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The Day of Judgment (1977)

by Salvatore Satta

Other authors: See the other authors section.

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2577103,591 (4.11)None
At precisely nine o'clock, as he did every evening, Don Sebastiano Sanna Carboni pushed back his armchair, carefully folded the newspaper which he had read to the very last line, tidied up the little things on his desk, and prepared to go down to the ground floor... Around the turn of the twentieth century, in the isolated Sardinian town of Nuoro, the aristocratic notary Don Sebastiano Sanna reflects on his life, his family's history and the fortunes of this provincial backwater where he has lived out his days.… (more)
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Italian (4)  English (2)  Dutch (1)  All languages (7)
Showing 2 of 2
Una Nuoro che cambia, simbolo (geograficamente) sovrastante un'isola che sparisce trasformandosi, nelle parole chiuse di Satta. Un mesocosmo di usi, caratteri, bestie e servitu'. Nello svolgersi della schiatta dei Sanna, il percorso della memoria di Satta narra il dettaglio delle vite schive e spesso sprecate dei nuoresi a cavallo del '900. I dolori di allora sono tuttavia gli stessi di oggi; in più c'e' pero' poesia, dignità e un senso del tempo che passa che va oltre al normale sentimento di nostalgia. Un libro denso e opaco, terapeutico come un pianto. ( )
  bobparr | Dec 14, 2014 |
An exquisite book, somewhat autobiographical, by an eminent Italian jurist, published posthumously and his only work of fiction. Tells of life in Sardinia (Nuoro) in the early 1900s. A true and instant modern Italian classic, right up there with The Leopard (the Sicilian version, if you will). Used the last lines of the book as the epigram to my own novel. ( )
1 vote Taruschio | Jun 11, 2010 |
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» Add other authors (4 possible)

Author nameRoleType of authorWork?Status
Salvatore Sattaprimary authorall editionscalculated
Creagh, PatrickTranslatorsecondary authorsome editionsconfirmed
De Matteis-Vogels, FridaTranslatorsecondary authorsome editionsconfirmed
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Don Sebastano Sanna Carboni, alle nove in punto, come tutte le sere, spinse indietro la poltrona, piegò accuratamente il giornale che aveva letto fino all'ultima riga, riassettò le piccole cose sulla scrivania, e si apprestò a scendere al piano terreno...
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Come in una di quelle assurde processioni del paradiso dantesco sfilano in teorie interminabili, ma senza cori e candelabri, gli uomini della mia gente. Tutti si rivolgono a me, tutti vogliono deporre nelle mie mani il fardello della loro vita, la storia senza storia del loro essere stati... E forse mentre penso la loro vita, mi sentono come un ridicolo dio, che li ha chiamati a raccolta nel giorno del giudizio, per liberarli in eterno dalla loro memoria.
A pensarci bene, Dio è fatto per il singolo individuo che ripone in lui la speranza, non per l'intera umanità, con le sue leggi, la sua organizzazione, la sua forza. L'umanità è il demonio che Dio non riesce a distruggere.
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At precisely nine o'clock, as he did every evening, Don Sebastiano Sanna Carboni pushed back his armchair, carefully folded the newspaper which he had read to the very last line, tidied up the little things on his desk, and prepared to go down to the ground floor... Around the turn of the twentieth century, in the isolated Sardinian town of Nuoro, the aristocratic notary Don Sebastiano Sanna reflects on his life, his family's history and the fortunes of this provincial backwater where he has lived out his days.

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