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Lectures on Don Quixote (1983)

by Vladimir Nabokov

Other authors: Fredson Bowers (Editor)

Other authors: See the other authors section.

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340476,020 (3.8)5
A fastidiously shaped series of lectures based on a chapter-by-chapter synopsis of the Spanish classic. Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a Preface by Fredson Bowers; photographs.… (more)
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English (3)  Russian (1)  All languages (4)
Showing 3 of 3
A good accompaniment to Don Quixote, marred only by Nabokov's less-than-complete love for the novel. It is six lectures he gave at Harvard that ranges from more conventional discussion to more novel presentations, like a scorecard that goes through the 40 "battles" in the book, classifies them into different types, and calls each one a win or a loss. Turns out the final score was 20-20.

Nabokov might be right that the novel would have been even better if Don Quixote's final combat was with the false Don Quixote from the false Part Two that wasn't written by Cervantes. Oh well. ( )
  nosajeel | Jun 21, 2014 |
A good accompaniment to Don Quixote, marred only by Nabokov's less-than-complete love for the novel. It is six lectures he gave at Harvard that ranges from more conventional discussion to more novel presentations, like a scorecard that goes through the 40 "battles" in the book, classifies them into different types, and calls each one a win or a loss. Turns out the final score was 20-20.

Nabokov might be right that the novel would have been even better if Don Quixote's final combat was with the false Don Quixote from the false Part Two that wasn't written by Cervantes. Oh well. ( )
  jasonlf | Jul 30, 2011 |
I hate to say this, but I recommend reading this over actually reading Cervantes' Don Quixote (which admittedly I could not finish). Don Quixote is probably one of those books that should be talked about but not read. Nabokov's account and criticisms are enjoyable enough, and it saves you the pain of plodding through Cervantes' original work. ( )
2 vote mambo_taxi | Apr 20, 2008 |
Showing 3 of 3
Without his habit of thorough preparation, his dash, his delight in mischief, prejudice, and the cheerfully perverse, Vladimir Nabokov’s lectures would have been no more than pepper and salt. He was an extraordinary preparer. When he came to deliver his course on Don Quixote at Harvard in 1951 —2 he had, for example, gone to the length of writing a summary of the events in this enormous novel, chapter by chapter, so making an invaluable crib...

What is Nabokov’s final judgment? That the book is more important in its eccentric diffusion than in its own intrinsic value. Sancho is a bore, his proverbs lose their piquancy in English, but he is most interesting when he himself catches the infection of enchantment. The Don, on the other hand, undergoes a multiplication. He is enlarged by the ingenuity and subtlety of his madness. He embodies the mystery of reality and illusion. He is courageous to a degree.
added by SnootyBaronet | editNew York Review of Books, V.S. Pritchett
 

» Add other authors (6 possible)

Author nameRoleType of authorWork?Status
Vladimir Nabokovprimary authorall editionscalculated
Bowers, FredsonEditorsecondary authorall editionsconfirmed
Davenport, GuyForewordsecondary authorsome editionsconfirmed
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by Fredson Bowers When Vladimir Nabokov entered the United States in 1940 to begin his new life in this country, he brought with him, according to his own account,* a number of lectures for the academic career that faced him.
Foreword
by Guy Davenport ‘I remember with delight,’ Vladimir Nabokov said in 1966 to Herbert Gold, who had traveled to Montreux to interview him, “tearing apart Don Quixote, a cruel and crude old book, before six hundred students in Memorial Hall, much to the horror and embarrassment of some of my more conservative colleagues.”
We shall do our best to avoid the fatal error of looking for so-called “real life” in novels.
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Sancho’s cracks and proverbs are not very mirth provoking either in themselves or in their repetitious accumulation. The corniest modern gag is funnier. Nor do the horseplay scenes in our book really convulse modern diaphragms.
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A fastidiously shaped series of lectures based on a chapter-by-chapter synopsis of the Spanish classic. Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a Preface by Fredson Bowers; photographs.

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