None

This new collection of essays questions the old orthodoxies of the image as a formal object. The contributors take note of the new condition of the image and its intersection with time and suggest new ways of configuring the relationship between them. Ranging widely over philosophy, psychoanalysis, and literary studies, as well as art history and media studies, the essays include studies of photography--the idea of a still as bound to a structure of the past haunting the present; sculpture--for example, unpacking a famous piece such as the Laocoon into distinct layers of temporality; painting--for example, through an illuminating discussion of Manet, and a discussion of the merits of a Freudian understanding of blocked or repressed memory against the Prousian/Leibniz model of memory as a crystal image.