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Leaves of Grass by Walt Whitman
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Leaves of Grass (original 1855; edition 1982)

by Walt Whitman

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10,25685704 (4.1)3 / 358
Fiction. Poetry. HTML:

Leaves of Grass is a collection of poems by Walt Whitman originally published in 1855 at the poet's own expense. Criticized when first released for Whitman's use of free verse and his rather racy depictions of sexual love and the senses, Leaves of Grass is a celebration of the human form, the material world and nature.

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Member:kbuxton
Title:Leaves of Grass
Authors:Walt Whitman
Info:Signet Book (1982), Mass Market Paperback
Collections:Your library, Read but unowned
Rating:
Tags:poetry, read, no longer owned

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Leaves of Grass by Walt Whitman (1855)

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» See also 358 mentions

English (69)  Spanish (7)  Italian (4)  Catalan (1)  French (1)  Dutch (1)  Swedish (1)  Romanian (1)  All languages (85)
Showing 1-5 of 69 (next | show all)
Back in the 1870s, this was hot stuff. But to me, it is like a bunch of entries in the World's Longest Run-on Sentence contest. Jesus, Walt! Were you too poor to afford some periods?!?
Oh, and the self-glorification.
It was all too much. I just shelved the thing and moved on. ( )
  Treebeard_404 | Jan 23, 2024 |
Got a facsimile copy of the 1855 first edition so I could read this in its original form, and for the preface which didn't appear in many subsequent editions. I'm glad I did, to get the interesting typographical things Whitman did with this publication. ( )
  JBD1 | Nov 25, 2023 |
$950. original green cloth, gilt-decorated spine, gilt lettering, t.e.g., others untrimmed. Frontis portrait and one leaf of manuscript facsimile. An interesting and uncommon edition of Leaves of Grass, which according to BAL contains the first appearance the 13 poems that comprise "Old Age Echoes" - though Myerson does not recognize that. Herbert Small was one of the founders of Small Maynard in Boston, and Leaves of Grass was one of their first publications, the rights to which they acquired from Whitman's literary executors. This copy may well have been one of the first ones off the press as there is also a signature, The matter of the cancel leaf "Good Bye My Fancy" is a possible reference to later issues having a hyphen between good and bye.
  susangeib | Oct 26, 2023 |
I read this over the course of a few months, and probably should have read it more slowly. Some of his poems really resonate for me, especially "Song of the Open Road" and "Song of Myself." Many of his poems have beautiful individual lines, but taken as a whole just become a jumble of words and lists, rapidly becoming tedious. I love his total acceptance of everyone, regardless of sex, his comfort with sexuality and physicality. I feel he was very authentic, especially given the times he lived in. His poems are a celebration of America and its people, rather than a call for change. ( )
  TheGalaxyGirl | Aug 30, 2023 |
Walt Whitman was a visionary, a tolerant and kind man, who spoke out about injustices and did not allow himself to conform. Looking into the soul of human motivation and reaction, he purposefully chose everyday people to demonstrate his loftiest ideas. He had deep feelings about humanity's return to the earth, completing the cycle of life. The war greatly influenced his ideals, and probably was a trigger for him to create updated editions of this poem, and with each he honed the lines and the placement. In many ways, this self educated and self published author was also a book maker - taking into account everything about the physical book as well as the content. He rejected censorship and joined in with other bohemian writers of the day. I read this poem slowly with a class over a period of weeks, and we discussed a lot of the background, and how his words were influenced by the events of the day. Walt Whitman's vision and words are relevant still today.
Excerpt from section Full Of Life Now
"When you read these I that was visible am become invisible,
Now it is you, compact, visible, realizing my poems, seeking me,
Fancying how happy you were if I could be with you and become your comrade;
Be it as if I were with you. (Be not too certain but I am now with you.)"
( )
  ElisabethZguta | Jul 18, 2023 |
Showing 1-5 of 69 (next | show all)
Whitman's verse-technique is still of interest to the prosodist. His basic rhythm is an epic one—the Virgilian dactyl-spondee—and his line often hexametric. He sometimes sounds like Clough's Amours de Voyage, though it would be hard to imagine a greater disparity of tone and attitude than that which subsists between these two Victorians. Nevertheless, both Clough and Whitman saw that the loose hexameter could admit the contemporary and sometimes the colloquial..

