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Letters from Egypt by Lucie Duff Gordon
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Letters from Egypt (edition 1991)

by Lucie Duff Gordon

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661399,051 (3.8)18
Diagnosed with tuberculosis, Lady Lucie Duff Gordon left her family in London in 1862 to take up permanent residence in Upper Egypt or the Saeed. There she wrote Letters from Egypt (1865), which offers an intimate portrayal of the social life of the Saeed, connecting happenings there with international politics and issues around race, class, nation, and gender.… (more)
Member:Liz1564
Title:Letters from Egypt
Authors:Lucie Duff Gordon
Info:Virago Pr (1991), Paperback, 384 pages
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Letters from Egypt by Lucie Duff Gordon

  1. 00
    The Mistress of Nothing by Kate Pullinger (k00kaburra)
    k00kaburra: This is a collection of Lady Duff Gordon's original letters, written fron Egypt. They're quoted a few times in "The Mistress of Nothing" and provided the inspiration for the novel.
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» See also 18 mentions

A friend to George Meredith, Thackeray, and other notables of that time, Lucie Duff Gordon (1821-1969) was raised in a radical, intellectual family and imbued with a sense of adventure; her imagination roamed father than the usual Grand Tour. In 1862, she took a tour to South Africa, attempting to recover from tuberculosis; when that didn’t succeed, she went to Egypt, where her son-in-law was a banker. Although her daughter and son-in-law lived in Alexandria, Gordon spent much of her time in Luxor, living in a ruined house above a temple. Her letters were alternately written to her husband, Sir Alexander Duff Gordon; her mother; and her daughter.

Gordon’s letters reveal someone with a high amount of inquisitiveness and cultural sensitivity; Gordon frees herself from the usual ways that other Europeans stereotyped Egyptians at the time. She was there just as the Europeans were modernizing Egypt, represented by the construction of the Suez Canal, which opened in 1869, the year Gordon passed away. Her letters reflect the changes to rural Egypt that were occurring, as well as observing social systems that were in place (especially criticizing the corvee, which was a system of forced labor that was used to build the Canal), and she was dismayed by the poverty that she witnessed while in Luxor.

Gordon’s tone is lively; perceptive; she had a keen interest in the Egyptian people and their history, and she interacted with the often, especially as an amateur doctor (Hakeemah). “I am in love with the Arabs’ ways, and I have contrived to see and know more of family life than many Europeans who have lived here for years,” she wrote. So we meet a wide variety of people, including Omar, her faithful servant. In all, a lively, entertaining collection of letters. ( )
1 vote Kasthu | Jun 5, 2013 |
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» Add other authors (1 possible)

Author nameRoleType of authorWork?Status
Lucie Duff Gordonprimary authorall editionscalculated
Frank, KatherineIntroductionsecondary authorsome editionsconfirmed
Meredith, GeorgeIntroductionsecondary authorsome editionsconfirmed
Ross, JanetEditorsecondary authorsome editionsconfirmed
Searight, SarahIntroductionsecondary authorsome editionsconfirmed
Waterfield, Gordonsecondary authorsome editionsconfirmed
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Diagnosed with tuberculosis, Lady Lucie Duff Gordon left her family in London in 1862 to take up permanent residence in Upper Egypt or the Saeed. There she wrote Letters from Egypt (1865), which offers an intimate portrayal of the social life of the Saeed, connecting happenings there with international politics and issues around race, class, nation, and gender.

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In 1862 Lucie Duff Gordon, cousin of Harriet Martineau and friend of Caroline Norton, Meredith and Thackeray, embarked on a solo trip to Egypt in an effort to try and rid herself of consumption.  The next seven years were spent in a ruined house above a temple in Luxor, on the Nile.  Lucie Duff Gordon integrated herself quickly in the locale, setting up a hospital from her home and welcoming the people of Luxor, be they officials or slave, into her house.  The absorbing story told through her letters offer a wonderfully penetrating and sympathetic view of mid-nineteenth century Egypt as well as the personal story of this brave and generous woman.
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