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Génie du non-lieu. Air, poussière, empreinte, hantise

by Georges Didi-Huberman

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Le grand critique Georges Didi-Hubermann s'adonne dans cet essai à un commentaire de l'oeuvre de Claudio Parmigggiani (né en 1943), plasticien italien associé à l'Arte Povera. Puisant sa réflexion dans l'utilisation de la suie et de la poussière pour réinvestir des espaces détruits, abandonnés ou relocalisés, Didi-Hubermann tisse un parallèle entre la démarche de l'italien et le fantôme nucléaire de la catastrophe d'Hiroshima, dont le souffle dévastateur semble encore résonner dans les installations de Parmiggiani.
40 illustrations en noir et blanc.
  petervanbeveren | Feb 8, 2021 |
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