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Let the Great World Spin (2009)

by Colum McCann

Other authors: See the other authors section.

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5,8303081,638 (3.98)530
Fiction. Literature. HTML:NATIONAL BOOK AWARD WINNER • Colum McCann’s beloved novel inspired by Philippe Petit’s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.

Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
BONUS: This edition includes an excerpt from Colum McCann’s TransAtlantic.

“This is a gorgeous book, multilayered and deeply felt, and it’s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There’s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you’ll find yourself giddy, dizzy, overwhelmed.”—Dave Eggers

“Stunning . . . [an] elegiac glimpse of hope . . . It’s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it’s a novel about families—the ones we’re born into and the ones we make for ourselves.”USA Today.
… (more)
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» See also 530 mentions

English (295)  French (3)  Spanish (2)  German (2)  Dutch (2)  Danish (2)  Italian (1)  Catalan (1)  Norwegian (1)  All languages (309)
Showing 1-5 of 295 (next | show all)
A great big complex novel packed into under 400 pages. Many of the characters do not have the best sort of life. The book won awards, and for good reasons. ( )
  mykl-s | Aug 13, 2023 |
Amo New York, per certi versi penso sia quasi un'ossessione. Da quando ci sono stata l'anno scorso è come se ci avessi lasciato un pezzo di me. Ogni volta che ne vedo uno scorcio in un film, un telefilm, mi sento il cuore allargarsi, mi viene quasi un groppo in gola, quando leggo una storia che si svolge fra le sue strade mi pare di vedermele scorrere davanti. In questo libro, più un susseguirsi di racconti che un romanzo, non ci sono descrizioni "esplicite" di New York, eppure ogni singola riga me l'ha fatta visualizzare. Leggendo questo libro, ho capito cosa me la fa amare tanto; il fatto che mi abbia fatta sentire accolta, a casa, l'ho sentita mia. I personaggi di questi racconti non sono tutti newyorkesi doc, eppure la città gli appartiene. Tant'è vero che la storia inizia in Irlanda, con i fratelli Corrigan e mi ha ricordato un po' il gusto di Un albero cresce a Brooklyn; quando ho finito quella parte ho pensato, ma come potrà riempire ancora meglio le pagine l'autore, se abbandona questo filo? Beh ci è riuscito, con le sue donne del bronx, con le madri disperate, col francese ballerino, con gli artisti in preda ai sensi di colpa, con gli hacker della silicon valley che chiamano i telefoni pubblici per farsi raccontare cosa sta succedendo in cima alle due torri, se c'è davvero quell'uomo che cammina sul filo. Così un giorno qualunque, con quell'uomo che danza sul filo, si apre uno scorcio sull'umanità che danza sulla terra. Non capita spesso di leggere libri così, non capita spesso, arrivati all'ultima riga, di desiderare che ce ne siano ancora.... ma non è tutto merito mio, grazie a Paolo Cognetti che me l'ha fatto scoprire ( )
  Mav_Danto | Jul 28, 2023 |
I was totally delighted by the diverse cast of characters featured in this novel. It really displayed the melting pot that is New York. In this sense, the novel serves as an excellent example of the six degrees of separation theory. Despite vast differences in age,wealth,race, or creed the characters are all connected. And to make it even more interesting, they are often unaware of these connections. ( )
  kevinkevbo | Jul 14, 2023 |
This book is a mixed bag for me. I very much enjoyed the beginning and the first few chapters. I felt drawn into the story of brothers from Ireland, Corrie and Ciaran. Corrie is a priest living in proximity to a group of prostitutes and drug addicts. Ciaran arrives later and cannot quite approve of how Corrie is living. After a promising start, it becomes a loosely connected series of short stories, some of which appealed to me while others decidedly did not. The wire walker is not the main focus of this book. He serves more as a symbolic figure. Just as I was getting interested in one storyline, it abruptly shifts to something completely different. One of the characters I cared about disappears early on. There are lots of coincidences. The further I got into the book, the less I enjoyed it. I much preferred and recommend McCann’s [b:Apeirogon|50732671|Apeirogon|Colum McCann|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1577772020l/50732671._SX50_SY75_.jpg|71466820] and [b:Dancer|110896|Dancer|Colum McCann|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1312004781l/110896._SX50_.jpg|2247523]. ( )
  Castlelass | Oct 30, 2022 |
Maybe I'm just a detached millennial leftist but 9/11 is just not that interesting of a topic ( )
  bluestraveler | Aug 15, 2022 |
Showing 1-5 of 295 (next | show all)
This is an exceptional performance by a writer whose originality and profound humanity is evident throughout this highly original and wondrous novel.
 
