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Loading... The Secret Garden (original 1911; edition 1999)29,583 | 504 | 78 |
(4.14) | 917 | Ten-year-old Mary comes to live in a lonely house on the Yorkshire moors and discovers an invalid cousin and the mysteries of a locked garden. |
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 Sign up for LibraryThing to find out whether you'll like this book. ▾Conversations (About links) No current Talk conversations about this book. » See also 917 mentions » Add other authors (120 possible) Author name | Role | Type of author | Work? | Status | Burnett, Frances Hodgson | Author | primary author | all editions | confirmed | Agutter, Jenny | Narrator | secondary author | some editions | confirmed | Arcady | Illustrations | secondary author | some editions | confirmed | Bailey, Josephine | Narrator | secondary author | some editions | confirmed | Bailey, Peter | Illustrator | secondary author | some editions | confirmed | Barrett, Angela | Illustrator | secondary author | some editions | confirmed | Bauman, Jill | Illustrator | secondary author | some editions | confirmed | Bawden, Nina | Foreword | secondary author | some editions | confirmed | Brown, Barbara | Illustrator | secondary author | some editions | confirmed | Carpenter, Nancy | Illustrator | secondary author | some editions | confirmed | Carter, Helena Bonham | Narrator | secondary author | some editions | confirmed | Caswell, Kelly | Illustrator | secondary author | some editions | confirmed | Child, Lauren | Illustrator | secondary author | some editions | confirmed | Christenson, Hannah | Artist | secondary author | some editions | confirmed | Cockcroft, Jason | Illustrator | secondary author | some editions | confirmed | Collier, Mary | Illustrator | secondary author | some editions | confirmed | Cross, Gillian | Foreword | secondary author | some editions | confirmed | Dahl, Sophie | Introduction | secondary author | some editions | confirmed | Dellaporta, Penelope | Narrator | secondary author | some editions | confirmed | Design, Peartree | Photographer | secondary author | some editions | confirmed | Devine, Phil | Illustrator | secondary author | some editions | confirmed | Gallagher, Susan | Illustrator | secondary author | some editions | confirmed | Gerding, Laura | Illustrator | secondary author | some editions | confirmed | Gerzina,Gretchen Holbrook | Editor | secondary author | some editions | confirmed | Gibson, Flo | Narrator | secondary author | some editions | confirmed | Gilbert, Sandra M. | Introduction | secondary author | some editions | confirmed | Gillan, Karen | Narrator | secondary author | some editions | confirmed | Graham, Eleanor | Editor | secondary author | some editions | confirmed | Gratias, Carole | Translator | secondary author | some editions | confirmed | Hague, Michael | Illustrator | secondary author | some editions | confirmed | Hömke, Friedel | Translator | secondary author | some editions | confirmed | Høverstad, Torstein Bugge | Translator | secondary author | some editions | confirmed | Hewetson, Nicholas | Illustrator | secondary author | some editions | confirmed | Hoff, Gerd | Translator | secondary author | some editions | confirmed | Howell, Troy | Illustrator | secondary author | some editions | confirmed | Hughes, Finola | Narrator | secondary author | some editions | confirmed | Hughes, Shirley | Illustrator | secondary author | some editions | confirmed | Hunt, Peter | Editor | secondary author | some editions | confirmed | Ingpen, Robert | Illustrator | secondary author | some editions | confirmed | Johnson, Cilla | Translator | secondary author | some editions | confirmed | Karhulahti, Sari | Translator | secondary author | some editions | confirmed | Kaster, Shelley Austin | Illustrator | secondary author | some editions | confirmed | Kincaid, Eric | Illustrator | secondary author | some editions | confirmed | Kirk, Maria | Illustrator | secondary author | some editions | confirmed | Kliros, Thea | Illustrator | secondary author | some editions | confirmed | Knight, Kathryn | Editor | secondary author | some editions | confirmed | Konigsburg, E.L. | Introduction | secondary author | some editions | confirmed | Kork, M. B. | Illustrator | secondary author | some editions | confirmed | Lauter, Richard | Illustrator | secondary author | some editions | confirmed | Lawrie, Robin | Illustrator | secondary author | some editions | confirmed | Lermuzeaux, Antoine | Translator | secondary author | some editions | confirmed | Lurie, Alison | Contributor | secondary author | some editions | confirmed | Marklew, Gilly | Illustrator | secondary author | some editions | confirmed | Marks, Alan | Illustrator | secondary author | some editions | confirmed | Maroney, Vanessa | Narrator | secondary author | some editions | confirmed | Martin, Ann Matthews | Introduction | secondary author | some editions | confirmed | Masterman, Dodie | Illustrator | secondary author | some editions | confirmed | Mayer, Felix | Translator | secondary author | some editions | confirmed | Müller, Klaus | Illustrator | secondary author | some editions | confirmed | McCaddon, Wanda | Narrator | secondary author | some editions | confirmed | McKowen, Scott | Illustrator | secondary author | some editions | confirmed | McNulty, Faith | Afterword | secondary author | some editions | confirmed | Mitchell, Kathy | Illustrator | secondary author | some editions | confirmed | Moore, Inga | Illustrator | secondary author | some editions | confirmed | Muller, Jill | Introduction | secondary author | some editions | confirmed | Numminen, Emilia | Translator | secondary author | some editions | confirmed | Partridge, Tom | paper engineer | secondary author | some editions | confirmed | Portugal, Roberto G. | Translator | secondary author | some editions | confirmed | Reim, Riccardo | Editor | secondary author | some editions | confirmed | Rinaldi, Angelo | Cover artist | secondary author | some editions | confirmed | Robinson, Charles | Illustrator | secondary author | some editions | confirmed | Rozier-Gaudriault | Illustrator | secondary author | some editions | confirmed | Rust, Graham | Illustrator | secondary author | some editions | confirmed | Sanderson, Ruth | Illustrator | secondary author | some editions | confirmed | Savage, Karen | Narrator | secondary author | some editions | confirmed | Sebold, Alice | Introduction | secondary author | some editions | confirmed | Shallenberg, Kara | Narrator | secondary author | some editions | confirmed | Shepard, Ernest H | Illustrator | secondary author | some editions | confirmed | South, Anna | Afterword | secondary author | some editions | confirmed | Stevenson, Juliet | Narrator | secondary author | some editions | confirmed | Sutton, Judith | Illustrator | secondary author | some editions | confirmed | Swan, Toini | Translator | secondary author | some editions | confirmed | Tamaki, Jillian | Illustrator | secondary author | some editions | confirmed | Terrazzini, Daniela Jaglenka | Illustrator | secondary author | some editions | confirmed | Thorne, Jenny | Illustrator | secondary author | some editions | confirmed | Tudor, Tasha | Illustrator | secondary author | some editions | confirmed | Tudor, Tasha | Illustrator | secondary author | some editions | confirmed | Twinn, Colin | Illustrator | secondary author | some editions | confirmed | Unwin, Nora S. | Illustrator | secondary author | some editions | confirmed | Veegens-Latorf, E. | Translator | secondary author | some editions | confirmed | Ward, Johanna | Narrator | secondary author | some editions | confirmed | Włodarkiewiczowa, Jadwiga | Translator | secondary author | some editions | confirmed |
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When Mary Lennox was sent to Misselthwaite Manor to live with her uncle, everybody said she was the most disagreeable-looking child ever seen.  | |
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The seeds Dickon and Mary had planted grew as if fairies had tended them. Satiny poppies of all tints danced in the breeze by the score, gaily defying flowers which had lived in the garden for years and which it might be confessed seemed rather to wonder how such new people had got there. And the roses—the roses! Rising out of the grass, tangled round the sundial, wreathing the tree trunks, and hanging from their branches, climbing up the walls and spreading over them with long garlands falling in cascades—they came alive day by day, hour by hour. Fair, fresh leaves and buds— and buds—tiny at first, but swelling and working Magic until they burst and uncurled into cups of scent delicately spilling themselves over their brims and filling the garden air.  And over walls and earth and trees and swinging sprays and tendrils the fair green veil of tender little leaves had crept, and in the grass under the trees and the gray urns in the alcoves and here and there everywhere were touches or splashes of gold and purple and white and the trees were showing pink and snow above his head and there were fluttering of wings and faint sweet pipes and humming and scents and scents. And the sun fell warm upon his face like a hand with a lovely touch. And in wonder Mary and Dickon stood and stared at him.  They always called it Magic and indeed it seemed like it in the months that followed--the wonderful months--the radiant months--the amazing ones. Oh! the things which happened in that garden! If you have never had a garden you cannot understand, and if you have had a garden you will know that it would take a whole book to describe all that came to pass there. At first it seemed that green things would never cease pushing their way through the earth, in the grass, in the beds, even in the crevices of the walls. Then the green things began to show buds and the buds began to unfurl and show color, every shade of blue, every shade of purple, every tint and hue of crimson. In its happy days flowers had been tucked away into every inch and hole and corner. Ben Weatherstaff had seen it done and had himself scraped out mortar from between the bricks of the wall and made pockets of earth for lovely clinging things to grow on. Iris and white lilies rose out of the grass in sheaves, and the green alcoves filled themselves with amazing armies of the blue and white flower lances of tall delphiniums or columbines or campanulas. "She was main fond o' them--she was", Ben Weatherstaff said.  