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Endless Forms: Charles Darwin, Natural Science, and the Visual Arts (Yale…
by Diana Donald
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Amazon.com Product Description (ISBN 0300148267, Hardcover)
Charles Darwin’s revolutionary theories of evolution and natural selection have not only had a profound influence on the fields of biology and natural history, but also provided fertile territory for the creative imagination. This lavishly illustrated book accompanies an exhibition organized by the Fitzwilliam Museum, University of Cambridge, in association with the Yale Center for British Art, that will coincide with the global celebration of the bicentenary of Darwin’s birth and the 150th anniversary of the publication of On the Origin of Species by Means of Natural Selection (1859).
The essays in this exceptionally wide-ranging book examine both the profound impact that Darwin’s ideas had on European and American artists and the ways in which his theories were influenced by the visual traditions he inherited. In works by artists as diverse as Church, Landseer, Liljefors, Heade, Redon, Cézanne, Lear, Tissot, Rossetti, and Monet, from imaginative projections of prehistory to troubled evocations of a life dominated by the struggle for existence, Darwin’s sense of the interplay of all living things and his response to the beauties of the natural world proved inspirational.
(retrieved from Amazon Thu, 12 Mar 2015 18:06:56 -0400)
"This illustrated book is the first to explore Darwin's links with artistic traditions and his impact on the visual arts in Europe and America in the nineteenth century. Bringing together art and science in a completely original way, it sets works by major artists such as Church, Landseer, Heade, Redon, Cezanne and Monet in a fresh and illuminating context. In grand landscape painting and dioramas, in imaginary scenes of prehistory and early human life, in depictions of exotic birds and of life in the wild, Darwin's sense of the interplay of all living things and of the beauties of colour and form in nature proved vital."--BOOK JACKET.
An edition of this book was published by Yale University Press.
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