The lousy feeling that you’ve been duped into buying a bogus product increases as you read Let the Great World Spin, and like all chintzy things manufactured for tourists, the book can’t withstand the slightest amount of tensile pressure. Apply a little scrutiny to the artistic decisions being made, and worse and worse details appear, from the awful prose, which ceaselessly pitches and yaws between staccato bursts of words and breathless run-on sentences, to the gaudy, exhibitionist displays of grief. But tackiest of all is the way that McCann deals with his African-American characters, who come off as nothing more than anthropological specimens.
 
It is a mark of the novel’s soaring and largely fulfilled ambition that McCann just keeps rolling out new people, deftly linking each to the next, as his story moves toward its surprising and deeply affecting conclusion.
...
Here and elsewhere, “Let the Great World Spin” can feel like a precursor to another novel of colliding cultures: “The Bonfire of the Vanities,” Tom Wolfe’s classic portrait of New York in the 1980s. But McCann’s effort is less disciplined, more earnest, looser, rougher, more flawed but also more soulful — in other words, more like the city itself.
 
Gritty yet hopeful... in terms of sheer lyricism, McCann pulls out all the stops. My review copy was an absolute mess of Post-its and marked passages by the time I was halfway through.
 
A book so humane in its understanding of original sin that it winds up bestowing what might be called original absolution... a pre-9/11 novel that delivers the sense that so many of the 9/11 novels have missed.
added by jjlong | editEsquire, Tom Junod (Jul 8, 2009)
 

» Add other authors (14 possible)

Author nameRoleType of authorWork?Status
Colum McCannprimary authorall editionscalculated
Doyle, GerardNarratorsecondary authorsome editionsconfirmed
Monda, CarolNarratorsecondary authorsome editionsconfirmed
Ocampo, Ramon deNarratorsecondary authorsome editionsconfirmed
Parker, JohannaNarratorsecondary authorsome editionsconfirmed
Poe, RichardNarratorsecondary authorsome editionsconfirmed

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Epigraph
“All the lives we could live, all the people we will never know, never will be,
they are everywhere. That is what the world is.”

—Aleksandar Hemon,
The Lazarus Project
Dedication
For John, Frank, and Jim.
And, of course, Allison.
First words
Those who saw him hushed.
Quotations
I knew the Catholic hit parade - the Our Father, the Hail Mary - but that was all. I was a raw, quiet child, and God was already a bore to me.
"With all respects to heaven, I like it here."
"But see, this logical God, I don't like him all that much. Even His voice, He's got this voice that I just can't, I don't know, I can't like. I can understand it, but I don't necessarily like it. He's out of my range. But that's no problem. Plenty of times I haven't liked Him. It's good to be at a disturbance with God. Plenty of fine people have been in my place and worse."
There are moments we return to, now and always. Family is like water - it has a memory of what it once filled, always trying to get back to the original stream.
The war was about vanity, he said. It was about old men who couldn't look in the mirror anymore and so they sent the young out to die. War was a get-together of the vain. They wanted it simple - hate your enemy, know nothing of him.
Last words
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Wikipedia in English (2)

Fiction. Literature. HTML:NATIONAL BOOK AWARD WINNER • Colum McCann’s beloved novel inspired by Philippe Petit’s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.

Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
BONUS: This edition includes an excerpt from Colum McCann’s TransAtlantic.

“This is a gorgeous book, multilayered and deeply felt, and it’s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There’s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you’ll find yourself giddy, dizzy, overwhelmed.”—Dave Eggers

“Stunning . . . [an] elegiac glimpse of hope . . . It’s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it’s a novel about families—the ones we’re born into and the ones we make for ourselves.”USA Today.

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Book description
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.

Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.

Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
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