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Days of Sand (2021)

by Aimée de Jongh

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804334,857 (4.25)5
A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s America. United States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.… (more)
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» See also 5 mentions

English (2)  French (1)  Dutch (1)  All languages (4)
Showing 2 of 2
"Days of Sand-Part 1" by Aimee de Jongh is Historical Fiction Graphic Novel. It tells the story of 22 years old John Clark, a photographer. On October 24, 1929, the Stock Market Crashed sending the US into the Great Depression, where thousands lost their jobs, homes, and even their minds. John Clark was a lucky man who obtained a job as a photographer, with a photo agency that works with the US Government. His assignment is to travel to the Mid West to take photographs "Dust Bowl Life." Years of droughts and farmers reusing of the same land over and over again, caused the ground to become dust and the winds carried the dust for miles and miles causing towns to be become dark during the day. John meets both people who are appreciate that the Government will see what is going on & for any help, but at the same they also feel like models in a play.

I received a free copy of this book via NetGalley and am voluntarily leaving a review. ( )
  Keiffer | May 16, 2023 |
Here's a case of the author choosing the least interesting character in the book to be the narrator. John Clark, 22 years old, is hired by the U.S. government during the Great Depression to travel from New York City to Oklahoma in order to photograph the effects the Dust Bowl is having on the countryside and the people living there. Like the Dutch author, he's an outsider looking in. Clark uses the suffering of others to work through his daddy issues and the ethics of candid vs. staged photography for the purpose of propaganda. So, you know, good for him.

Nice art, and full-page reprints of real photographs taken during the Dust Bowl by the likes of Dorothea Lange and Arthur Rothstein are included. ( )
  villemezbrown | Jun 3, 2022 |
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Epigraph
In the dust-covered desolation of our No Man's Land here, wearing out shade hats, with handkerchiefs tied over our faces and Vaseline in our nostrils, we have been trying to rescue our home from the wind-blown dust which penetrates wherever air can go. It is almost a hopeless task, for there is rarely a day when at some time the dust clouds do not roll over. "Visibility" approaches zero and everything is covered again with a silt-like deposit which may vary in depth from a film to actual ripples on the kitchen floor.
- Caroline A. Henderson describes life in the Dust Bowl, in a letter dated June 30th, 1935.
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Oklahoma, 1937.

How did I end up here? How did this happen? It seems only yesterday . . . that I was rushing down the streets of Washington.
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(Click to show. Warning: May contain spoilers.)
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This is the complete story of 288 pages. It has also been published in two books under the same title, with a Part 1 of 147 pages and a Part 2 of 135 pages.

Contents: Chapters 1-8
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A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s America. United States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.

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