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Architecture that is meant to have a sensuous connection to life calls forthinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura. Now in its third edition, this book has been expanded to include two new essays: ,,Architecture and Lanscape" deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In ,,The Leis Houses", Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubünden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.… (more)
Magnífica a profundidade do pensamento de Zumthor e a forma simples como o exprime. Para quem é de Arquitectura e Artes é um nome de referência, para os outros não fará mal passarem a conhecer. ( )
Architecture that is meant to have a sensuous connection to life calls forthinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura. Now in its third edition, this book has been expanded to include two new essays: ,,Architecture and Lanscape" deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In ,,The Leis Houses", Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubünden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.
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In order to design a building with a sensuous connection to life, one must think in a way that goes far beyond form and construction. In these essays Peter Zumthor expresses his motivation in designing buildings, which speak to our emotions and understanding in so many ways, and possess a powerful and unmistakable presence and personality.
This book, whose first edition has been out of print for years, has been expanded to include three new essays: "Does Beauty Have a Form?,” "The Magic of the Real,” and "Light in the Landscape.” It has been freshly illustrated throughout with new color photographs of Zumthor’s new home and studio in Haldenstein, taken specially for this edition by Laura Padgett, and received a new typography by Hannele Grönlund.
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