta, aged about 20, is informally engaged to her cousin, Charles Hayter, but is nevertheless tempted by the more dashing Captain Wentworth. Once he returns home, she again connects with Hayter.

Captain Harville — A friend of Captain Wentworth. Wounded two years previously, he is slightly lame. Wentworth had not seen his friend since the time of that injury.

Captain James Benwick — A friend of Captains Harville and Wentworth. Benwick had been engaged to marry Captain Harville's sister Fanny, but she died while Benwick was at sea. He gained prize money as a lieutenant and not long after was promoted to commander (thus called Captain

Mr William Elliot — A distant relation ("great grandson of the second Sir Walter" when it is not stated from which Sir Walter the present one descends) and the heir presumptive of Sir Walter, Mr Elliot became estranged from the family when he wed a woman of lower social rank for her fortune and actively insulted Sir Walter.

Mrs Smith — A friend of Anne Elliot who lives in Bath. Mrs Smith is a widow who suffers ill health and financial difficulties. She keeps abreast of the doings of Bath society through news she gets from her nurse, Rooke, who tends the wife of a friend of William Elliot's. Her financial problems could have been straightened out with assistance from William Elliot, her husband's friend and executor of his will, but Elliot would not exert himself, leaving her much impoverished. Wentworth eventually acts on her behalf.

Lady Dalrymple — A viscountess, cousin to Sir Walter. She occupies an exalted position in society by virtue of wealth and rank. Sir Walter and Elizabeth are eager to be seen at Bath in the company of this great relation.

Because of Way much information above I am going to keep review short *wink-wink*

It is a novel of succeeding ventures. Anne Elliot, no longer in the blossom of minority, is a grownup woman of 27 or 28 years.

Eight years ago she had been happily in love with an attractive man named Frederick Wentworth.



But, tactlessly, due to his economic flourishing, and Anne under the stimulus of her family and close acquaintance, was involuntary to discard his marriage offer and they separated ways.


But now, he is within her neighbouring sphere once again. Situations led to Anne staying with her married sister, Mrs. Muskgrove, while her private house was being let to Wentworth's sister and husband. Wentworth calls his sister and on profession on the Muskgroves finds Anne among them.

Anne finds Wentworth, not only regarding as respectable as he ever did, but is now Captain Wentworth, who has made his wealth. Wentworth, still annoyed with Anne over being prohibited, causes him to treat Anne very nonchalantly.



"Persuasion" is a great literary exertion, and, to my observance, Jane Austen's optimum books, I wish I could have given Jane a standing ovation but in my heart with these books will always live
The point Austen makes here, is that one should not ever be persuaded to abandon core values and beliefs, especially for ignoble goals. There are consequences, always.

This book is one of my favorites of all time. Many people dislike it or don't like it as much when associated to Pride and Prejudice or Emma, but there are many motives why Persuasion should not be associated to Austen's other novels. This novel was the last one that Austen wrote before deceased.




P&M Blog = Book Monsters:
https://bookmonstersblog.com/
Mine
https://coyoteuglyswaggerbookblog.wordpress.com/
(¯`v´¯)♥♥
( )
  Savehouse | Sep 24, 2018 |
Jane Austen is known for her romances, but there is far less romance in Persuasion than there is a saga of intricate family dynamics, with a nicely played romance playing in the background. It brings into focus Anne Elliot, now my favorite among all of Jane Austen's characters that I have come to know so far. From the perspective of her immediate family, she is quite insignificant. Her opinion matters not in the least, and they think her useless in nearly every way, but she is just the opposite. Anne is the most decent of all human beings within the book, and is the one who saves her family in times of all sorts of trouble.

As always, Austen includes the most unlikable sorts. The ones that are so much fun to dislike, so silly that they are entertaining, and ones who are made to make the main character stand out from their sort. Anne's father is the shallowest of all shallow people, and her sister, Mary, is the most pathetic of jealous, self-centered, selfish, attention seekers one could ever imagine. All of them attempting to hide their flaws under a layer of sophisticated class, which makes it all the more entertaining.

