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Emilia Galotti (1772)

by Gotthold Ephraim Lessing

Other authors: See the other authors section.

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628237,213 (3.34)6
Emilia Galotti, by German writer, philosopher, dramatist, and art critic, Gotthold Ephraim Lessing, was originally published in English as translated by Ernest Bell, in 1891. The work is a play in five acts, originally premiering on the 8th of March 1772 in Brunswick. The work is a classic example of German b�rgerliches Trauerspiel (bourgeois tragedy). Emilia Galotti is a drama of the Enlightenment, though it doesn't precisely follow the standard French model of the era. Although love is a central theme, in reality Emilia Galotti is primarily a political commentary. The arbitrary style of rule by the aristocracy is placed in stark contrast to the new and enlightened morality of the bourgeoisie.… (more)
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» See also 6 mentions

Showing 2 of 2
5
  kutheatre | Jun 7, 2015 |
German Classic
  Budzul | May 31, 2008 |
Showing 2 of 2
no reviews | add a review

» Add other authors (14 possible)

Author nameRoleType of authorWork?Status
Lessing, Gotthold EphraimAuthorprimary authorall editionsconfirmed
Breth, AndreaDirectorsecondary authorsome editionsconfirmed
Diekhans, JohannesHerausgebersecondary authorsome editionsconfirmed
Heider, MartinHerausgebersecondary authorsome editionsconfirmed
Lewes, Charles LeeTranslatorsecondary authorsome editionsconfirmed
Thalheimer, MichaelDirectorsecondary authorsome editionsconfirmed

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Der Prinz, an einem Arbeitstische, voller Briefschaften und Papiere, deren einige er durchläuft.
Klagen, nichts als Klagen!
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Emilia Galotti, by German writer, philosopher, dramatist, and art critic, Gotthold Ephraim Lessing, was originally published in English as translated by Ernest Bell, in 1891. The work is a play in five acts, originally premiering on the 8th of March 1772 in Brunswick. The work is a classic example of German b�rgerliches Trauerspiel (bourgeois tragedy). Emilia Galotti is a drama of the Enlightenment, though it doesn't precisely follow the standard French model of the era. Although love is a central theme, in reality Emilia Galotti is primarily a political commentary. The arbitrary style of rule by the aristocracy is placed in stark contrast to the new and enlightened morality of the bourgeoisie.

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