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Loading... Un mariage poids moyen (original 1974; edition 1997)by John Irving
Work InformationThe 158-Pound Marriage by John Irving (1974)
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. I found this book in a give-away pile, and thought it would be interesting to read a description of consensual non-monogamy from back in the 1970s. I didn't have much to go on except for the blurb, I'd never heard of the book or John Irving before I stumbled across it. It is the story of two couples - the narrator, who is a writer (the story is told in the first person) and his wife Utch, and Edith and Severin, the couple they enter into a relationship with. You see the narrator's character through the shapes of what he says about the others, but they are all strongly and colourfully drawn - loyal plain peasant Utch, shaped by the traumas of her childhood, tall sophisticated Edith, and most of all Severin - Severin the wrestler, the German professor, the proud, the angry, the cruel, the vulnerable... It does do a great job of portraying the way people are in relationships - the slights, the overreacting, the asymmetries, the small jealousies. There's a lot of sex, but it's quite workmanlike in the writing style, even when it's describing threesomes or sex in the shower. The role of the children in the book is interesting. Beautiful, valuable, but mostly ghost characters around the fringes, although part of the point of the book is to show how wrapped up the adults are in each other that it endangers the children. Is it a book that is pro consensual non monomgamy? I guess not really - they have some good times, but for some toxic reasons, and then it all falls apart and it all ends in tears. The campsite rule is definitely not being followed here. But it was an interesting read, and well observed, and I think gets some of the dynamics of how group relationships can be tense and difficult very well It builds and builds and goes nowhere. I was interested in the backgrounds of the four main characters but then, nothing. Perhaps I missed the point. If the point of this was this has the seed of its own destruction, I guess I hoped for more. In some sense this is very dated in the era of free love and even the cold war. Two couples are deeply into what we used to call wife swapping, today it might be called spouse swapping. Very erotic, very consuming, very hedonistic, very empty. And yes, lots of wrestling and because this is John Irving, some maimed or missing body parts. Perhaps this would have worked better as a short story. The saving grace here, it's not a tome. Zwei Paare beschließen, es einmal mit Partnertausch zu versuchen. Ein mittelgewichtiger Versuch, mit dem schwergewichtigen Problem der Ehe fertigzuwerden und wieder gefährlich zu leben. Anfangs scheint auch alles zu klappen, doch dann entpuppt sich einer der Vier als Spielverderber, die Vierecksgeschichte entwickelt sich zunehmend zu einem Kampf hinter verschlossenen Türen, mit schmerzlichen Folgen ... no reviews | add a review
The darker vision and sexual ambiguities of this erotic, ironic tale about a menage a quatre in a New England university town foreshadow those of The World According to Garp; but this very trim and precise novel is a marked departure from the author's generally robust, boisterous style. Though Mr. Irving's cool eye spares none of his foursome, he writes with genuine compassion for the sexual tests and illusions they perpetrate on each other; but the sexual intrigue between them demonstrates how even the kind can be ungenerous, and even the well-intentioned, destructive. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
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Having resd approximately half of Irving’s output, I am struck how several of his novels seem to pair with each other. This one pairs with Garp, A Prayer for Owen Meany with A Son of the Circus. I’m sure there are others.
One of the strangest things is that Irving disclaims being a religious novelist, yet religion is often lurking at the back of his stories, sometimes like in Owen Meany and Circus bursting up the the foreground. Yet for all that, perhaps because of all that, Irving is not for the faint of heart. ( )