He has only one subject—acceptance of the life-death cycle and reverence for it—and, since he uses an invariable technique, Leaves of Grass has a unity to be found in few other poets' collected volumes... But Whitman's aim is rather to present a universal democratic vista in terms of the American myth. The America of his poems sometimes seems as symbolic as that of Blake, and the bearded figure that strides across it with a big hello—the Answerer, all things to all men—is as much a home-made archetype as the Giant Albion.
added by SnootyBaronet | editObserver, Anthony Burgess
 
Nature may have given the hint to the author of the "Leaves of Grass", but there exists no book or fragment of a book, which can have given the hint to them. All beauty, he says, comes from beautiful blood and a beautiful brain... Who then is that insolent unknown? Who is it, praising himself as if others were not fit to do it, and coming rough and unbidden among writers to unsettle what was settled, and to revolutionize, in fact, our modern civilization?

You have come in good time, Walt Whitman! In opinions, in manners, in costumes, in books, in the aims and occupancy of life, in associates, in poems, conformity to all unnatural and tainted customs passes without remark, while perfect naturalness, health, faith, self-reliance, and all primal expressions of the manliest love and friendship, subject one to the stare and controversy of the world.
added by SnootyBaronet | editThe United States Review, Walt Whitman (Sep 1, 1855)
 

» Add other authors (151 possible)

Author nameRoleType of authorWork?Status
Walt Whitmanprimary authorall editionscalculated
Powell, Lawrence ClarkEditormain authorall editionsconfirmed
Allen, Gay WilsonIntroductionsecondary authorsome editionsconfirmed
Angelo, ValentiIllustratorsecondary authorsome editionsconfirmed
Babcock, Clarence MertonEditorsecondary authorsome editionsconfirmed
Cullen, CharlesIllustratorsecondary authorsome editionsconfirmed
Daniel, Lewis C.Illustratorsecondary authorsome editionsconfirmed
Holloway, EmoryEditorsecondary authorsome editionsconfirmed
Kaplan, JustinIntroductionsecondary authorsome editionsconfirmed
Kent, RockwellIllustratorsecondary authorsome editionsconfirmed
Kouwenhoven, John A.Editorsecondary authorsome editionsconfirmed
Loving, JeromeEditorsecondary authorsome editionsconfirmed
Spanfeller, JimIllustratorsecondary authorsome editionsconfirmed
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Epigraph
Come, said my Soul,
Such verses for my Body let us write, (for we are one,)
That should I after death invisibly return,
Or, long, long hence, in other spheres,
There to some group of mates the chants resuming,
(Tallying Earth's soil, trees, winds, tumultuous waves,)
Ever with pleas'd smile I may keep on,
Ever and ever yet the verses owning - as, first, I here and now
Signing for Soul and Body, set to them my name,
Walt Whitman
Dedication
First words
One's-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-masse.
I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me, as good belongs to you.
Quotations
Melange mine own, the unseen and the seen,
Mysterious ocean where the streams empty,
Prophetic spirit of materials shifting and flickering around me,
Living beings, identities now doubtless near us in the air that we know not of,
Contact daily and hourly that will not release me,
These selecting, these in hints demanded of me.
O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
Last words
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Disambiguation notice
Whitman revised Leaves of Grass at numerous points in his lifetime, frequently with significant changes between editions. (e.g. 93 pages for the original 1855 edition vs. 439 pages for the final 1891-92 edition.)  This work contains those entries for which the edition is unknown.

If your edition is here and you know which version it is, please separate it and combine it with the correct entry.
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Wikipedia in English (1)

Fiction. Poetry. HTML:

Leaves of Grass is a collection of poems by Walt Whitman originally published in 1855 at the poet's own expense. Criticized when first released for Whitman's use of free verse and his rather racy depictions of sexual love and the senses, Leaves of Grass is a celebration of the human form, the material world and nature.

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Un ritratto, un testo in prosa e dodici poesie: così nascevano nel 1855, le prime "Foglie d'erba", in cui Emerson ravvisò immediatamente "l'esempio più straordinario di intelligenza e di saggezza che l'America abbia sin qui offerto". Le "Foglie" avrebbero continuato a crescere per il resto della vita di Whitman, attraverso otto ulteriori edizioni, fino a diventare quel massiccio, monumentale volume che l'autore consacrò, "sul letto di morte", come definitivo e inalterabile. Ma è nel 1855 che, con le prime "Foglie", nasce un poeta. E' qui che Whitman supera i vincoli formali di metro, rima, strofa, punteggiatura, per affidarsi a un vagabondaggio della mente e dei sensi.
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