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Trois cent vingt-six lettres, billets, cartes postales adresses au long d'un demi-siecle (1897-1942) de toutes les parties du monde a quelque vingt-sept correspondants, femme et fils, parents et amis, collegues et confreres ; - en francais le plus souvent, trois fois en allemand (traduction jointe) et une en franglais : " Chere Suzanne, Dear Paul, nous are going to quitter the Bowl dimanche. We serions exceedingly heureux not to deranger you et (zut !) de vous voir quelques bonnes heures... show more ". Chaque groupe de lettres fait l'objet d'une courte presentation. En fin de volume, table chronologique et liste des correspondants. On y releve les noms de Wedekind, Gide, Philippe, Larbaud, Suares, Breton. Plusieurs de ces correspondances litterairescontiennent des indications precieuses sur l'art tres secret d'un ecrivain tres secret, notamment a propos de l'Ecole des Indifferents, Simon le Pathetique, Amphitryon 38, Ondine, Litterature (" tu verras que le veritable titre est Non-Litterature "). Mais ces lettres ne sont pas celles d'un " homme de lettres " : elles sont joliment ordonnees, agreables, spirituelles et/ou affectueuses, elles respirent surtout le naturel et la simplicite ; la fantaisie y regne, et l'acuite confondue du regard et du trait. Rien d'apprete ni de pretentieux chez cet homme qui n'ecrit pas pour ecrire. Il donne des nouvelles de mondes mal connus : Munich 1905, Harvard 1908, Paris 1925, Java 1937, Vichy 1941... Une invitation permanente au voyage retrospectif. show less

Author Information

Picture of author.
140+ Works 2,579 Members
A novelist, playwright, and critic, Giraudoux entered the diplomatic service in 1910 and, with the exception of World War I, pursued that career until his retirement in 1940. He rose from the rank of consular attache to that of cabinet minister. Giraudoux traveled widely (he was always fascinated by Germany) and had published about 30 titles, most show more of them novels, before becoming a dramatist at age 46. His first play, Siegfried (1922), marks an important watershed in French theater because it turns away from the conventions of naturalism toward a more poetic and intellectually dense drama. Giraudoux's novels are noted for their preciosity of language and their poetic and mythical qualities. His plays are highly stylized and poetic, generally avoiding "psychological realism." They are frequently confrontations of ideas or contrasts of opposing attitudes toward human experience. He was "more interested in ideas than in dramatic action, more interested in conversation than in ideas" (Gassner). Two of Giraudoux's plays won the New York Drama Critics Circle Award: Ondine (1939) in 1954 and Tiger at the Gates (1935) in 1956. (Bowker Author Biography) show less

Classifications

Genres
Literature Studies and Criticism, Fiction and Literature
DDC/MDS
846.912Literature & rhetoricFrench & related literaturesFrench lettersEarly 20th century 1901–
LCC
PQ2613 .I74 .Z53Language and LiteratureFrench, Italian, Spanish and Portuguese literaturesFrench literatureModern literature1900-1960
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