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Locating Renaissance Art by Carol M.…
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Locating Renaissance Art

by Carol M. Richardson (Editor)

Other authors: Tim Benton (Contributor), Elizabeth A. H. Cleland (Contributor), Angeliki Lymberopoulou (Contributor), Diana Norman (Contributor), Paul Wood (Contributor)1 more, Kim W. Woods (Contributor)

Series: Renaissance Art Reconsidered (Volume 2)

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Author nameRoleType of authorWork?Status
Richardson, Carol M.Editorprimary authorall editionsconfirmed
Benton, TimContributorsecondary authorall editionsconfirmed
Cleland, Elizabeth A. H.Contributorsecondary authorall editionsconfirmed
Lymberopoulou, AngelikiContributorsecondary authorall editionsconfirmed
Norman, DianaContributorsecondary authorall editionsconfirmed
Wood, PaulContributorsecondary authorall editionsconfirmed
Woods, Kim W.Contributorsecondary authorall editionsconfirmed
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Amazon.com Product Description (ISBN 0300121881, Paperback)

Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center.
During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.

(retrieved from Amazon Thu, 12 Mar 2015 18:17:28 -0400)

Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.… (more)

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