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In the Shadow of Velázquez: A Life in Art History

by Jonathan Brown

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911,987,373 (3)None
In this lucid, witty book, the eminent art historian Jonathan Brown examines links between his personal life and his study of Hispanic art of the Golden Age. His adventures are offered as a model for understanding how art history is shaped by life experiences, and he describes the influence of his parents, Jean and Leonard Brown, noted collectors of documentation of 20th-century avant-garde movements.His turn to research on the Golden Age of Spanish art was motivated by a year in Madrid, 1958-59. Art history in Spain was modeled on the policies of the Franco regime, and Brown sought to find different ways to interpret Spanish painting. His approach is demonstrated by fresh insight into painters, including Velázquez. A new interpretation of Las Meninas is proposed and the perils of attribution are examined. Later in his career, Brown began to study the transformation of Spanish art in the Americas. The book originated as a series of six lectures delivered at the Museo Nacional del Prado in 2012.… (more)
1100-1199 (1) 9 (1) art (1) art history (3) biography (1) memoir (3) non-fiction (1) Velazquez (1)
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A book written by a Spanish Art scholar whose stated intent was to bridge the gap between laymen and scholars and provide an example of how events in his own life helped him understand art history. While the book is good at detailing his own life, (indeed for a 150 page book maybe a little to in depth) he has a hard time connecting with the average lay reader. At the very beginning he delves into different modes of thought without explaining them properly. While a good book for a scholar, it really doesn't achieve his stated intent of reaching out to average readers. Unless you're really into Art History this book isn't for you. ( )
  doomjesse | Feb 9, 2017 |
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In this lucid, witty book, the eminent art historian Jonathan Brown examines links between his personal life and his study of Hispanic art of the Golden Age. His adventures are offered as a model for understanding how art history is shaped by life experiences, and he describes the influence of his parents, Jean and Leonard Brown, noted collectors of documentation of 20th-century avant-garde movements.His turn to research on the Golden Age of Spanish art was motivated by a year in Madrid, 1958-59. Art history in Spain was modeled on the policies of the Franco regime, and Brown sought to find different ways to interpret Spanish painting. His approach is demonstrated by fresh insight into painters, including Velázquez. A new interpretation of Las Meninas is proposed and the perils of attribution are examined. Later in his career, Brown began to study the transformation of Spanish art in the Americas. The book originated as a series of six lectures delivered at the Museo Nacional del Prado in 2012.

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