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Loading... Leviathan (edition 2009)by Scott Westerfeld
Work InformationLeviathan by Scott Westerfeld
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This was an enjoyable, but largely unbelievable, steampunk story. The implausibility of Victorians being able to accomplish feats of DNA manipulation of which we today are completely incapable, however, might not necessarily distract or bother the youthful target audience.
That quibble aside, I liked the characters. They were believable and interesting and sympathetic. Their lives were both exciting and harrowing. It made for good reading. Until the abrupt ending.
The novel is a study in opposites, of boy versus girl, working class versus aristocracy, British versus German, and its overlying thematic division of Darwinists and Clankers gives all of these a distinctive torque, while avoiding mapping neatly to any specific agenda. The novel’s concluding set piece features a grand, elegant and very satisfying hybridization that suggests that opposites can meet, collapse and mingle, and that this story has natural sequels, which I will undoubtedly read. Westerfeld writes gripping, relentless coming-of-age novels that are equally enjoyable by boys and girls, adults and kids, and Leviathan is no exception. I'm looking forward to volume two -- and many more to come. Is contained inAwardsDistinctionsNotable Lists
In an alternate 1914 Europe, fifteen-year-old Austrian Prince Alek, on the run from the Clanker Powers who are attempting to take over the globe using mechanical machinery, forms an uneasy alliance with Deryn who, disguised as a boy to join the British Air Service, is learning to fly genetically-engineered beasts. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
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Rich in details, it is a fast-paced, interesting story that takes us through the very early days of a potential war between the Darwinists (Britain), who have bred amazing animal hybrids (“fabrications”), and The Clankers (Germans), who rely exclusively on fantastical mechanical machines. At the beginning of the novel, the other Euro-Asian countries have begun either to take sides or negotiate their loyalties.
As the first book in the trilogy, it does an excellent job of setting up the world, the politics, and the origin story of the two heroes: Deryn, a girl disguised as a boy so she can be in the British Air Service, and Prince Aleksander, the heir to the Austria-Hungary empire, in hiding ever since his parents were murdered for political purposes.
The story of the two heroes, initially related separately, converges early on and does not bog down with sentiment. Deryn (under the name Dylan) is well-drawn and engaging. She plunges head-long into adventures and her exploits keep you turning the pages. Alek, the secret heir, is true to type: a bit spoiled and naïve about how the world works, having been raised in the sheltered world of royalty. To its credit, the narrative does not linger on this aspect unduly, only as an opportunity to introduce another element of the “real” world on the brink of war.
Despite some detailed discussions of the animal hybrids and the machines, the reader is drawn into this fantastical world, the intrepid heroes, and the political machinations of the various factions. The main story of the teens will keep young adults interested, and the plausible alternate political history will interest adults.
It was a good page-turner that had me keen to pick up the second book in series: Behemoth. ( )