

Loading... Cyrano de Bergerac (1897)by Edmond Rostand
![]() Favourite Books (288) Best Historical Fiction (377) » 20 more Top Five Books of 2015 (378) 19th Century (67) 1890s (7) Plays I Like (25) Swashbucklers (2) Love and Marriage (19) French Books (3) Unread books (832) No current Talk conversations about this book. I liked this book better than the other books I had to read for Honors English. This is a really fun and exciting play. I would read it just for fun if i wanted to! ( ![]() NA Sembrerà forse retorica, ma credo esistano davvero libri che non possono esser recensiti, ma solo assaporati e personaggi che altro non possono diventare se non immortali. Il romanzo di Rostand è uno di questi libri. Cirano è uno di questi personaggi. At the risk of sounding like a bit of a fool, I have to say that I was surprised at how much I enjoyed reading Edmond Rostand’s 1897 play Cyrano de Bergerac. The version of the play that I read was translated by Lowell Bair and first published by Signet Classics in 1972. My surprise came from not having particularly enjoyed either movie version of Cyrano that I’ve seen, and assuming that was the play’s fault rather than the fault of the two movies. The unrealistic plot of Cyrano de Bergerac, as it turns out, is precisely what makes it so charming. Imagine what has to be the greatest swordsmen in French history (the play is set in 1640), a man who can write poetry aloud while in the midst of a swordfight for his very life. Such a man would be a romantic hero in any country of the period, but because Cyrano has also been blessed with one of the longest noses in French history, he is not exactly having to fight off the women. Our hero is, in fact, madly in love with his first cousin, Roxanne. Roxanne, though, is the kind of woman who can only imagine herself ever falling in love with a handsome man – and in Cyrano’s friend Christian, she finds just what she is looking for. Unfortunately for Christian and Roxanne, Christian’s ability to creatively express his feelings is at the opposite end of the scale from his good looks. If Roxanne ever figures out just how dull-witted the man is, she is certain to ban him from her life. And that’s where Cyrano comes in. Cyrano’s ability to write a love letter is exceeded only by his ability to kill eight or ten men in a single swordfight. Christian obviously needs help (probably in both areas), and Cyrano is willing to write his love letters as a way of himself staying close to Roxanne. The beautiful Roxanne, though, has attracted more than two suitors (even though she doesn’t even realize that Cyrano is one of them), and that complicates the plot considerably. Cyrano de Bergerac is dramatic; it is funny; and its puns (especially those regarding Cyrano’s nose) are brilliant. The play’s final act is obviously overly-melodramatic, but actually, it’s really no less realistic than the rest of the play. The same theater-goers who laughed their way through most of the play probably never thought they would be leaving the theater in tears when the final curtain closed, but I’m willing to bet that’s exactly what happened to many of them. The fictional Cyrano de Bergerac is an unforgettable character, and even though the play’s author believed the play to be a literary disaster, it turned out to be the one that made him famous – and has kept him that way. 2020 reread via full cast LATW audiobook (streamed from their website): I think this reread was my 4th or 5th time. While I enjoyed it as always, this translation by Anthony Burgess wasn't the best one I have experienced. Or maybe it was the way the play was adapted by Barry Creyton... in any case, something about it was just not up to my expectations. However, the interview with Sue Lloyd, author of The Man Who Was Cyrano: A Life of Edmond Rostand, included at the conclusion of the play brings my rating up to 4.5*. I had no idea that Cyrano & Roxanne were historical figures from the 17th century! I had assumed that Rostand had made them up. This recording has the following cast: Caroline Aaron as Lise/Mother Marguerite Hugo Armstrong as Le Bret Kalen Harriman as Foodseller/Others Gregory Itzin as Comte De Guiche Hamish Linklater as Cyrano Anna Mathias as Duenna/Others Morgan Ritchie as Valvert/Bellerose/Others Jason Ritter as Christian André Sogliuzzo as Ragueneau/Ligniere/Others Devon Sorvari as Roxane Matthew Wolf as Cuigy/Others no reviews | add a review
Belongs to Publisher SeriesCentopaginemillelire (45) — 8 more Is contained inVoyages to the Moon and the Sun by Cyrano de Bergerac (indirect) Has the adaptationInspiredHas as a student's study guide
One of the most beloved heroes of the stage, Cyrano de Bergerac is a magnificent wit who, despite his many gifts, feels that no woman can ever love him because of his enormous nose. He adores the beautiful Roxanne but, lacking courage, decides instead to help the tongue-tied but winsome Christian woo the fair lady by providing him with flowery sentiments and soulful poetry. Roxanne is smitten-but is it Christian she loves or Cyrano? A triumph from the moment of its 1897 premiere, Cyrano de Bergerac has become one of the most frequently produced plays in the world. Its perennial popularity is a tribute to the universal appeal of its themes and characters. No library descriptions found. |
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