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The Private Journals of Edvard Munch: We Are…
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The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth (edition 2005)

by Edvard Munch, J. Gill Holland (Editor), Frank Høifødt (Foreword)

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Scandinavia's most famous painter, the Norwegian Edvard Munch (1863-1944), is probably best known for his painting The Scream, a universally recognized icon of terror and despair. (A version was stolen from the Munch Museum in Oslo, Norway, in August 2004, and has not yet been recovered.) But Munch considered himself a writer as well as a painter. Munch began painting as a teenager and, in his young adulthood, studied and worked in Paris and Berlin, where he evolved a highly personal style in paintings and works on paper. And in diaries that he kept for decades, he also experimented with reminiscence, fiction, prose portraits, philosophical speculations, and surrealism. Known as an artist who captured both the ecstasies and the hellish depths of the human condition, Munch conveys these emotions in his diaries but also reveals other facets of his personality in remarks and stories that are alternately droll, compassionate, romantic, and cerebral. This English translation of Edvard Munch's private diaries, the most extensive edition to appear in any language, captures the eloquent lyricism of the original Norwegian text. The journal entries in this volume span the period from the 1880s, when Munch was in his twenties, until the 1930s, reflecting the changes in his life and his work. The book is illustrated with fifteen of Munch's drawings, many of them rarely seen before. While these diaries have been excerpted before, no translation has captured the real passion and poetry of Munch's voice. This is a translation that lets Munch speak for himself and evokes the primal passion of his diaries. J. Gill Holland's exceptional work adds a whole new level to our understanding of the artist and the depth of his scream.… (more)
Member:mimal
Title:The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth
Authors:Edvard Munch
Other authors:J. Gill Holland (Editor), Frank Høifødt (Foreword)
Info:University of Wisconsin Press (2005), Edition: 1, Paperback, 206 pages
Collections:Your library
Rating:*****
Tags:None

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The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth by Edvard Munch

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The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth by Edvard Munch
4:50 pm 29 May 2014
The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth - Edvard Munch,J. Gill Holland,Frank Hoifodt

bookshelves: film-only, spring-2014, art-forms, norway, mental-health, medical-eew, autobiography-memoir, epistolatory-diary-blog, history, lifestyles-deathstyles, oslo, palate-cleanser, philosophy, plague-disease, slit-yer-wrists-gloomy, teh-brillianz, tragedy, women
Recommended for: Don, Laura, Susanna, Fionnuala
Read on May 29, 2014

Watch the Full Film (3:32:03)

La Belle Epoch Norwegian style.

From wiki: Hans Henrik Jæger (2 September 1854, Drammen, Norway – 8 February 1910, Oslo) was a Norwegian writer, philosopher and anarchist political activist who was part of the Oslo (then Kristiania) based bohemian group Kristianiabohêmen. He was prosecuted for his book Fra Kristiania-bohêmen and convicted to 60 days' imprisonment in a supreme court ruling in 1886. He and other bohemians tried to live by the nine commandments Jæger had formulated in the Fra Kristiania-bohêmen.

The following year, he was forced to flee Norway. He had been sentenced to 150 more days in prison after the Norwegian government learned that he had sent 300 copies of Fra Kristiania-bohêmen to Sweden under the auspices of a volume of Christmas stories. He was a friend of Edvard Munch, and was the subject of one of Munch's paintings.

And so to Paris...

And now Berlin, where he meets up with August Strindberg

Dagny Juel-Przybyszewska (8 June 1867 – 5 June 1901) was a Norwegian writer, famous for her liaisons with various prominent artists, and for the dramatic circumstances of her death. She was the model for some of Edvard Munch's paintings. She had relationships with Munch and briefly with August Strindberg. In 1893, she married the Polish writer Stanisław Przybyszewski. Together they had two children. She was shot by a young lover in a hotel room in Tbilisi in 1901, three days before her thirty-fourth birthday. See also The Legs of Izolda Morgan

How I feel for you, Munch, what with your poor health and existential angst. ( )
  mimal | May 29, 2014 |
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Author nameRoleType of authorWork?Status
Edvard Munchprimary authorall editionscalculated
Hoifodt, FrankForewordsecondary authorall editionsconfirmed
Holland, J. GillEditorsecondary authorall editionsconfirmed
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Scandinavia's most famous painter, the Norwegian Edvard Munch (1863-1944), is probably best known for his painting The Scream, a universally recognized icon of terror and despair. (A version was stolen from the Munch Museum in Oslo, Norway, in August 2004, and has not yet been recovered.) But Munch considered himself a writer as well as a painter. Munch began painting as a teenager and, in his young adulthood, studied and worked in Paris and Berlin, where he evolved a highly personal style in paintings and works on paper. And in diaries that he kept for decades, he also experimented with reminiscence, fiction, prose portraits, philosophical speculations, and surrealism. Known as an artist who captured both the ecstasies and the hellish depths of the human condition, Munch conveys these emotions in his diaries but also reveals other facets of his personality in remarks and stories that are alternately droll, compassionate, romantic, and cerebral. This English translation of Edvard Munch's private diaries, the most extensive edition to appear in any language, captures the eloquent lyricism of the original Norwegian text. The journal entries in this volume span the period from the 1880s, when Munch was in his twenties, until the 1930s, reflecting the changes in his life and his work. The book is illustrated with fifteen of Munch's drawings, many of them rarely seen before. While these diaries have been excerpted before, no translation has captured the real passion and poetry of Munch's voice. This is a translation that lets Munch speak for himself and evokes the primal passion of his diaries. J. Gill Holland's exceptional work adds a whole new level to our understanding of the artist and the depth of his scream.

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