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Art History and Its Methods: A Critical Anthology

by Eric Fernie (Editor)

Other authors: Svetlana Alpers (Contributor), Michael Baldwin (Contributor), Alfred H. Barr (Contributor), Giovanni Bellori (Cover artist), Hans Belting (Contributor)24 more, Jacob Burckhardt (Contributor), TJ Clark (Contributor), William Fagg (Contributor), Henri Focillon (Contributor), Paul Frankl (Contributor), Roger Fry (Contributor), EH Gombrich (Contributor), Charles Harrison (Contributor), Arnold Hauser (Contributor), Giovanni Morelli (Contributor), William Morris (Contributor), Olu Oguibe (Contributor), John Onians (Contributor), Erwin Panofsky (Contributor), Nikolaus Pevsner (Contributor), Griselda Pollock (Contributor), Mel Ramsden (Contributor), Alois Riegl (Contributor), Susan Sontag (Contributor), Karel van Mander (Contributor), Giorgio Vasari (Contributor), Johann Wolfgang von Goethe (Contributor), Johann Joachim Winckelmann (Contributor), Heinrich Wölfflin (Contributor)

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2281112,292 (3.56)None
Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an increasingly important component of many student courses. This critical anthology brings together the work of 27 influential art historians and writers from the Renaissance to the present day; key texts have been chosen in which the authors reflect on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wölfflin, Panofsky, Gombrich and Pollock, among others. The introduction is a lucid and readable summary of art-historical methods, and each of the texts is accompanied by a commentary that places it in context and discusses the issues it raises. A glossary of terms and a select bibliography make this book an invaluable resource in the study of art history.… (more)
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Approaches to the history of art are probably more varied - and more debated - than in any other branch of history, and a study of different historical approaches is becoming an increasingly important component of many academic courses. This anthology of art-historical writings from the Renaissance to the present day has a particular focus, for key texts have been chosen in which the authors themselves reflects on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. The introduction gives a summary of art-historical methods, and each of the texts is accompanied by a brief commentary which places it in context and discusses the issues it raises. Also provided is a critical glossary of art-historical terms, a brief biography of each of the historians, and a select bibliography.
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  rossah | Jul 7, 2012 |
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Author nameRoleType of authorWork?Status
Fernie, EricEditorprimary authorall editionsconfirmed
Alpers, SvetlanaContributorsecondary authorall editionsconfirmed
Baldwin, MichaelContributorsecondary authorall editionsconfirmed
Barr, Alfred H.Contributorsecondary authorall editionsconfirmed
Bellori, GiovanniCover artistsecondary authorall editionsconfirmed
Belting, HansContributorsecondary authorall editionsconfirmed
Burckhardt, JacobContributorsecondary authorall editionsconfirmed
Clark, TJContributorsecondary authorall editionsconfirmed
Fagg, WilliamContributorsecondary authorall editionsconfirmed
Focillon, HenriContributorsecondary authorall editionsconfirmed
Frankl, PaulContributorsecondary authorall editionsconfirmed
Fry, RogerContributorsecondary authorall editionsconfirmed
Gombrich, EHContributorsecondary authorall editionsconfirmed
Harrison, CharlesContributorsecondary authorall editionsconfirmed
Hauser, ArnoldContributorsecondary authorall editionsconfirmed
Morelli, GiovanniContributorsecondary authorall editionsconfirmed
Morris, WilliamContributorsecondary authorall editionsconfirmed
Oguibe, OluContributorsecondary authorall editionsconfirmed
Onians, JohnContributorsecondary authorall editionsconfirmed
Panofsky, ErwinContributorsecondary authorall editionsconfirmed
Pevsner, NikolausContributorsecondary authorall editionsconfirmed
Pollock, GriseldaContributorsecondary authorall editionsconfirmed
Ramsden, MelContributorsecondary authorall editionsconfirmed
Riegl, AloisContributorsecondary authorall editionsconfirmed
Sontag, SusanContributorsecondary authorall editionsconfirmed
van Mander, KarelContributorsecondary authorall editionsconfirmed
Vasari, GiorgioContributorsecondary authorall editionsconfirmed
von Goethe, Johann WolfgangContributorsecondary authorall editionsconfirmed
Winckelmann, Johann JoachimContributorsecondary authorall editionsconfirmed
Wölfflin, HeinrichContributorsecondary authorall editionsconfirmed
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Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an increasingly important component of many student courses. This critical anthology brings together the work of 27 influential art historians and writers from the Renaissance to the present day; key texts have been chosen in which the authors reflect on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wölfflin, Panofsky, Gombrich and Pollock, among others. The introduction is a lucid and readable summary of art-historical methods, and each of the texts is accompanied by a commentary that places it in context and discusses the issues it raises. A glossary of terms and a select bibliography make this book an invaluable resource in the study of art history.

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