This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

The Signs Pile Up: Paintings by Pedro…

The Signs Pile Up: Paintings by Pedro Alvarez

by Pedro Alvarez

MembersReviewsPopularityAverage ratingConversations
Recently added bySMHCuratorialLibrary

No tags.



Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

No reviews
no reviews | add a review
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
Important places
Important events
Related movies
Awards and honors
First words
Last words
Disambiguation notice
Publisher's editors
Publisher series
Original language
Canonical DDC/MDS

References to this work on external resources.

Wikipedia in English


Book description
Haiku summary

Amazon.com Product Description (ISBN 188919557X, Hardcover)

The Signs Pile Up: Paintings by Pedro Álvarez is the first comprehensive book to survey the work of this Cuban artist. Álvarez has shown his paintings in museums around the world, including the Museo Nacional Palacio de Bellas Artes in Havana, the Museo Andaluz de Arte Contemporáneo in Seville, Spain,
the Arizona State University Museum of Art in Tempe, Arizona and the Museum of Art in Ft. Lauderdale, Florida. The catalog includes four essays which examine much of Álvarez s career - the Periodo Especial, the Dollarscape series, his use of American cars from the 1950s drawing on the complicated U.S.-Cuba relations, and identity issues. Much of his work utilized a juxtaposition of pop culture references, such as clippings from The Simpsons comic books, against traditional Cuban images, such as 19th century peasants and troubadours. Describing his creative process, Álvarez said, The iconography in my paintings is a collage of found images. Clips from art catalogs, magazines, books, old postcards, bank notes are intuitively collected and stocked for some time until they are used, in a more or less fragmentary way, as backgrounds, characters or plain referents. It is a process very close to the one described in Freud s studies on jokes. I have to be half way through those clips and into the realm of ideas, concerns and intuitions. From that tension, the new ideas are born. The execution phase has its own rhythm and tensions, but in a general sense, the majority of the important decisions has already been taken before painting starts.

(retrieved from Amazon Thu, 12 Mar 2015 18:17:34 -0400)

No library descriptions found.

Quick Links

Popular covers


Average: No ratings.

Is this you?

Become a LibraryThing Author.


About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 131,654,709 books! | Top bar: Always visible