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Emma by Jane Austin
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Emma (original 1816; edition 2001)

by Jane Austin

MembersReviewsPopularityAverage ratingConversations / Mentions
27,33337936 (4.08)3 / 1488
Member:ashleedear
Title:Emma
Authors:Jane Austin
Info:Trident Press International (2001), Paperback
Collections:Your library
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Work details

Emma by Jane Austen (1816)

  1. 164
    Cold Comfort Farm by Stella Gibbons (ncgraham)
    ncgraham: Flora is very clearly modeled on Emma.
  2. 72
    The Makioka Sisters by Jun'ichirō Tanizaki (Sarasamsara)
    Sarasamsara: Like Austen's novels, The Makioka Sisters traces the daily lives and romances of an upper-class family-- the only difference is that this is pre-war Japan, not Regency England. Like in one of Austen's works, when you close the novel you feel like you are closing the door on someone's life.… (more)
  3. 40
    Mary Barton by Elizabeth Gaskell (kara.shamy)
    kara.shamy: In some ways the heroines in these two novels are alike, but they are very different in other respects, and more strikingly, their respective journeys to the altar/married life go in diametrically opposite ways, in a sense! Both are true classics in my estimation; reading these two novels exposes the reader to two of the greatest English-language novelists of all time in the height of their respective powers. While all readers and critics do not and will not share this superlative view, few would dispute these are two early female masters of the form and are well worth a read on that humbler basis ;) Enjoy!… (more)
  4. 63
    Miss Marjoribanks by Margaret Oliphant (nessreader)
    nessreader: Both Emma and Miss M are about ambitious, capable upper class women who can only express themselves as social hostesses. Both heroines are managing and bossy - Miss M, a generation younger, is played more for laughs, but there is a strong parallel. And both end in utter satisfaction for heroine and reader alike.… (more)
  5. 22
    The Scandal of the Season: A Novel by Sophie Gee (SandSing7)
  6. 23
    The Victorian Governess by Kathryn Hughes (susanbooks)
    susanbooks: Though Austen is writing before the Victorian age, Hughes' book helps give an idea of the kind of life Jane Fairfax was facing.
  7. 25
    The Espressologist by Kristina Springer (dizzyweasel)
    dizzyweasel: Adorable remake of Emma, set in a coffeehouse with a matchmaking barista.
  8. 411
    Anna Karenina by Leo Tolstoy (roby72)
1810s (4)
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English (358)  Italian (4)  Spanish (4)  Swedish (3)  French (2)  Finnish (1)  German (1)  Norwegian (1)  Lithuanian (1)  Dutch (1)  All (1)  Danish (1)  Catalan (1)  All (379)
Showing 1-5 of 358 (next | show all)
Sono passati almeno 15 anni dalla prima lettura di Emma - e confesso che ricordavo poco della trama nonostante questa sia, ai miei occhi di oggi, dall'intreccio piuttosto prevedibile. Ma non per questo meno appassionante - o forse proprio per questo ancora piu' appassionante.
Jane Austen è davvero una grande scrittrice, per il suo modo di lasciare intendere senza esprimere espliciti giudizi, per il suo tratteggiare caratteri al limite del verosimile, per l'astuzia con cui riesce a mantenere, con estremo equilibrio, la suspence pur senza scadere in sensazionalismi.
Da rileggere ancora, sicuramente, tra altri 15 anni. Tanto per vedere l'effetto che fa. ( )
  Eva_Filoramo | May 3, 2018 |
I read all J.A. books in my teenage years, translated in Italian. What a pleasure to read them now in their original, precious xix century English! A real treat. ( )
  Eva_Filoramo | May 3, 2018 |
This rating refers to the audio version, which was a bit over-dramatic in its presentation for me. ( )
  Brightraven | Apr 26, 2018 |
This started off quite well, and the constant misunderstandings by Emma Woodhouse of the romantic intentions of others quite comical. However, I found too many of the characters difficult to distinguish in my mind (my favourite was probably Emma's hapless, hypochondriac father), and they lacked the colourful nature of the more eclectic cast of characters in Mansfield Park. So it was a bit of a struggle in places. ( )
  john257hopper | Apr 10, 2018 |
3.5/5 The first half was good, but the second was not that interesting with few exceptions. ( )
  aljosa95 | Mar 27, 2018 |
Showing 1-5 of 358 (next | show all)
The institution of marriage, like the novel itself, has changed greatly since Austen’s time; but as long as human beings long for this kind of mutual recognition and understanding, “Emma” will live.
added by danielx | editNew York TImes, Adam Kirsch (pay site) (Dec 27, 2015)
 

“Perhaps the key to Emma’s perfection, however, is that it is a comic novel, written in a mode that rarely gets much respect. It’s exquisitely ironic.”

