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Loading... Subductionby Kristen Millares Young
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"Fleeing the shattered remains of her marriage and a betrayal by her sister, in the throes of a midlife freefall, Latina anthropologist Claudia retreats from Seattle to Neah Bay, a Native American whaling village on the jagged Pacific coast. Claudia yearns to lose herself to the songs of the tribe and the secrets of her guide, a spirited hoarder named Maggie. But when, spurred by his mother's failing memory, Maggie's prodigal son Peter returns seeking answers to his father's murder, Claudia discovers in him the abandon she craves. Through the passionate and violent collision of these two outsiders, Subduction portrays not only their strange allegiance after grievous losses but also their imperfect attempts to find community on the Makah Indian Reservation."-- No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyLC ClassificationRatingAverage:
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Claudia is a forty-year-old Mexican-American anthropologist, whose husband has left her for her sister; on a trip to Neah Bay, Washington, to continue her ethnographic study of the Makah tribe’s penchant for storytelling and song, Claudia’s path crosses with Peter, her main Makah subject Maggie’s black sheep son, who left the reservation some twenty years earlier after discovering his father’s dead body.
Kristen Millares Young pulls this off without any flair or melodrama; in fact, some of the fairly graphic sex scenes are among the most violent in the whole book (i.e., this ain’t no romance). Instead, Young’s prose questions who has the right to belong, how stories unite family units and whole communities, and also how outsiders—as both our main characters feel themselves to be—are viewed by a Native American tribe clinging to its identity, while having lost so much of it as each generation passes (“Anything claimed by one was lost by another”).
Subduction also contains some of the most evocative prose about the natural world that I’ve read in some time, with passages like this: As Christian Keifer puts it in his review in The Paris Review: And this is resoundingly true. Even the structure of the novel is controlled yet racing toward an inevitable collision; in a less talented writer’s hand, Subduction would have veered off into explications, tangible either/ors, but Young keeps her novel’s focus so taut and almost cosmological that it’s not only a gem, but it’s a near masterpiece of now, and a haunting case study of longing and belonging: Highly recommended: this marks the beginning of a literary career well worth following along.
4.5 stars, rounded down ( )