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Give My Regards to Nowhere: A Director's Tale

by Richard Engling

MembersReviewsPopularityAverage ratingConversations / Mentions
13121,465,364 (3.5)1 / 3
Chicago director Dwayne Finnegan has a long shot at the big time and only two obstacles: himself and everyone he knows.Dwayne's got an idea of how to direct Shakespeare's least-favorite play that could set him on the road to Broadway. We're talking Bob Fosse choreography, Jimi Hendrix guitars, and the hottest cast in the city of Chicago. But when the show's producer cuts out with the cash, Dwayne decides to produce the show himself, putting his marriage and his meager finances at risk. What could go wrong?"Richard Engling knows Chicago's famously chaotic and glorious storefront theater scene like the back of his hand. It's the perfect setting for absurd comic hi-jinx."- Chris Jones, Chicago Tribune, author of Rise Up! and Bigger, Brighter, Louder"A scrappy, big-hearted backstage comedy layered with mordant wit and full of a deep, abiding love for its characters..."- Adam Langer, author of Cyclorama "Hilarious, witty, touching, intelligent, and spot-on. Engling's novel about the many joys and incessant headaches of running a storefront Chicago theater is truth that could only be told as believably as it is, as fiction. The characters pulse with life, conflict, tons of drama, and humanity. Entire chapters are laugh-out-loud funny, and issues of marriage, friendship, loyalty, and the nature of theater and art flow through every sentence. A one-sit read, I promise!"- Nadeem Zaman, author of The Inheritors and Up in the Main House and Other Stories "Richard Engling is undoubtedly a writer's writer. It's hard not to read him without marveling at the skill of construction. But the technical virtuosity of Give My Regards to Nowhere is performed like prestidigitation: it's a magic trick performed in plain view. The novel is comic, wise, and riveting. It gives us the theatrical world, but also the world of anyone whose ever struggled against the odds. But Engling is also a reader's writer, those who read him without fretting about how these marvels are executed will turn each page with the thrill of discovery and immersion in this richly entertaining novel."- Liam Heneghan, author of Beasts at Bedtime… (more)
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Showing 1-5 of 12 (next | show all)
This review was written for LibraryThing Early Reviewers.
Dwayne Finnegan believes that he has made the theatrical connection that will finally give him a shot at working on Broadway. All he has to do is show the Broadway producer what he's capable of ... no pressure there, right? He's got an idea for Shakespeare's Titus Andronicus that should set the town on fire (does Chicago need another fire?) and he's got a cast that will get some attention and who are more than capable of pulling it off.
But first there's the little problem of getting the theatre. Spaces get booked many months in advance, but Dwayne needs a theatre ASAP. Those still available, are so for a reason, but his technical director assures him the space can be made ready in time for opening. But in keeping with Murphy's Law, securing the space for his masterful production is only one of many set-backs Finnegan will face before the coup de grâce.

I've spent a fair amount of time working in theatre myself and can recognize all these characters and all these situations as quite authentic. And perhaps it's for that reason that I didn't find this particularly funny (this is billed as a comic tale) and at the same time, not having insider knowledge might prevent some of the humor (?) from coming across. For instance, will the average reader understand the absurdity of choosing Titus Andronicus to make a bold statement?

I didn't really connect with any of these characters, even if they were familiar to me, which leaves the story as the major source of entertainment here. The story isn't bad, but it gets a little long with one disaster after another, and the personal issues mean almost nothing to me since I didn't really care about the characters and therefore just added nothing for me.

My biggest 'problem' with the story is the climactic disaster (I'm trying not to give anything away) which comes about almost randomly. Nothing Dwayne says or does creates the climax to the book, which makes this really disappointing.

Equally interesting ... the denouement would seem to me to be positive and uplifting, but Dwayne has trouble seeing it that way. So are all his problems ultimately a result of his own outlook?

Looking for a good book? Give My Regards to Nowhere by Richard Engling shows a strong knowledge of a life in theatre, but the characters don't grab attention in the right way and the story ultimately leaves the reader unsatisfied (much like Dwayne himself). A fine read, but not recommend-worthy.

