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Loading... The Museum as Muse: Artists Reflect53 | None | 485,942 |
(4.5) | None | "The Museum as Muse: Artists Reflect surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains. This lively, involving, and intellectually provocative presentation encompasses a tremendous variety of artworks, large and small, intimate and expansive, in mediums both familiar and surprising: paintings, sculptures, photographs, drawings, prints, videos, and installations. Fully illustrated with the works of an international cross section of more than sixty artists, this volume makes a substantial and lasting contribution to our understanding of the intertwining, continually metamorphosing relationship between artists and museums."--BOOK JACKET. "Published by The Museum of Modern Art, New York, in 1999 on the occasion of the major exhibition The Museum as Muse: Artists Reflect, this book features an introductory essay by Kynaston McShine, Senior Curator in the Department of Painting and Sculpture at The Museum of Modern Art and director of the exhibition. In the ensuing plate section, short entries by several authors on the art and artists accompany 233 full-color and black-and-white illustrations representing a wide diversity of works of art. Among them are photographs of people, art, spaces, and events taken inside museums, by such aritsts as Henri Cartier-Bresson, Elliott Erwitt, Eve Arnold, Garry Winogrand, and Thomas Struth. Personal museums and cabinets of curiosties, large and in miniature, have been created by Charles Willson Peale, Marcel Duchamp, Joseph Cornell, Claes Oldenburg, Fluxus, and Mark Dion; others have focused on fantastic images of the destruction or transformation of museums, such as the painter Hubert Robert (the first curator of the Louvre), Edward Ruscha, Komar and Melamid, and Christo."--BOOK JACKET. "This wealth of material is followed by an anthology of manifestos, statements, and meditations written by artists in this century; biographies and exhibition stories of the artists; and a bibliography of general and monographic publications."--Jacket.… (more) |
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▾References References to this work on external resources. Wikipedia in EnglishNone ▾Book descriptions "The Museum as Muse: Artists Reflect surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains. This lively, involving, and intellectually provocative presentation encompasses a tremendous variety of artworks, large and small, intimate and expansive, in mediums both familiar and surprising: paintings, sculptures, photographs, drawings, prints, videos, and installations. Fully illustrated with the works of an international cross section of more than sixty artists, this volume makes a substantial and lasting contribution to our understanding of the intertwining, continually metamorphosing relationship between artists and museums."--BOOK JACKET. "Published by The Museum of Modern Art, New York, in 1999 on the occasion of the major exhibition The Museum as Muse: Artists Reflect, this book features an introductory essay by Kynaston McShine, Senior Curator in the Department of Painting and Sculpture at The Museum of Modern Art and director of the exhibition. In the ensuing plate section, short entries by several authors on the art and artists accompany 233 full-color and black-and-white illustrations representing a wide diversity of works of art. Among them are photographs of people, art, spaces, and events taken inside museums, by such aritsts as Henri Cartier-Bresson, Elliott Erwitt, Eve Arnold, Garry Winogrand, and Thomas Struth. Personal museums and cabinets of curiosties, large and in miniature, have been created by Charles Willson Peale, Marcel Duchamp, Joseph Cornell, Claes Oldenburg, Fluxus, and Mark Dion; others have focused on fantastic images of the destruction or transformation of museums, such as the painter Hubert Robert (the first curator of the Louvre), Edward Ruscha, Komar and Melamid, and Christo."--BOOK JACKET. "This wealth of material is followed by an anthology of manifestos, statements, and meditations written by artists in this century; biographies and exhibition stories of the artists; and a bibliography of general and monographic publications."--Jacket. ▾Library descriptions No library descriptions found. ▾LibraryThing members' description
Book description |
Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. -- Specific Object | |
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