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At the time of its release in 1860, Charles Baudelaire's "Artificial Paradises (Les Paradis Artificiels)" met with immediate praise. One of the most important French symbolists, Baudelaire led a debauched, violent, and ultimately tragic life, dying an opium addict in 1867. This book, a response to Thomas De Quincey's Confessions of an Opium Eater, serves as a memoir of Baudelaire's last years. In this beautifully wrought portrait of the effects of wine, opium, and hashish on the mind, Baudelaire captures the dreamlike visions he experienced during his narcotic trances. These hallucinations, sometimes exquisite, sometimes disturbing, and the delusions of grandeur that often accompanied them, constitute the Paradis Artificiels, the gorgeous yet false worlds of ecstasy that eventually led to his ruin. Contrasting the effects of hashish and opium with those of wine, Baudelaire concludes that "wine exalts the will, hashish destroys it" and makes idlers of all those who use it. This new translation of a controversial book provides fascinating reading as well as a key to the mind of a great writer.… (more)
At the time of its release in 1860, Charles Baudelaire's "Artificial Paradises (Les Paradis Artificiels)" met with immediate praise. One of the most important French symbolists, Baudelaire led a debauched, violent, and ultimately tragic life, dying an opium addict in 1867. This book, a response to Thomas De Quincey's Confessions of an Opium Eater, serves as a memoir of Baudelaire's last years. In this beautifully wrought portrait of the effects of wine, opium, and hashish on the mind, Baudelaire captures the dreamlike visions he experienced during his narcotic trances. These hallucinations, sometimes exquisite, sometimes disturbing, and the delusions of grandeur that often accompanied them, constitute the Paradis Artificiels, the gorgeous yet false worlds of ecstasy that eventually led to his ruin. Contrasting the effects of hashish and opium with those of wine, Baudelaire concludes that "wine exalts the will, hashish destroys it" and makes idlers of all those who use it. This new translation of a controversial book provides fascinating reading as well as a key to the mind of a great writer.
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Composti tra il 1850 e il 1859, questi testi raccolgono le riflessioni di Baudelaire sull'hascisc e sulle droghe leggere, fortemente influenzate da un lato dalla sua esperienza personale, dall'altro dall'esempio dell'"ebrezza" di Poe e delle "Confessioni di un mangiatore d'oppio" di De Quincey. Se in un primo tempo il grande poeta francese riflette sul parallelismo emotivo tra lo stato di eccitazione provocato dall'hascisc e l'invasamento lirico, ben presto si accorge però che le droghe possono solo limitarsi a scimmiottare l'arte, rivelando l'illusorietà dei paradisi che sono in grado di creare. Il libro contiene uno scritto di Jean-Paul Sartre. (piopas)