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Loading... Matterby Iain M. Banks
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Set in Banks's Culture universe, Matter takes place on an artificial world that has been populated with a number of different civilizations at various points in their development. The story begins with the Sarl, an enlightenment-era civilization whose king has been assassinated by his closest advisor, leaving the heirs in chaos. When one heir tries to reach out to higher-level civilizations for help, he is initially rebuffed but those not wanting to get involved in local politics. However, as a plot involving the spacefaring Oct civilization is uncovered--they appear to be using the Sarl to their own ends--the senior civilizations finally involve themselves just as worldwide calamity reachs its brink. Those familiar with the Culture series knows that the author loves exploring the interaction between low-tech and high-tech civilizations, and the interference from the latter into the former, and this book really exemplifies that. It's an interesting read throughout, as the conflict traverses through the different levels of civilizations. I like how Ferbin develops throughout the story, how battles between incomprehensibly intelligent and powerful entities are portrayed, and how the author still finds a way for puny humans to play a part in them. Could see the ships going down in my mind. Empathized with the characters' hopes, impending badassery, impending doom, etc. I really wish this were made into a movie instead of remaking Independence Day, Stars Wars, Jurassic Park, etc. etc. Four stars at least. Enjoyed this very much and intend to go to the start of the series and read them in order. Picked this one up at a used book store, not knowing it is #8 in a series, so there's a lot of world-building to catch up on but fortunately apparently not backstory. Interesting universe: a combination of ancient galaxy-spanning civilization and more or less self-contained medieval level worlds. More or less because the human or humanoid ground-dwellers know of and interact with the several all-powerful aliens. As I said, and odd mix.
[...] it rapidly becomes heart-sinkingly clear that here, the particular society in which the Culture might or might not intervene is one of faux-medieval fantasy fiction. The uniquely hopeless odour of leather, horse-like animals, stale sweat and tortured syntax wafts from the pages, and there is a tedious drizzle of invented proper names. [...] The story's highly intriguing last act could perhaps have been fruitfully expanded into a greater space, and the long setup could have been compressed. Having front-loaded the novel with so much talky scene-setting, Banks might have ended up relying slightly too much on his (and our) favourite gadgets. AwardsDistinctions
In a distant-future, highly advanced society of seemingly unlimited technological capability, a crime is committed within a war. For one brother it means a desperate flight, and a search for the one--maybe two--people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity--and her particular set of abilities--might be a dangerous strategy. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter. No library descriptions found. |
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![]() GenresMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC ClassificationRatingAverage:![]()
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The lead up to it is interesting - the drama on a small section of a giant world and how that's connected to the greater alien species and the various machinations etc. And the ending is sort of appropriate and kind of resolves stuff and it's not quite as grim as
I had a LOT of trouble visualising the geography of stuff, particularly the in between the levels stuff - the ending scenes in particular I had no clue what was going on but also the nestworld.
I mean it was good writing and there was some cool stuff (although not as good as some of the others of his I've read imo) but the ending was just a big disappointment to me. Maybe I was expecting too much, I dunno.
I will say I appreciated the glossary/appendix although I didn't notice it until too late, heh. (