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Gormenghast Trilogy: Gormenghast / Titus…

Gormenghast Trilogy: Gormenghast / Titus Alone / Titus Groan (3 Volume Set… (original 1967; edition 2000)

by Mervyn Peake, Michael Moorcock (Introduction)

MembersReviewsPopularityAverage ratingConversations / Mentions
3,242481,708 (4.11)1 / 72
Title:Gormenghast Trilogy: Gormenghast / Titus Alone / Titus Groan (3 Volume Set in slipcase)
Authors:Mervyn Peake
Other authors:Michael Moorcock (Introduction)
Info:Folio Society (2000), Hardcover
Collections:Your library, Classics Library - read them if you can find the time, Suitable for Teenagers, Favorites, Folio Society

Work details

The Gormenghast Trilogy by Mervyn Peake (1967)


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English (47)  French (1)  All languages (48)
Showing 1-5 of 47 (next | show all)
Titus is born into the ancient earldom of Groan and the family seat, the sprawling castle of Gormenghast, with a pullulation of felines and eccentric grotesques enslaved to hidebound ritual. Gormenghast would seem the ideal place for a boy and his sister to grow up in but the evil Steerpike has other plans. It is a quite enjoyable story but insufficient to entice me to read the two continuations. ( )
  ShelleyAlberta | Jun 4, 2016 |
I read the first 2 of these books, and really didn't like them. They did remind me of Dickens a lot - and I'm not a big fan of Dickens either, so that might explain it! All the characters were grotesque caricatures, and the general mood was claustrophobic, banal and depressing. I'd expected to really love these books, from what I'd heard about them - but I was disappointed. Maybe it was just my state of mind at the time - I don't know.

I did really love the concept of the endless castle - but the way it was written was just extremely oppressive.
( )
  AltheaAnn | Feb 9, 2016 |
Outstanding read! ( )
  sundowneruk | Feb 2, 2016 |
Beautifully written but boring. There is no story or plot to speak of. It is more like beautifully described stationary scenes in the
life of a noble family. The language is powerful and everything is vivid. The characters and settings are described intricately but "stretched out." It is this aspect that gives the story its "gothic" affiliation. The fat chef is not just fat but squishy, obese, lardish, lumpy. The skinny valet is angular, creaky, skinny, tall, pointy…

Unfortunately the lack of a story to move it along caused me to lose interest early and I couldn't read it just to enjoy the writing. ( )
  Hae-Yu | Jul 4, 2015 |
This is a book that will always be loved by those who enjoy immersing themselves in a story that takes them o other worlds. It is long, moves forward with a ponderous slowness and is very oriented to the place. That is, much of the narrative is given over to descriptions of the surroundings. The characters seem not human in nay real sense. One reviewer likened them to characters of Edward Gorey and that's accurate. They are weird to a degree that takes them outside human experience. This is not a comfortable review because I'm not sure quite how I really feel about he books. I'm glad I read them. I would, under no circumstances, read them again. ( )
  turtlesleap | Sep 9, 2014 |
Showing 1-5 of 47 (next | show all)
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Author nameRoleType of authorWork?Status
Peake, Mervynprimary authorall editionsconfirmed
Crisp, QuentinIntroductionsecondary authorsome editionsconfirmed
Hellar, JulekCover artistsecondary authorsome editionsconfirmed
Miéville, ChinaIntroductionsecondary authorsome editionsconfirmed
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Dost thou love picking meat? Or would'st thou see/A man in the clouds, and have him speak to thee?
-- Bunyan
For Maeve
First words
Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.
Introduction by Quentin Crisp:  Style is a terrible thing to happen to anybody.
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(Click to show. Warning: May contain spoilers.)
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Book description
Introduction by Quentin Crisp (p. ix),
Introduction by Anthony Burgess (p. 1),
Titus Groan (p.7),
Gormenghast (p. 397),
Titus Alone (p. 809),
Critical Assessments (p.1025) includes:
"The critical reception of Mervyn Peake's Titus Books" by G. Peter Winnington;
"Memories of Mervyn Peake" by Louise Collis;
"The Gutters of Gormenghast" by Hugh Brogan;
"Situating Gormenghast" by Ronald Binns;
"'The Passions in their Clay': Mervyn Peake's Titus Stories" by Joseph L. Sanders;
"Titus and the Thing in Gormenghast" by Christiano Rafanelli;
"Fuschia and Steerpike: Mood and Form" by G. Peter Winnington;
"Gormenghast: Psychology of the Bildungsroman" by Bruce Hunt;
"Gormenghast: Fairytale gone wrong" by Margaret Ochocki;
"The Cry of a Fighting Cock: Notes on Steerpike and Ritual in Gormenghast" by Ann Yeoman;
"Beowulf to Kafka: Mervyn Peake's Titus Alone" by Colin Greenland;
"A Critical Conclusion: The End of Titus Alone" by Laurence Bristow-Smith;
"A Barrier of Foolery? The Depiction of Women in Titus Alone" by Tanya Gardiner-Scott
Titus Awakes (p. 1165)
Haiku summary

Amazon.com Amazon.com Review (ISBN 0879516283, Paperback)

Mervyn Peake's gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle. The trilogy continues with the novels Gormenghast and Titus Alone, and all three books are bound together in this single-volume edition.

The Gormenghast royal family, the castle's decidedly eccentric staff, and the peasant artisans living around the dreary, crumbling structure make up the cast of characters in these engrossing stories. Peake's command of language and unique style set the tone and shape of an intricate, slow-moving world of ritual and stasis:

"The walls of the vast room which were streaming with calid moisture, were built with gray slabs of stone and were the personal concern of a company of eighteen men known as the 'Grey Scrubbers'.... On every day of the year from three hours before daybreak until about eleven o'clock, when the scaffolding and ladders became a hindrance to the cooks, the Grey Scrubbers fulfilled their hereditary calling."

Peake has been compared to Dickens, Tolkien, and Peacock, but the Gormenghast trilogy is truly unique. Unforgettable characters with names like Steerpike and Prunesquallor make their way through an architecturally stifling world, with lots of dark corners around to dampen any whimsy that might arise. This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded. --Therese Littleton

(retrieved from Amazon Thu, 12 Mar 2015 18:06:24 -0400)

(see all 3 descriptions)

"Enter the world of Gormenghast: a vast, crumbling castle of labyrinthine corridors and cloisters, turrets and dungeons. At the center is the seventy-seventh Earl, Titus Groan, Lord and heir to all. Titus is expected to rule this extraordinary kingdom and his eccentric and wayward subjects, but he longs for a life beyond the castle walls. With the arrival of an ambitious kitchen boy, Steerpike, the established order is thrown into disarray. Things are changing and Titus must contend with a kingdom about to implode beneath the weight of centuries of intrigue, treachery, manipulation, and murder."--Dust jacket.… (more)

(summary from another edition)

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