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Loading... Cloud Atlas (original 2004; edition 2004)by David Mitchell
Work InformationCloud Atlas by David Mitchell (2004)
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![]() )This is one of the most difficult books I've read since college. I thought about quitting it a few times before I was halfway through, but once I got past the halfway point I couldn't put it down. I'm glad I finished it because it's really a brilliant book. For me, the main theme I took away was one of savage vs. civilized. How has humanity changed on its path from the tribe to the metropolis? Do we treat each other any better now than we did then? Do we really change over the course of history, or do we just invent new ways to enslave each other? The book is made of six separate novellas. We get the first half of novellas set in the following times: 1850, 1931, 1975, present day, sci-fi Then there's a post-apocalyptic section, and then we finally get to read the second halves of the stories, this time moving backward through time. It really is amazing the way this format allows the author to show how language changes over time, how society changes, and yet certain aspects of humanity seem to be everlasting. The everlasting attribute of humanity that hit me hardest as a reader was the drive to assert one's will over another person's, or the will to dominate. I will elaborate. Warning, spoilers ahead... 1850: A young accountant is dominated by a crazy physician. Also, a peaceful native tribe is dominated by white settlers (and also by a violent native tribe). 1931: A young composer attempts to use an older composer's wilting career for his benefit, but the older composer and his family end up driving the young composer to suicide. 1975: A nuclear power company uses threats, murder, really any means necessary to keep secret a report that reveals the dangers of its operations. Present day: An old man ends up in a nursing home against his will. Sci-fi: Clones are used as slaves. Everyday people are dominated by a "corpocracy" or an all-powerful government driven by the demands of corporations. Post-apocalyptic: Once again, we see peaceful tribes trying to defend themselves against violent tribes. That it took me five months to dig myself through this book says a lot for an otherwise avid book reader like me. Since I've heard several recommendations, I kept digging through each story with its endless details of seemingly unconnected and mostly insignificant events. The Frobisher, Sonmi and Luisa chapters are somewhat interesting, though rather predictable, but since they're so abbreviated, the characters barely gets a chance to develop themselves. The rest is intensely boring, and severely hampered by the author's attempts to write like he was from the past, or the future. An interesting literary experiment, perhaps, but after the first few pages, it's just an tedious annoyance to try and parse out what the author meant by a made-up futuristic sounding word. However, I kept reading, in hope that the author might be able so salvage this horrid mess of pointless, unrelated plotlines, but it never materialises. A birthmark gimmick and a few hints towards reincarnation. And strangely enough, the book ends with what you could call a sermon, preaching against slavery and racism. And while that is laudable on its own, it seems to be a desperate admission that the rest of the book failed to tell a compelling story, so lets use the last few pages to drive the point in, jackhammer-style. They say the book is much better than the movie. If so, there can't be much good to say about the movie. I think I'll skip it.
It felt like reading multiple stories from six different authors all on a common theme, yet all these disparate characters connect, their fates intertwine, and their souls drift across time like clouds across a globe. Cloud Atlas is powerful and elegant because of Mitchell's understanding of the way we respond to those fundamental and primitive stories we tell about good and evil, love and destruction, beginnings and ends. He isn't afraid to jerk tears or ratchet up suspense - he understands that's what we make stories for. ContainsHas the adaptationAwardsDistinctionsNotable Lists
Fantasy.
Fiction.
Literature.
Historical Fiction.
HTML:By the New York Times bestselling author of The Bone Clocks • Now a major motion picture • Shortlisted for the Man Booker Prize Includes a new Afterword by David Mitchell A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity. Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon. Praise for Cloud Atlas “[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review “One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers “Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People “The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon “Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.”—The Washington Post Book World. No library descriptions found.
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Google Books — Loading...GenresMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-LC ClassificationRatingAverage: (4.1)
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