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The cracking debut of A. J. Raffles, proper English gentleman and jewel thief extraordinaire Sometimes the greatest of partnerships are born in the direst of moments. For Bunny Manders and A. J. Raffles, such a moment comes when a bad night at the baccarat tables threatens to end in suicide. Hundreds of pounds in the red, Bunny grows so desperate that he asks Raffles, a former classmate who captained their public school's cricket team, for help. When Raffles hesitates, Bunny pulls a gun out of his coat pocket and puts it to his head. "I never dreamt you had such stuff in you, Bunny!" says Raffles, a gleam in his eye. A few hours later, he and his old school chum break into a jeweler's shop and steal thousands of pounds' worth of diamonds and gemstones. Disaster averted, adventures begun.
In these thrilling stories, E. W. Hornung introduced the world to a duo as gifted at burglary as Sherlock Holmes and Watson are at detection. Full of sophisticated banter, hair-raising close calls, and nefarious schemes, Raffles: The Amateur Cracksman is a masterwork of crime fiction and irrefutable proof that there truly is honor among thieves.
This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices.
Gentleman thief A. J. Raffles and his accomplice Harry ‘Bunny’ Masters are the criminal mirror images of Holmes and Watson. Any resemblance is entirely intentional: the book bears the dedication ‘To A.C.D., This Form of Flattery’ and Hornung was married to Constance Doyle, Conan Doyle’s sister. Raffles is a dandy about town, a handsome, well-heeled member of late Victorian society who is also a diamond thief and burglar. He has a bachelor pad at the Albany, belongs to the best West End clubs and dines in grand houses as a guest before breaking into them and cracking the safe.
Raffles and Bunny met at their public school and are very close friends. Their relationship carries a delicious homoerotic subtext. At first I thought this was my fevered imagination but Hornung knew Oscar Wilde and it seems that echoes of the Wilde/Bosie dalliance were also entirely intentional. Raffles and Bunny inhabit a Wildean world of paradox, moral relativism and aestheticism. Raffles is criminal as artist relishing the conception, plotting and realisation of his crimes. He steals partly to maintain his lifestyle but also for the sheer creative fun of it. And there’s a whiff of socialism in the privileged air: challenged by Bunny about his depredations Raffles avers that crime is wrong but the distribution of wealth is wrong as well.
He has a talent for cricket and plays for England - ‘a dangerous bat, a brilliant field, and perhaps the very finest slow bowler of his decade’. His fame on the field provides cover for his secret life of larceny as well as allowing Hornung to spin parallels between the game of cricket and the game of crime. George Orwell had a talent for writing perceptive essays and he wrote one about Raffles. Orwell points out that cricket is the perfect sport for Raffles as it is bound up, in England at least, with notions of style and fair play; the phrase ‘it’s not cricket’ to express ethical disapproval is not entirely obsolete even in the 21st century. By making his burglar a cricketer, observes Orwell, Hornung was ‘drawing the sharpest moral contrast that he was able to imagine’.
Raffles is an amateur cricketer, just as he is an amateur cracksman, and he regards with condescension the professionals in both occupations. Raffles, you understand, is a Gentleman and most emphatically not a Player. Which brings us to the essence of these delightfully absurd adventures: snobbery. By making his hero a toff Hornung catered to his readers fantasies about upper crust society but making his toff a criminal also enabled him to playfully subvert Victorian values. Raffles has it both ways with great panache and so does Hornung. These interrelated stories are awash with period charm, cleverly plotted and a rattling good read. ( )
I read this previously and found the tales of Raffles and his sidekick Bunny entertaining in a quaint, old-fashioned kind of way. Nothing groundbreaking, but likeable characters. The fact that they are gentlemen burglars makes it even more fun. ( )
Had distinct preconceptions of what this was going to be like and they were not good. I just could not see how the concept of the gentleman thief could over many surprises or excitement but i was totally wrong. The amount of variety through this book is really good and it never feels dull or repetitive and Raffles doesn't come across as clever or flawless as one might expect. Ending comes rather suddenly and doesn't seem to well conceived but apart from that highly recommended. ( )
Introduction One of the great merits of The Amateur Cracksman is that it can be read for enjoyment without the need for an introduction or for any of the scholarly apparatus which its classic status deserves.
