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There There by Tommy Orange

There There (original 2018; edition 2019)

by Tommy Orange (Author)

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1,1268111,058 (4.01)113
Title:There There
Authors:Tommy Orange (Author)
Info:Vintage (2019), Edition: Reprint, 304 pages
Collections:Read but unowned

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There There by Tommy Orange (2018)


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English (78)  Piratical (1)  German (1)  Danish (1)  All languages (81)
Showing 1-5 of 78 (next | show all)
Tommy Orange weaves together a diverse cast of urban Indigenous characters who come together at the Big Oakland Powwow. Each character is struggling to heal from wounds that had their origin as a result of the 500 year genocidal campaign against Native Americans. Many of them suffer from internalized racism, and lack of identity resulting from having mixed heritage or no awareness of their heritage. Some struggle with the social problems that often accompany these afflictions. The Powwow for some is a way to unite with their family, share their stories, and express their culture and the memories of their ancestors that live inside them. For others the Powwow presents an opportunity to continue to enact violence upon indigenous people. The book includes a prologue that outlines 500 years of genocide against Indigenous Americans. ( )
  Lindsay_W | Jun 12, 2019 |
Summary: The narratives of twelve "Urban Indians" making there way with various motivations to a powwow in Oakland.

Tommy Orange has done for "Urban Indians" what Sherman Alexie has done for those on the reservations. In There There, he captures in the stories of twelve people a cumulative narrative of the quest for identity of Native Americans living in cities. They are people who in various ways are trying to figure out what it means, beyond ancestry and heritage to live as Native Americans in urban America.

In both Prologue and Interlude, Orange discusses the dispossession of Native peoples from their lands, the struggles with alcohol and substance abuse, the challenges to discover one's identity and the significance of powwows like the Big Oakland Powwow.

The book is structured around the stories of twelve people whose lives are connected who will end up at the Big Oakland Powwow. The book opens with Tony Loneman, "the 'Drome" representing his birth with fetal alcohol syndrome. He deal drugs with Octavio, along with Charles who is owed money by his brother Calvin. These four hatch a plot to steal the prize money at the powwow, using 3-D printed guns to elude metal detectors. Others come for different reasons. Dene Oxendene is there to set up a story booth to capture the stories of his people. Thomas Frank is a former custodian at the Indian Center and a drummer at the powwow. Edwin Black is a bi-racial young man who lives on the internet who discovers his father is Harvey by accessing his mother Karen's social media and takes an internship at the Indian Center, coordinating the powwow. Karen's boyfriend, Bill Davis, a Vietnam veteran, works cleaning up trash at the stadium where the powwow will be held, having held a series of jobs after a prison term in San Quentin. Opal Viola Victoria Bear Shield cares for three of her half-sister Jacquie Redfeather's grandchildren including Orvil who discovers Indian regalia packed away in a closet and wants to dance at the powwow. Jacquie, living on the edge of substance abuse, works as a substance abuse counselor. Jacquie and Opal were part of the Alcatraz occupation in 1970, where Jacquie had sex forced on her by the same Harvey, resulting in a daughter who she adopted out. That daughter happens to be Blue, the head of the powwow committee. In a weird turn of events Harvey and Jacquie encounter each other at a substance abuse conference and an AA meeting, and end up traveling together to the powwow.

The narrative moves back and forth between these characters who represent the conflicting currents of Urban Indian identity, from the criminal to those devoted to the cause, or to people they love. The book is organized around four parts: Remain-Reclaim-Return-Powwow, terms that reflect both movement toward the climactic powwow with the threat of violence, and the struggle to reverse the effects of dispossession.

The title comes from a Gertrude Stein reference to Oakland -- "There is no there there." Orange writes:

"The quote is important to Dene. This there there. He hadn't read Gertrude Stein beyond the quote. But for Native people in this country, all over America, it's been developed over, buried ancestral land, glass and concrete and wire and steel, unreturnable covered memory. There is no there there."

The book retraces the struggle to recover a sense of identity and community, and some kind of way of life when there is no "there there." For the most part, it seems the women fare better at this in the book. Even though Jacquie, Opal, and Blue bear the wounds of their heritage and upbringing, they are the ones caring for others, offering stability and direction to a next generation. Only Bill Davis seems to have clawed his way to some settled identity while the other men are either groping, or descending into criminality.

This is not a "feel good" book. But perhaps those of us who are the descendants of the disposessors need to understand the trauma that has worked its way down the generations. What is evident in a number of the stories is a perhaps inchoate sense that there is something valuable "there" in one's native heritage that must not be given up on but striven for, perhaps in the shared telling of stories that both Dene Oxendene's storybooth and this book represents. ( )
  BobonBooks | Jun 12, 2019 |
The wound that was made when white people came and took all that they took has never healed. An unattended wound gets infected. Becomes a new kind of wound like the history of what actually happened became a new kind of history. All these stories that we haven’t been telling all this time, that we haven’t been listening to, are just part of what we need to heal. Not that we’re broken. And don’t make the mistake of calling us resilient. To not have been destroyed, to not have given up, to have survived, is no badge of honor. Would you call an attempted murder victim resilient?

