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Paradiso by Dante
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Paradiso (edition 2008)

by Dante, Robert Hollander (Translator), Jean Hollander (Translator)

Series: The Divine Comedy (3)

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4,798311,636 (3.96)81
Having plunged to the uttermost depths of Hell and climbed the Mount of Purgatory in parts one and two of the Divine Comedy, Dante ascends to Heaven in this third and final part, continuing his soul's search for God, guided by his beloved Beatrice. As he progresses through the spheres of Paradise he grows in understanding, until he finally experiences divine love in the radiant presence of the deity. Examining eternal questions of faith, desire and enlightenment, Dante exercised all his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.… (more)
Member:jerryphillips
Title:Paradiso
Authors:Dante
Other authors:Robert Hollander (Translator), Jean Hollander (Translator)
Info:Anchor (2008), Edition: Reprint, Paperback, 1024 pages
Collections:Your library
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Paradiso by Dante Alighieri

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English (24)  Italian (2)  Catalan (2)  Swedish (1)  French (1)  Dutch (1)  All languages (31)
Showing 1-5 of 24 (next | show all)
This is my second time reading this, and I think that because I knew how it was structured I was able to enjoy it better this time. The otherworldly preoccupations of Dante do not match the typical ones of our worldly time. The flamelike souls he encounters assemble into elaborate patterns as if this fourteenth century poet knew about computer graphics, as a sort of extension of the very last section of Purgatorio where he describes the allegorical pageant in Eden. And through it all, Dante's inspiration for his journey, Beatrice, becomes more and more idealized until she ends up as little more than an enraptured smile in the realm of the Empyrean. This is rarefied fare for the modern reader raised upon realism and natural depictions in literature. This is the least prosaic sections of the epic poem, and it might help to think of it in specifically non-prose terms, as if it were a very long song lyric maybe, where our expectations of what makes for a satisfying experience is not tied in with the same kind of storytelling tradition.
Along with the allegory comes a large helping of Scholastic philosophy, of medieval orthodoxy, and ecclesiastical inside politics. If we pay attention to the people who are described here, we recall that this is being written at the tail end of the centuries of Crusades, when the temporal power of the Church was close to its highest point. This can be a problem for many readers, and not even only the unbelievers. It can be a hard read for someone who is not already interested in saints and emperors and bishops, patriarchs and religious warriors, who fill these cantos. It's worth noting the way these encounters affect the pilgrim Dante: he becomes increasingly bedazzled, literally losing his sight at one point while witnessing these souls who now shine in the firmament. He is as star-struck as any present-day fan of celebrity might be.
I feel the best way to read Paradiso is to do it while enjoying the paintings and illuminations it has inspired over the centuries since, by Doré and Blake and Dalí and anonymous illuminators. Some of these really help convey the feeling of rapture Dante wants to instill. ( )
  rmagahiz | Jul 9, 2020 |
He who casts off from shore to fish for truth
without the necessary skill does not return the same
as he sets out, but worse, and all in vain.


I enjoyed this final installment of the Divine Comedy, but I have to confess that it was my least favorite of the trilogy. The translation was nice, though lacking in some of the character and charm of Pinsky's Inferno and Merwin's Purgatorio (I didn't read the Hollanders' translation of the first two books). I just wasn't as engrossed in Dante's journey to the Empyrean. This is probably simply a failing on my part—or at least a mark against my literary sensibilities.

While occasionally overwhelming and tedious, the notes were copious and often very helpful. It would be interesting to see another contemporary poet of the caliber of Pinsky or Merwin translate this final installment someday. ( )
  drbrand | Jun 8, 2020 |
1954 printing of 1931 reset ed. ( )
  ME_Dictionary | Mar 19, 2020 |
In this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Dante’s spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A bilingual text, classic illustrations by Gustave Doré, an appendix that reproduces Dante’s key sources, and other features make this the definitive edition of Dante’s ultimate masterwork.
  StFrancisofAssisi | Oct 25, 2019 |
I wish I had liked this as much as I enjoyed the first two books of The Divine Comedy. ( )
  lissabeth21 | Oct 3, 2017 |
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» Add other authors (89 possible)