The Ides of March IT WAS ABOUT HALF-PAST TWELVE when I returned to the Albany as a last desperate resort.
Quotations
Last words
Of what I can but guess; the sentence was not finished, and never could be in this world.
Raffles: The Amateur Cracksman is a collection of short stories drawn from The Amateur Cracksman and The Black Mask. Please do not com bine with either of these collections.
Publisher's editors
Blurbers
Original language
Canonical DDC/MDS
Canonical LCC
▾References
References to this work on external resources.
Wikipedia in English
None
▾Book descriptions
Fiction.
Mystery.
Short Stories.
Thriller.
HTML:
The cracking debut of A. J. Raffles, proper English gentleman and jewel thief extraordinaire Sometimes the greatest of partnerships are born in the direst of moments. For Bunny Manders and A. J. Raffles, such a moment comes when a bad night at the baccarat tables threatens to end in suicide. Hundreds of pounds in the red, Bunny grows so desperate that he asks Raffles, a former classmate who captained their public school's cricket team, for help. When Raffles hesitates, Bunny pulls a gun out of his coat pocket and puts it to his head. "I never dreamt you had such stuff in you, Bunny!" says Raffles, a gleam in his eye. A few hours later, he and his old school chum break into a jeweler's shop and steal thousands of pounds' worth of diamonds and gemstones. Disaster averted, adventures begun.
In these thrilling stories, E. W. Hornung introduced the world to a duo as gifted at burglary as Sherlock Holmes and Watson are at detection. Full of sophisticated banter, hair-raising close calls, and nefarious schemes, Raffles: The Amateur Cracksman is a masterwork of crime fiction and irrefutable proof that there truly is honor among thieves.
This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices.
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Wikipedia in English
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Raffles and Bunny met at their public school and are very close friends. Their relationship carries a delicious homoerotic subtext. At first I thought this was my fevered imagination but Hornung knew Oscar Wilde and it seems that echoes of the Wilde/Bosie dalliance were also entirely intentional. Raffles and Bunny inhabit a Wildean world of paradox, moral relativism and aestheticism. Raffles is criminal as artist relishing the conception, plotting and realisation of his crimes. He steals partly to maintain his lifestyle but also for the sheer creative fun of it. And there’s a whiff of socialism in the privileged air: challenged by Bunny about his depredations Raffles avers that crime is wrong but the distribution of wealth is wrong as well.
He has a talent for cricket and plays for England - ‘a dangerous bat, a brilliant field, and perhaps the very finest slow bowler of his decade’. His fame on the field provides cover for his secret life of larceny as well as allowing Hornung to spin parallels between the game of cricket and the game of crime. George Orwell had a talent for writing perceptive essays and he wrote one about Raffles. Orwell points out that cricket is the perfect sport for Raffles as it is bound up, in England at least, with notions of style and fair play; the phrase ‘it’s not cricket’ to express ethical disapproval is not entirely obsolete even in the 21st century. By making his burglar a cricketer, observes Orwell, Hornung was ‘drawing the sharpest moral contrast that he was able to imagine’.
Raffles is an amateur cricketer, just as he is an amateur cracksman, and he regards with condescension the professionals in both occupations. Raffles, you understand, is a Gentleman and most emphatically not a Player. Which brings us to the essence of these delightfully absurd adventures: snobbery. By making his hero a toff Hornung catered to his readers fantasies about upper crust society but making his toff a criminal also enabled him to playfully subvert Victorian values. Raffles has it both ways with great panache and so does Hornung. These interrelated stories are awash with period charm, cleverly plotted and a rattling good read. (