I now know more about steamboats than is seemly for someone in today's world.

Joking aside, this book delivers on its promise of a good look at the life on the Mississippi River. And like the Mighty Mississip., it branches out into some unexpected places: corpse-watching in Germany, detailed descriptions of upperclass living rooms in St. Louis, trash-talking some author named Walter Scott, and even an extended scene from "The Adventures of Huckleberry Finn", used to illustrate the fantastic swearing that rivermen used to do. The most memorable passages for me were the ones that described the shifting of the riverbanks and the scenery alongside them; quite evocative.

NOTE: This book is in the public domain, and can be found for free on the Kindle and on Project Gutenberg (and in your local library, of course!). ( )

Look for audio book narrator Grover Gardner

Hardcover

Had never read this - vintage Twain, but a bit disconnected. Parts were hysterical, parts were educational and parts were, well, mediocre. But a worthy read - made me want to revisit his other works. ( )

I have to admit, here, to a bias; a prejudice. It’s a bias that I have fought against a spare few times in my life, but by and large, it has ruled my reading life. The bias is this: It is my perverse nature to avoid books and authors considered to be classics.

I know it’s contrary and based on no rational; I just don’t like being told what to do and what to like. Occasionally, the grown-up in me will rear her annoying head and insist that I at least try a classic or two – who knows? I might like it, and I don’t have to finish it if I don’t.

This it is why Life on the Mississippi has been sitting on my TBR shelf; that, and the fact that I found a Folio Society copy for a bargain. I grabbed it earlier this month, figuring that I could fulfil my yen for non-fiction and mark off a classic author at the same time.

The Introduction to my Folio edition doesn’t fill the reader with optimism. The story of Life on the Mississippi‘s creation is interesting, but finding out that fully half the book was considered ‘filler’ is not an auspicious start. The author of the introduction made it sound like Twain just filled out the second half of the book with a hodgepodge collection of other peoples’ articles and anecdotes. Which he does, but what they don’t tell you is that he folds it all into a cohesive narrative that works fairly well, if a little chaotically.

So with this introduction read, I resigned myself and started. What I found was a very time-consuming, but absorbing read, made enjoyable by Twain’s voice and trademark humour. Definitely not riveting, but it draws a picture of life in the late 1800’s that is vivid and brings both a pang of nostalgia for those easier days and a relief not to have been born in that age.

Twain gets full marks for making the life of a steamboat man sound romantic; it’s a testament to his talent that he even makes it interesting to read. And while I can’t say I loved it, or that I’ll ever really re-visit it, except for perhaps to randomly dip in and out, I can say that I feel I got something out of it, if only a better respect for the mighty Mississippi as it once was, wild and independent. ( )