There There is a magnificent debut novel about the Native American community. Not the Native Americans of colonial American history, but the modern urban Native American. It is set in Oakland, California where, as in other parts of the country, ancestral land has been buried by pavement and real estate development. As Gertrude Stein wrote, “There is no there, there.” Each chapter is narrated by one of about a dozen characters. Orvil is a teenage boy secretly learning Indian dance from YouTube videos. Jacquie is a middle-aged recovering alcoholic whose grandchildren are being raised by her sister, Opal. Dene recently received a grant to film Native Americans’ personal stories. Edwin is an unemployed college graduate who spends hours in his bedroom, addicted to the internet. And so on. Every single person has felt the impact of poverty, addiction, or violence, and sometimes all three. There is a lot of heartbreak, and a tiny bit of hope.

The characters' narratives could get confusing, but tiny details begin to connect their stories in pleasing “aha moments.” Everyone is converging on the Great Oakland Powwow, some to help organize the event, others to discover their heritage. The Powwow leads some characters to connect with each other. But there are also some “missed connections” left for another time, because it soon becomes clear that something significant will happen at the Powwow that will have a lasting impact on the entire Native American community. It is somehow fitting that Tommy Orange leaves some of that impact unsaid, enabling the reader to imagine the possible futures for these people. ( )
2 vote lauralkeet | Jun 9, 2019 |
This is another book I picked up almost by accident at the public library. I did not know what to expect and had heard almost none of the buzz surrounding this novel, and so was surprised to find it ranks as one of the best books I have read this year. His use of metaphor is very fresh and the structure works exceedingly well. It's a book about Indian identity and so you find Indian after Indian, many of them appearing very much alike, and yet different. The similarities of the characters make up a sense of what the Indians of Oakland are like -- just as the people in your family are alike, and yet different. And even the drunks and gangsters are trying to reach something that is better, purer than what they have now. If it is a book about what it means to be Indian, it is also a book about what it means to be human. We all have to look at the same failures in the pain we have caused, and the dreams we have set aside. A truly worthwhile book. ( )
  PatsyMurray | Jun 5, 2019 |
A bursting, sprinting, high-wire, whirlwind first effort.

Orange manages to fit together a dozen characters with labyrinthine relationships, overlapping plots, intersecting geography, and decades of time in a taut sub-300 page first novel without missing a beat. The book moves swiftly and lightly through a great depth of complex motives and emotions. It could easily have collapsed under its own weight, but manages not only to move but to race. Hard to imagine where Orange will go from here, but I am excited to find out. ( )
1 vote Eoin | Jun 3, 2019 |
Showing 1-5 of 78 (next | show all)
Characters here do not notice connections that might offer meaning even though they tell endless details. For those of us who may want literature to confirm human journeys, (or even reject them), this is boring stuff.
There There signals an exciting new era for Native American fiction. Orange lends a critical voice that at once denudes the reality of cultural genocide while evoking a glimmer of encouragement.
The network of characters in There There proves dizzying, but the multivocal nature of the book is a purposeful, intelligent strategy. It offers a glimpse of an interconnected life, a world in which small stones don’t just sink to the bottom of the sea but change tides.
This is a trim and powerful book, a careful exploration of identity and meaning in a world that makes it hard to define either.
The idea of unsettlement and ambiguity, of being caught between two worlds, of living a life that is disfigured by loss and the memory of loss, but also by confusion, distraction and unease, impels some of the characters, and allows the sound of the brain on fire to become dense with dissonance. Orange’s characters are, however, also nourished by the ordinary possibilities of the present, by common desires and feelings. This mixture gives their experience, when it is put under pressure, depth and a sort of richness.

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Author nameRoleType of authorWork?Status
Orange, Tommyprimary authorall editionsconfirmed
Huisman, JettyTranslatorsecondary authorsome editionsconfirmed
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In the dark times
Will there also be singing?
Yes, there will also be singing.
About the dark times.
--Bertolt Brecht

How can I not know today your face tomorrow, the face that is there already or is being forged beneath the face you show me or beneath the mask you are wearing, and which you will only show me when I am least expecting it?
--Javier Marias

For Kateri and Felix
First words
The Drome first came to me in the mirror when I was six. Earlier that day my friend Mario, while hanging from the monkey bars in the sand park, said, Why's your face look like that?"
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(Click to show. Warning: May contain spoilers.)
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Book description
Tommy Orange’s “groundbreaking, extraordinary” (The New York Times) There There is the “brilliant, propulsive” (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It’s “the year’s most galvanizing debut novel” (Entertainment Weekly).

As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.

There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic. Amazon
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"Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction. Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, when we were people running from bullets at the end of that old world. The tragedy of it all will be unspeakable, that we've been fighting for decades to be recognized as a present-tense people, modern and relevant, only to die in the grass wearing feathers." Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame in Oakland. Dene Oxedrene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather; Orvil has taught himself Indian dance through YouTube videos, and he has come to the Big Oakland Powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions--intentions that will destroy the lives of everyone in his path. Fierce, angry, funny, groundbreaking--Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen. There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the history of a nation and its people. A glorious, unforgettable debut"--… (more)

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