Author nameRoleType of authorWork?Status
Dante Alighieriprimary authorall editionscalculated
Barceló, MiquelIllustratorsecondary authorsome editionsconfirmed
Bergin, Thomas GoddardTranslatorsecondary authorsome editionsconfirmed
Binyon, LaurenceTranslatorsecondary authorsome editionsconfirmed
Boeken, H.J.Translatorsecondary authorsome editionsconfirmed
Bosco, UmbertoEditorsecondary authorsome editionsconfirmed
Botticelli, SandroIllustratorsecondary authorsome editionsconfirmed
Bremer, FredericaTranslatorsecondary authorsome editionsconfirmed
Brouwer, RobTranslatorsecondary authorsome editionsconfirmed
Cary, Henry FrancisTranslatorsecondary authorsome editionsconfirmed
Ciardi, JohnTranslatorsecondary authorsome editionsconfirmed
Dore, GustaveIllustratorsecondary authorsome editionsconfirmed
Esolen, AnthonyTranslatorsecondary authorsome editionsconfirmed
Freccero, JohnIntroductionsecondary authorsome editionsconfirmed
Hollander, JeanTranslatorsecondary authorsome editionsconfirmed
Hollander, RobertTranslatorsecondary authorsome editionsconfirmed
Inglese, GiorgioEditorsecondary authorsome editionsconfirmed
Kirkpatrick, RobinTranslatorsecondary authorsome editionsconfirmed
Kuenen, Wilhelminasecondary authorsome editionsconfirmed
Longfellow, Henry WadsworthTranslatorsecondary authorsome editionsconfirmed
Mandelbaum, AllenTranslatorsecondary authorsome editionsconfirmed
Moser, BarryIllustratorsecondary authorsome editionsconfirmed
Musa, MarkTranslatorsecondary authorsome editionsconfirmed
Norton, Charles EliotTranslatorsecondary authorsome editionsconfirmed
Oelsner, H.Editorsecondary authorsome editionsconfirmed
Pipping, AlineTranslatorsecondary authorsome editionsconfirmed
Reggio, GiovanniEditorsecondary authorsome editionsconfirmed
Reynolds, BarbaraTranslatorsecondary authorsome editionsconfirmed
Sagarra, Josep Maria deTranslatorsecondary authorsome editionsconfirmed
Sayers, Dorothy L.Translatorsecondary authorsome editionsconfirmed
Scialom, MarcTranslatorsecondary authorsome editionsconfirmed
Sinclair, John D.Translatorsecondary authorsome editionsconfirmed
Singleton, Charles S.Translatorsecondary authorsome editionsconfirmed
Wicksteed, Philip HenryTranslatorsecondary authorsome editionsconfirmed
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The glory of the One who moves all things permeaetes the universe and glows in one part more and in another less.
(La gloria di clui che tutto move per l'universo penetra, e risplende in una parte piu e meno altrove.)
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Having plunged to the uttermost depths of Hell and climbed the Mount of Purgatory in parts one and two of the Divine Comedy, Dante ascends to Heaven in this third and final part, continuing his soul's search for God, guided by his beloved Beatrice. As he progresses through the spheres of Paradise he grows in understanding, until he finally experiences divine love in the radiant presence of the deity. Examining eternal questions of faith, desire and enlightenment, Dante exercised all his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.

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Book description
Questa nuova opera dantesca conserva - e consolida - la fortunata idea-forza delle precedenti dello stesso autore: trasparenza e didatticità dei commenti e delle note esplicative, aggiornamento e puntualità degli interventi critici.
Ciascuno dei tre volumi si apre con una introduzione mirata alla struttura fisica e all'ordinamento morale di ciascuna delle tre cantiche. In particolare il volume dedicato all'Inferno reca anche un'introduzione globale su tutto l'oltremondo dantesco.
In ciascuno dei tre volumi compaiono tutti i canti.
Ogni canto, completo nei versi e negli apparati, è preceduto da un'introduzione di sintesi narrativa, di valutazione critica, di inquadramento storico. Ed è concluso da una o due letture critiche su temi focali di Dante e della cultura che fu sua, desunte dalle opere dei maggiori dantisti e medievisti italiani e stranieri; da una ricca bibliografia di approfondimento multidisciplinare; da una batteria di proposte di ricerca.
Spesso, al termine del canto, ricorre la rubrica dei "passi controversi" dove vengono considerati i luoghi cruciali del poema di più complessa interpretazione filologica.
Un dossier di tavole illustrate fuori testo testimonia la fortuna iconografica della Commedia nei secoli, dai primitivi maestri miniatori ai grandi pittori del '900.
Rispetto alle precedenti opere dantesche dello stesso autore è stato accresciuto il numero complessivo delle pagine, è stata notevolmente migliorata la leggibilità, sono state aggiunte nuove letture, sono state rivisitate e ampliate molte proposte di ricerca.
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Penguin Australia

4 editions of this book were published by Penguin Australia.

Editions: 0140441050, 0140444432, 0140448977, 0451531418

Indiana University Press

2 editions of this book were published by Indiana University Press.

Editions: 0253316197, 0253341388

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