It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of climbing roses which were so thick that they were matted together. Mary Lennox knew they were roses because she had seen a great many roses in India. All the ground was covered with grass of a wintry brown and out of it grew clumps of bushes which were surely rosebushes if they were alive. There were numbers of standard roses which had so spread their branches that they were like little trees. There were other trees in the garden, and one of the things which made the place look strangest and loveliest was that climbing roses had run all over them and swung down long tendrils which made light swaying curtains, and here and there they had caught at each other or at a far-reaching branch and had crept from one tree to another and made lovely bridges of themselves. There were neither leaves nor roses on them now and Mary did not know whether they were dead or alive, but their thin gray or brown branches and sprays looked like a sort of hazy mantle spreading over everything, walls, and trees, and even brown grass, where they had fallen from their fastenings and run along the ground. It was this hazy tangle from tree to tree which made it all look so mysterious. Mary had thought it must be different from other gardens which had not been left all by themselves so long; and indeed it was different from any other place she had ever seen in her life.  There had once been a flowerbed in it, and she thought she saw something sticking out of the black earth- -some sharp little pale green points. She remembered what Ben Weatherstaff had said and she knelt down to look at them. "Yes, they are tiny growing things and they might be crocuses or snowdrops or daffodils," she whispered. She bent very close to them and sniffed the fresh scent of the damp earth. She liked it very much. "Perhaps there are some other ones coming up in other places," she said. "I will go all over the garden and look." She did not skip, but walked. She went slowly and kept her eyes on the ground. She looked in the old border beds and among the grass, and after she had gone round, trying to miss nothing, she had found ever so many more sharp, pale green points, and she had become quite excited again. "It isn't a quite dead garden," she cried out softly to herself. "Even if the roses are dead, there are other things alive." She did not know anything about gardening, but the grass seemed so thick in some of the places where the green points were pushing their way through that she thought they did not seem to have room enough to grow. She searched about until she found a rather sharp piece of wood and knelt down and dug and weeded out the weeds and grass until she made nice little clear places around them. "Now they look as if they could breathe," she said, after she had finished with the first ones. "I am going to do ever so many more. I'll do all I can see. If I haven't time today I can come tomorrow." She went from place to place, and dug and weeded, and enjoyed herself so immensely that she was led on from bed to bed and into the grass under the trees.  | |
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This is the work for the original text. Please do not combine movies, adaptations, or other shortened editions to this work. Thanks!  | |
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▾References References to this work on external resources. Wikipedia in English (1)
▾Book descriptions Ten-year-old Mary comes to live in a lonely house on the Yorkshire moors and discovers an invalid cousin and the mysteries of a locked garden. ▾Library descriptions No library descriptions found. ▾LibraryThing members' description
Book description |
AR 6.3, Pts 13
One of the illustrators of The Secret Garden, Inga Moore, says, “I read a passage describing how Mary feels when she first sees the robin, sitting in a tree, singing its winter song. The image of the little girl in the big, bare garden looking up at this tiny point of color and life leaped into my mind and asked to be drawn.”  | |
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What do you get when a seemingly unkept garden and two unpleasant, sullen children are thrown into each other's path? Magic. Not the hocus-pocus type, but instead the healing powers of nature.
"Rising out of the grass, tangled round the sun-dial, wreathing the tree trunks and hanging from their branches, climbing up the walls and spreading over them with long garlands falling in cascades—they came alive day by day, hour by hour. Fair fresh leaves, and buds—and buds—tiny at first but swelling and working Magic until they burst and uncurled into cups of scent delicately spilling themselves over their brims and filling the garden air."
According to "Unearthing The Secret Garden: The Plants and Places That Inspired Frances Hodgson Burnett" by Marta McDowell, "The Secret Garden" was partially based on Frances Hodgson Burnett's memories of her own beloved garden at Maytham Hall, in Kent, England, where she resided between 1898–1908. The fictitious story may be considered semi-autobiographical, as Burnett drew on some of the garden staff at Kent, family members and even herself, for various character's personalities. In her story, Burnett also highlighted some of disparities between the British upper class and the lower classes during the Crown Rule in India.
This was actually a reread for me. The first time I read "The Secret Garden" during 2014, I did not write a review, so I can only state I rated it four stars. The specific version I read this time around was "Kindle in Motion" which features beautifully rendered illustrations, some of them animated. Although I did enjoy revisiting this classic children's story, filled with beautiful descriptions of flowers and greenery, I appreciated the illustrations more this time around. Although the book is categorized as a Children's Classics, it is just as much a story for adults and our spiritual connection to plants and animals. (