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Research Opportunities in Renaissance Drama XLIII (2004)

by RORD / ROMARD, Peter H. Greenfield (Editor)

Other authors: Mary Blackstone (Contributor), Philip Butterworth (Contributor), Garrett P. J. Epp (Contributor), Kathleen E. McLuskie (Contributor), Katie Normington (Contributor)3 more, Rebecca Rogers (Contributor), Margaret Rogerson (Contributor), James Shaw (Contributor)

Series: Research Opportunities in Renaissance Drama (43)

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Author nameRoleType of authorWork?Status
RORD / ROMARDprimary authorall editionscalculated
Greenfield, Peter H.Editormain authorall editionsconfirmed
Blackstone, MaryContributorsecondary authorall editionsconfirmed
Butterworth, PhilipContributorsecondary authorall editionsconfirmed
Epp, Garrett P. J.Contributorsecondary authorall editionsconfirmed
McLuskie, Kathleen E.Contributorsecondary authorall editionsconfirmed
Normington, KatieContributorsecondary authorall editionsconfirmed
Rogers, RebeccaContributorsecondary authorall editionsconfirmed
Rogerson, MargaretContributorsecondary authorall editionsconfirmed
Shaw, JamesContributorsecondary authorall editionsconfirmed
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Contents of Volume 43 (2004):

PHILIP BUTTERWORTH, Is There Any Further Value to Be Gained from Re-Staging Medieval Theater?
MARGARET ROGERSON, Living History: the Modern Mystery Plays in York
KATIE NORMINGTON, The Actor/Audience Contract in Modern Restagings of the Mystery Plays
GARRETT P. J. EPP, Corected & not playd: an Unproductive History of the Towneley Plays
REBECCA ROGERS AND KATHLEEN E. MCLUSKIE, Which Early-Modern Playing Companies Were Commercially Successful?
MARY BLACKSTONE , Performance and the Intertextual Negotiation of Community: The Example of Elizabethan Leicester
JAMES SHAW, Census of Renaissance Drama Productions
PETER GREENFIELD, Census of Medieval Drama Productions
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