ISSO AQUI É SENSACIONAL!!!
https://www.planocritico.com/critica-testemunha-de-acusacao-conto-de-agatha-chri... ( )

Rather predictable but with Christie I always think this is because her plots and methods were innovative when first written and then copied by others ad infinitum.
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This is a reread of this classic Agatha Christie short story on the train back home from seeing the play version at County Hall in London. The play obviously expanded the storyline a lot, but the basic plotline and much of the dialogue was the same. The written story almost feels like a summary of the stage version, it's a very taut piece of writing, with not a word going to waste.

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This Agatha Christie short story is packed full of twists and turns around the case of Leonard Vole, accused of murdering an old lady to get her money. I think this story demonstrates the strength of the short story model. No need for superfluous characters, just a straightforward but gripping story. ( )

I have been on a bit of an Agatha Christie roll lately. Having never read anything by her before last year (and never watched any of the TV or film adaptations), I was inspired to read And Then There Were None, after watching the superb TV adaptation of that novel at the end of 2016. Since then, I’ve been catching up on other TV films and have several of her novels stockpiled to read.

My reason for wanting to read this particular book was that the title story, The Witness for the Prosecution, has also been adapted by the BBC, and I wanted to read the story first. I was slightly surprised that it was a short story (and that it was as short as it was), but I enjoyed it. That said, I did not think the twist was quite as spectacular as I had been led to believe by other reviews, and it wasn’t my favourite story in the collection.

The other stories with brief descriptions, are as follows:

*The Red Signal* (I had read this one before): A story of mental illness and unhappy marriages. Sounds cheery doesn’t it?! I liked it a lot though.
*The Fourth Man*: Four men are on a train, and three of them know each other. The fourth man is drawn into their conversation and reveals some interesting details about an infamous woman they are discussing. Enjoyable on the whole, although it was an entirely different story to what I was anticipating from the set-up.
*SOS*: A man’s car breaks down and he seeks refuge for the night with a family who are clearly hiding secrets. He endeavours to find out what they are (and naturally does so). I liked it. It had an air of sinisterness about it – which admittedly is Agatha Christie’s forte – which worked well.
*Wireless*: This was probably my favourite one in the whole collection. An elderly woman has heart problems and is warned that she must not get too excitable and also must not brood on her troubles. Her nephew buys her a wireless to take her mind off things, but then strange events start happening. Although I thought it was fairly easy to guess who was responsible, an added twist at the end made this thoroughly enjoyable.
*The Mystery of the Blue Jar* (another one I had read before): A young man is driven mad when he hears a voice call out ‘Murder’ at the same time every morning while he is on the golf course. He befriends a young woman and her father who live nearby and together they try to work out what is happening. Probably my second favourite in this collection.
*Sing a Song of Sixpence*: Bit of an odd one this. The mystery itself was clever enough – a woman is murdered and the four members of her family who are the potential suspects all seem to be innocent, but there appears to be no possibility that it could be anyone else – however, I did feel that the reader had been tricked a bit when the final denouement was revealed. Also, I did not like the chauvinistic detective figure in this one!
*Mr Eastwood’s Adventure (aka The Mystery of the Second Cucumber)*: This was a lot of fun, and another contender for my second favourite of the collection. A man receives a mysterious phone call, clearly meant for someone else, and cannot resist investigating. Naturally he gets himself entangled in all manner of problems. This was quite amusing. I would have stuck with the original title of The Mystery of the Second Cucumber though.
*Philomel Cottage*: A woman marries a man after a brief romance. She then learns that he is a murderous psychopath and has to plan a way to get out alive. This was probably the weakest of the collection for me, which is not to say that I didn’t enjoy reading it. I had forgotten the ending when I came to write this review though, which is never a good sign!
*Accident*: Two men are discussing a woman who one of them is convinced is a murderer who has started her life anew under a different name. They believe that her current husband is at risk of being killed by her, and one of them sets out to try and stop that happening.
*The Second Gong*: A family gather for dinner but the uncle is found shot dead in a locked room. It appears that he has committed suicide but Hercule Poirot is convinced that there has been foul play. And Poirot of course always gets his man. I like Poirot stories partly because I love David Suchet and always think of him in the role. This was very cleverly done, and I enjoyed it a lot.
*Hercule Poirot and the Regatta Mystery*: Another Poirot story – a group of people are gather together and a valuable diamond goes missing. The indefatigable Belgian detective is called in to work out who has taken it. Naturally he figures it out.

I’ll be honest here and say that as a general rule, I am not a huge fan of short stories. I prefer novels, where we get to know characters better and plot-lines are more developed. However, as an undemanding diversion these stories worked perfectly well – as can only be expected, some are more enjoyable than others, and probably every reader will have their own ideas of which were the best and which were the worst. It’s also worth mentioning that if you already have any short story collections of Agatha Christie, it’s worth checking that you don’t already possess all of these stories before spending money on this specific book. Most of these appear in the Miss Marple and Mystery story collect and others appear in other collections by Christie.

Overall, based on this collection I remain a fan of Agatha Christie although I definitely prefer her longer novels. ( )

The majority of these stories have a supernatural bent, which is unusual for Christie, but shows her skill at creating tension in just a short amount of time. "The Fourth Man" is a tale of three orphans, two of whom are at the mercy of their more attractive and cruel friend, and is particularly good. The title story is a good, twisted crime story. ( )