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The New York Trilogy by Paul Auster
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The New York Trilogy

by Paul Auster

Other authors: See the other authors section.

Series: The New York Trilogy (omnibus)

MembersReviewsPopularityAverage ratingMentions
8,106130636 (3.88)381
  1. 92
    The Wind-Up Bird Chronicle by Haruki Murakami (alzo)
  2. 21
    The Book of Illusions by Paul Auster (caflores)
  3. 32
    Invisible by Paul Auster (ccf)
  4. 10
    Enormous Changes at the Last Minute: Stories by Grace Paley (claudiamesc)
    claudiamesc: E' stato anche tradotto in italiano: freschi, diretti, energici racconti ambientati a New York... per chi non si è entusiasmato con Auster, ma vuole farsi altri due passi in città.
  5. 01
    The City & The City by China Miéville (Longshanks)
    Longshanks: Two books that expand the scope of detective fiction beyond the genre's traditional concerns and constraints, one existentially and one sociopolitically.
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» See also 381 mentions

English (102)  Spanish (10)  Italian (6)  Dutch (4)  French (3)  German (1)  Portuguese (1)  Hebrew (1)  Swedish (1)  Danish (1)  All languages (130)
Showing 1-5 of 102 (next | show all)
To sum up the Trilogy in one word, my word would be weird. I first thought that the three books didn't have much in common other than the setting, but the final twenty pages ties things together although I think it is pretty tenuous. A fun read nonetheless. ( )
  charlie68 | Jun 11, 2019 |
Bewildering, frustrating to follow the protagonists descent into their blind madness and obsession ( )
  angelinahue | Feb 23, 2019 |
I have to hold firm with myself to leave The New York Trilogy at 3 stars, because overall I liked it, I finished it quick enough, but the more I think about it, the more I believe it was a waste of time.

I read the trilogy together, launching into the Ghosts as soon as City of Glass ended, etc. so that the connection could be as fresh in my mind as they could be.

Of the three City of Glass was the most enjoyable, involving morose detective-fiction writer Daniel Quinn. He answers his phone, responds to a name that is not his own - Paul Auster - and becomes immersed in a case like one out of his books. The narrative deliberately sows confusion with multiple cases of mistaken identity, "the" Paul Auster, and a stake-out that just won't end. I was hoping that the pace and style of this book would continue - but the novellas are only tangentially related.

Ghosts begins with a stake-out, a private investigator paid to ceaselessly watch another man for years. Everything is chromatic with all characters being named after colors (White, Brown, Violet, Black, etc.) all very Tarantino. Blue, like Quinn, begins to lose himself in the case he's investigating. The narrative belabors the repetition of it all, the endless watching, the wondering, the edge-of-your-seat drama of nothing happening at all.

The Locked Room goes back to a more stable narrative, but this time it is a would-be writer who lacks the inspiration to write fiction. He is contacted by the widow of a childhood friend and asked to edit and shepherd Fanshawe's manuscripts into print. On discovering that the manuscripts are brilliant, he accepts. He also avails himself of that widow and the life that Fanshawe might have had, bearing the burden of his late friend's life has more consequences than he anticipated.

All three works have passing references to each other and Auster is making some meta-fictional point about art and life and blah blah blah, but it didn't grab a hold of me. When I wasn't reading the book I wasn't thinking about it, my initial pleasure that I was reading a modern noir gamechanger faded the further I got into it. I need a bit more to go on. Eh. Two.
( )
  ManWithAnAgenda | Feb 18, 2019 |
Non sono riuscito ad andare oltre le prime 30 pagine. Il niente. ( )
  lucaconti | Jan 24, 2019 |
Delicious! It had been a long time since I last read The New York Trilogy. The way it folds over on itself, not only within a given story, but between the three books included in the volume, is mesmerizing. There are detectives, but I wouldn't call this a mystery, per se, at least not in the traditional sense. Take a chance! ( )
  eclecticheart | Dec 10, 2018 |
Showing 1-5 of 102 (next | show all)
Una llamada telefónica equivocada introduce a un escritor de novelas policiacas en una extraña historia de complejas relaciones paternofiliales y locura; un detective sigue a un hombre por un claustrofóbico universo urbano; la misteriosa desaparición de un amigo de la infancia confronta a un hombre con sus recuerdos. Tres novelas que proponen una relectura posmoderna del género policiaco y que supusieron la revelación de uno de los más interesantes novelistas de nuestro tiempo.
added by Pakoniet | editLecturalia
 

» Add other authors (16 possible)

Author nameRoleType of authorWork?Status
Auster, Paulprimary authorall editionsconfirmed
Bocchiola, MassimoTranslatorsecondary authorsome editionsconfirmed
Figueiredo, RubensTranslatorsecondary authorsome editionsconfirmed
Frank, Joachim A.Translatorsecondary authorsome editionsconfirmed
Furlan, PierreTranslatorsecondary authorsome editionsconfirmed
Jääskeläinen, JukkaTranslatorsecondary authorsome editionsconfirmed
Sante, LucIntroductionsecondary authorsome editionsconfirmed
Sellent Arús, JoanTranslatorsecondary authorsome editionsconfirmed
Sirola, JukkaTranslatorsecondary authorsome editionsconfirmed
Spiegelman, ArtCover designersecondary authorsome editionsconfirmed
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It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not.
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"For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. They have not adapted themselves to the new reality. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent."
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Amazon.com Product Description (ISBN 0143039830, Paperback)

Paul Auster's signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room—haunting and mysterious tales that move at the breathless pace of a thriller.

City of Glass

As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written

Ghosts

Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out of his window

The Locked Room

Fanshawe has disappeared, leaving behind his wife and baby and a cache of novels, plays, and poems. What happened?

First time in Penguin Classics A Penguin Classics Deluxe Edition with French flaps, rough front, and luxurious packaging Features an introduction from Luc Sante and incredible cover illustrations by Pulitzer Prize-winning graphic artist Art Spiegelman, creator of Maus and In the Shadow of No Towers

(retrieved from Amazon Thu, 12 Mar 2015 18:19:07 -0400)

(see all 4 descriptions)

City of glass: A writer of a detective stories becomes embroiled in a complex and puzzling series of events, beginning with a call from a stranger in the middle of the night asking for the author. Ghosts: Introduces Blue, a private detective hired to watch a man named Black, who, as he becomes intermeshed into a haunting and claustrophobic game of hide-and-seek is lured into the very trap he created. The locked room: The nameless hero journeys into the unknown as he attempts to reconstruct the past which he has experienced almost as a dream.… (more)

» see all 4 descriptions

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