One of the last things that I expected to see in an Austen book is a character who has some ideas of progressive thinking like Anne does while retaining her femininity. She has a lovely way of looking at the differences between men and women and seeing how they both have struggles that are exclusive to their sex, as well as strengths that each is gifted with, and sees how a pair is better off for it. ( )
  StephLaymon | Aug 12, 2018 |
Absolutely stunning. I can't believe it has taken me so long to want to pick this book up, because I wish I would have read this years ago. For whatever reason, I would start this but never get past the first couple chapters, but I'm so glad I stuck with it this time.

Listened on audio and only took me four days, LOVE this book.

Also? Captain Wentworth?



He just might be taking Mr. Darcy's place. ( )
  jlydia | Jun 25, 2018 |
Showing 1-5 of 397 (next | show all)
L'occasion de s'attacher aux amours empêchées d'une héroïne tout sauf résignée.
added by miniwark | editTélérama, Nathalie Crom (Jul 9, 2011)
 

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Author nameRoleType of authorWork?Status
Jane Austenprimary authorall editionscalculated
Alfsen, MereteTranslatorsecondary authorsome editionsconfirmed
Beer, GillianEditorsecondary authorsome editionsconfirmed
Bloom, AmyIntroductionsecondary authorsome editionsconfirmed
De Zordo, OrnellaEditorsecondary authorsome editionsconfirmed
Fantaccini, FiorenzoTranslatorsecondary authorsome editionsconfirmed
Gibson, FloNarratorsecondary authorsome editionsconfirmed
Harding, D. W.Editorsecondary authorsome editionsconfirmed
Kinsley, JamesEditorsecondary authorsome editionsconfirmed
Lane, MaggiePrefacesecondary authorsome editionsconfirmed
Lynch, Deidre ShaunaEditorsecondary authorsome editionsconfirmed
Mathias, RobertCover designersecondary authorsome editionsconfirmed
Reichel, GiselaTranslatorsecondary authorsome editionsconfirmed
Reilly, JamesEditorsecondary authorsome editionsconfirmed
Ross, JosephinePrefacesecondary authorsome editionsconfirmed
Sanderson, CarolinePrefacesecondary authorsome editionsconfirmed
Savage, KarenNarratorsecondary authorsome editionsconfirmed
Scacchi, GretaNarratorsecondary authorsome editionsconfirmed
Spacks, Patricia Ann MeyerEditorsecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Thomson, HughIllustratorsecondary authorsome editionsconfirmed
Tysdahl, BjørnAfterwordsecondary authorsome editionsconfirmed
Weisser, Susan OstrovIntroductionsecondary authorsome editionsconfirmed
Wiltshire, JohnForewordsecondary authorsome editionsconfirmed

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Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs, changed naturally into pity and contempt.
On 8 August 1815, English newspapers took note of the departure for Saint Helena of HMS Northumberland and, with it, a prisoner. (Introduction)
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She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.
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the isbn 0486295559 is associated withe Dover edition of persuasion, not the Norton Critical Edition
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Anne Elliott, bullied or ignored by her father and sisters, relinquished her hopes of love when she was forced to reject Captain Wentworth. Now, years later, they meet again: he, prosperous and eligible, scarcely recognises the faded pretty woman. And she stays quietly in the background as he courts the lively and affectionate Louisa Musgrove. So why, when she joins her family in Bath, does Anne hesitate over the eminently suitable addresses paid to her by a distant cousin? And why does Captian Wentworth appear there too? While Jane Austen is here as quick as ever to ridicule self-importance, self-interest and cold-heartedness, while she tellingly contrasts the icy snobbery of the Elliots with the openness and warmth of Wentworth's naval friends, this novel has a tenderness and gravity which makes it unique among her works.
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Amazon.com Amazon.com Review (ISBN 0141439688, Paperback)

Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey.

(retrieved from Amazon Thu, 12 Mar 2015 18:06:35 -0400)

(see all 8 descriptions)

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend La.… (more)

(summary from another edition)

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Penguin Australia

7 editions of this book were published by Penguin Australia.

Editions: 0141439688, 0141028114, 0451530837, 0141045140, 0143106287, 0141197692, 0141198834

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2 editions of this book were published by Urban Romantics.

Editions: 190917534X, 1909175358

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