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Hide and Seek (1991)

by Ian Rankin

Other authors: See the other authors section.

Series: Inspector Rebus (2)

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2,325646,635 (3.68)98
The second Inspector Rebus novel from 'Britain's No.1 crime writer' DAILY MIRROR. A junkie lies dead in an Edinburgh squat, spreadeagled, cross-like on the floor, between two burned-down candles, a five-pointed star daubed on the wall above. Just another dead addict - until John Rebus begins to chip away at the indifference, treachery, deceit and sleaze that lurks behind the facade of the Edinburgh familiar to tourists. Only Rebus seems to care about a death which looks more like a murder every day, about a seductive danger he can almost taste, appealing to the darkest corners of his mind...… (more)
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English (60)  Spanish (2)  Dutch (1)  German (1)  All languages (64)
Showing 1-5 of 60 (next | show all)
Good characters, plot, pacing. Will try more of the series
  cspiwak | Mar 6, 2024 |
(1990) Very good. Coming back to Rebus after long time since reading Knots & Crosses. Wikipedia:Hide and Seek (Rankin novel)From Wikipedia, the free encyclopediaJump to navigationJump to searchHide and SeekIanRankinHideandSeek.jpgFirst editionAuthor Ian RankinCountry ScotlandLanguage EnglishGenre Detective fictionPublisher Barrie & JenkinsPublication date 1991Media type Print (Hardback & Paperback)Pages 210 ppISBN 0-7126-3896-2OCLC 40815552Preceded by Knots and Crosses Followed by Tooth and Nail Hide and Seek is a 1991 crime novel by Ian Rankin. It is the second of the Inspector Rebus novels. This novel is not to be confused with James Patterson's 1996 novel Hide and Seek.Contents1 Plot summary1.1 Real-life scandal2 Connections to other Rankin books3 Writing Hide and Seek4 ReferencesPlot summaryDetective Inspector John Rebus finds the body of an overdosed drug addict in an Edinburgh squat, laid out cross-like on the floor, between two burned-down candles, with a five-pointed star painted on the wall above. Some of his colleagues are inclined to categorise it as the routine death of a "junkie", but Rebus is perturbed by some unusual facts of the case: a full package of heroin in the dead man's room, and some mysterious bruises on his face and body. Rebus takes seriously a death which looks more like a murder every day, and he begins to investigate the true circumstances of the death. As part of his investigation, Rebus finds the young woman named Tracy who knew the dead man and heard his terrifying last words: "Hide! Hide!"It emerges that the dead man was a photographer who took and hid some sensitive photos in a specialist private members' club - Hyde's - where highly connected people in society watch illegal boxing. Rebus is able to arrest Hyde's owner and several high-profile members, but to his outrage and disgust all the prisoners die suspicious deaths: the powers-that-be are covering it up to prevent scandal.Real-life scandalShortly after Rankin moved to London, there was a real-life case of male prostitutes bribing lawyers and judges, similar to some parts of the book: "questions were asked in parliament" and two lawyers began to investigate the police investigation. "To everyone's surprise, this inquiry found that the allegations were false. Police officers involved in the case found themselves demoted..."[1]Connections to other Rankin booksRian, a character who appears in Rankin's first novel, The Flood, reappears in this book.Rebus remembers journalist Jim Stevens from Knots and Crosses, and that he has since moved to London and married a girl "half his age" - a reference to Stevens in Watchman.When encountering a rentboy, Rebus has a brief flashback to Gordon Reeve from Knots and Crosses.Recurring characters Brian Holmes, a fellow detective, and Superintendent "Farmer" Watson first appear here.Writing Hide and SeekIn the Exile on Princes Street foreword to Rebus: The Early Years, Rankin says this was his second attempt at updating Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde into then-modern Edinburgh ("one reviewer 'got it'"), and with this book he began to like Rebus as a character and thought he could use him as a recurring mouthpiece for stories about his views on Scotland.[2]
  derailer | Jan 25, 2024 |
Hadn't realised this was the second book—never read them in order—explains a bit though. Perfectly good Rebus outing, character hasn't really settled in yet and nor has the supporting cast. Plot is good, nice occult red herring, spirals quickly to massive conspiracy and then is seemingly reeled in as Rankin realises he needs some of Edinburgh left for the rest of the series. ( )
  hypostasise | Sep 18, 2023 |
Thoroughly enjoyable crime novel based in seedier parts of Edinburgh. Second of the Rebus novels. ( )
  cbinstead | Jul 29, 2023 |
A dead junkie is found in an Edinburgh squat, the victim of an overdose. To most cops, that’s barely worth a mention. To John Rebus, it looks like a crime.

I didn’t love the first book in Ian Rankin’s Rebus series, but was encouraged by friends to persist (they say gets better). Well, they were right. This is a better book than the first in the series. It still has its issues (two police officers Rebus works with this time are named — I’m not making this up — Holmes and Watson). But the story is more interesting and I’m tempted to continue with the series based on this book. ( )
  ericlee | Oct 24, 2022 |
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Author nameRoleType of authorWork?Status
Ian Rankinprimary authorall editionscalculated
Macpherson, JamesNarratorsecondary authorsome editionsconfirmed
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Epigraph
"My devil had long been caged, he came out roaring."--The Strange Case of Dr. Jekyll and Mr. Hyde
Dedication
To Michael Shaw, not before time
First words
'Hide!'
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(Click to show. Warning: May contain spoilers.)
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The second Inspector Rebus novel from 'Britain's No.1 crime writer' DAILY MIRROR. A junkie lies dead in an Edinburgh squat, spreadeagled, cross-like on the floor, between two burned-down candles, a five-pointed star daubed on the wall above. Just another dead addict - until John Rebus begins to chip away at the indifference, treachery, deceit and sleaze that lurks behind the facade of the Edinburgh familiar to tourists. Only Rebus seems to care about a death which looks more like a murder every day, about a seductive danger he can almost taste, appealing to the darkest corners of his mind...

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