I received a digital copy of this book from the publisher, through LibraryThing, in exchange for an honest review. ( )
  stickerooni | Sep 15, 2023 |
This review was written for LibraryThing Early Reviewers.
A very entertaining, very Chigagoan tale of a theater production with all the drama, intrigue, sexual escapades, artistic and financial struggle it brings.
As an ex-theater girl I found this book delightful to read.
Luckily, in the German-speaking countries we know that kind of existential financial struggle only from the independent off-theater scene, if at all; because most theaters are (at least partly) state funded ensemble theaters. Yet the complications and catastrophes and drama is the same in most theaters all over the world. The book brought back so many fond memories.
It's very fast-paced and entertaining, yet somehow quite ridiculous in parts: Dwayne had so little insight into the activities of his troupe it was no wonder he struggled so much. Hey – how can you call yourself an 'artistic director' and be directing a play when you have no idea at all what your ensemble are up to?!?
How did Ingrid stay informed yet Dwayne, as the head of the troupe, careened cluelessly and swearing interesting variations of religious expletives though nearly the whole book?
Also, this guy had to suffer so many near-electrocutions it's a miracle he survived... :)
But well, it was fun and made me read Titus Andronicus – what more is there to ask for?

I received this eARC via LibraryThing's Early Reviewers program - Thanks, LT and author! - in exchange for an honest review. ( )
  Yuki-Onna | Jul 24, 2023 |
This review was written for LibraryThing Early Reviewers.
I received a free copy of this book in exchange for an honest review.

I don’t know much about the theatre, so this book was an interesting peek into that world. I found the first few chapters confusing, but eventually that evened out. Howver, the story itself was a little frustrating as all of the crisis points involved Dwayne, the protagonist, just letting stuff happen without asking any questions. Then, somehow, when it suited the plot he managed to work out what to say, and how to fix the problem, then he went back to not listening again. Having plot points revealed to us by someone this ignorant was a little frustrating.

Overall the story was interesting, but a little frustrating.
  NotaTurnip | Jul 15, 2023 |
This is a tense, long read following Dwayne plan to direct a theatre play. For every solution to a problem, a new problem arises.


I received a free copy of this book via Booksprout and am voluntarily leaving a review.
  Louisesk | Jun 20, 2023 |
This review was written for LibraryThing Early Reviewers.
I received this book as an advanced copy ebook, thanks to LibraryThing. You've already read the summary. My take: The book had its humorous moments, yet it sometimes sidelined itself by becoming political and criticizing one political party over another. This would be okay if the plot required political spin, yet it did not. Overall, I enjoy humorous books, light romcoms that feature theatre, and quick pace. The political moments overshadowed these events. 3 Stars. ( )
  terrybanker | Jun 15, 2023 |
Showing 1-5 of 12 (next | show all)
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Chicago director Dwayne Finnegan has a long shot at the big time and only two obstacles: himself and everyone he knows.Dwayne's got an idea of how to direct Shakespeare's least-favorite play that could set him on the road to Broadway. We're talking Bob Fosse choreography, Jimi Hendrix guitars, and the hottest cast in the city of Chicago. But when the show's producer cuts out with the cash, Dwayne decides to produce the show himself, putting his marriage and his meager finances at risk. What could go wrong?"Richard Engling knows Chicago's famously chaotic and glorious storefront theater scene like the back of his hand. It's the perfect setting for absurd comic hi-jinx."- Chris Jones, Chicago Tribune, author of Rise Up! and Bigger, Brighter, Louder"A scrappy, big-hearted backstage comedy layered with mordant wit and full of a deep, abiding love for its characters..."- Adam Langer, author of Cyclorama "Hilarious, witty, touching, intelligent, and spot-on. Engling's novel about the many joys and incessant headaches of running a storefront Chicago theater is truth that could only be told as believably as it is, as fiction. The characters pulse with life, conflict, tons of drama, and humanity. Entire chapters are laugh-out-loud funny, and issues of marriage, friendship, loyalty, and the nature of theater and art flow through every sentence. A one-sit read, I promise!"- Nadeem Zaman, author of The Inheritors and Up in the Main House and Other Stories "Richard Engling is undoubtedly a writer's writer. It's hard not to read him without marveling at the skill of construction. But the technical virtuosity of Give My Regards to Nowhere is performed like prestidigitation: it's a magic trick performed in plain view. The novel is comic, wise, and riveting. It gives us the theatrical world, but also the world of anyone whose ever struggled against the odds. But Engling is also a reader's writer, those who read him without fretting about how these marvels are executed will turn each page with the thrill of discovery and immersion in this richly entertaining novel."- Liam Heneghan, author of Beasts at Bedtime

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