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Typography Papers 6 (2005)

by University of Reading. Department of Typography & Graphic Communication.

Other authors: Paul F. Gehl (Contributor), Nicolete Gray (Contributor), Giovanni Mardersteig (Contributor), James Mosley (Contributor), Paul Stiff (Contributor)

Series: Typography Papers (6)

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Typography Papers is an occasional book-length publication from the Department of Typography at the University of Reading (England) with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Issue 6 is devoted to the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray; the first English translation of the late GiovanniMardersteig's brilliant and seminal essay of 1959 ("L. B. Alberti e la rinascita del carattere lapidario romano nel quattrocento"); James Mosley on Giovan Francesco Cresci's formative influence on the form of Western handwriting and typefaces; an analysis of the grand inscriptional capitals which appeared on new buildings in Rome between 1585 and 1590; and Victor Gaultney's innovative survey of how the character repertoire of the Latin alphabet has been extended to cater to languages without scripts.… (more)
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Author nameRoleType of authorWork?Status
University of Reading. Department of Typography & Graphic Communication.primary authorall editionsconfirmed
Gehl, Paul F.Contributorsecondary authorall editionsconfirmed
Gray, NicoleteContributorsecondary authorall editionsconfirmed
Mardersteig, GiovanniContributorsecondary authorall editionsconfirmed
Mosley, JamesContributorsecondary authorall editionsconfirmed
Stiff, PaulContributorsecondary authorall editionsconfirmed

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Typography Papers is an occasional book-length publication from the Department of Typography at the University of Reading (England) with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Issue 6 is devoted to the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray; the first English translation of the late GiovanniMardersteig's brilliant and seminal essay of 1959 ("L. B. Alberti e la rinascita del carattere lapidario romano nel quattrocento"); James Mosley on Giovan Francesco Cresci's formative influence on the form of Western handwriting and typefaces; an analysis of the grand inscriptional capitals which appeared on new buildings in Rome between 1585 and 1590; and Victor Gaultney's innovative survey of how the character repertoire of the Latin alphabet has been extended to cater to languages without scripts.

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