“The presiding message of the novel is that we must forgive Emma for her shortcomings just as she can and does learn to excuse the sometimes vexing people around her. There is, I believe, more wisdom in that than in many, many more portentous and ambitious novels. Emma is flawed, but ‘Emma’ is flawless."
added by danielx | editSalon.com, Laura Miller (Dec 23, 2015)
 
It’s a small but striking and instructive demonstration, the careful way Emma appraises the character of the various men who jockey for her attentions and those of the women around her. We could all learn from her example.
added by danielx | editNew York Times, Anna Holmes (pay site) (Dec 1, 2015)
 
"In January 1814, Jane Austen sat down to write a revolutionary novel. Emma, the book she composed over the next year, was to change the shape of what is possible in fiction."

"The novel’s stylistic innovations allow it to explore not just a character’s feelings, but, comically, her deep ignorance of her own feelings. "

"Those who condemn the novel by saying that its heroine is a snob miss the point. Of course she is. But Austen, with a refusal of moralism worthy of Flaubert, abandons her protagonist to her snobbery and confidently risks inciting foolish readers to think that the author must be a snob too"
 

» Add other authors (131 possible)

Author nameRoleType of authorWork?Status
Austen, Janeprimary authorall editionsconfirmed
Alfsen, MereteTranslatorsecondary authorsome editionsconfirmed
Beechey, WilliamCover artistsecondary authorsome editionsconfirmed
Blythe, RonaldEditorsecondary authorsome editionsconfirmed
Brock, C. E.Illustratorsecondary authorsome editionsconfirmed
Gibbons, StellaIntroductionsecondary authorsome editionsconfirmed
Hassall, JoanIllustratorsecondary authorsome editionsconfirmed
Hough, GrahamEditorsecondary authorsome editionsconfirmed
Lane, MaggiePrefacesecondary authorsome editionsconfirmed
Marcus, StevenIntroductionsecondary authorsome editionsconfirmed
Morgan, VictoriaNarratorsecondary authorsome editionsconfirmed
Moulton, CarrollAfterwordsecondary authorsome editionsconfirmed
Praz, MarioTranslatorsecondary authorsome editionsconfirmed
Ross, JosephinePrefacesecondary authorsome editionsconfirmed
Sanderson, CarolinePrefacesecondary authorsome editionsconfirmed
Stafford, FionaEditorsecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Tamaki, JillianCover artistsecondary authorsome editionsconfirmed
Wiltshire, JohnPrefacesecondary authorsome editionsconfirmed

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Emma (1948TVIMDb)
Awards and honors
Epigraph
Dedication
First words
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.
Emma Woodhouse was een aantrekkelijke en intelligente jonge dame van zeer goeden huize.
Deemed her finest and most representative novel by many modern readers, Emma was something of a mystery to Austen's contemporaries when it appeared in 1816. (Introduction)
The drama and the comedy of Austen's novels are dependent on a sharp awareness of fine social distinctions. (Appendix A: Rank and Social Status)
Whether it took place in private houses, or at public assemblies held at inns or purpose-built assembly rooms, social dancing in polite society was governed in Austen's time by strict rules of etiquette, the broad outlines of which dated back to Beau Nash's 'Rules to be observ'd at Bath' of 1706. (Appendix B: Dancing)
Quotations
Silly things do cease to be silly if they are done by sensible people in an impudent way.
"I thank you; but I assure you, you are quite mistaken. Mr. Elton and I are very good friends, and nothing more, and she walked on, amusing herself in the consideration of the blunders which often arise from a partial knowledge of circumstances, of the mistakes which people of high pretensions to judgment are for every falling into..." (Emma)
"I always deserve the best treatment because I never put up with any other."
Seldom, very seldom, does complete truth belong to any human disclosure.
I have seen a great many lists of her drawing up at various times of books that she meant to read regularly through--and very good books they were--very well chosen and very neatly arranged--sometimes alphabetically and sometimes by some other rule.
Last words
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
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Disambiguation notice
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References to this work on external resources.

Wikipedia in English (1)

Book description
Haiku summary
Mix-match my neighbors
Cutest narcissist am I
Don't listen to me
(city girl)
Bossy know-it-all
Privileged and doted on
Meddles. Learns lessons.
(pickupsticks)
She can do no wrong
Matchmaking busybody
Knightley sets things right.
(pickupsticks)

Amazon.com Amazon.com Review (ISBN 0141439580, Paperback)

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber

(retrieved from Amazon Thu, 12 Mar 2015 18:20:02 -0400)

(see all 10 descriptions)

Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.

(summary from another edition)

» see all 78 descriptions

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Penguin Australia

4 editions of this book were published by Penguin Australia.

Editions: 0141439580, 0141028092, 0143106465, 0141199520

Urban Romantics

2 editions of this book were published by Urban Romantics.

Editions: 1909175951, 1909175315

Tantor Media

An edition of this book was published by Tantor Media.

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An edition of this book was published by Recorded Books.

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