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Loading... Jerusalem (2009)by Jez Butterworth
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Text of this outstanding play, so memorably portrayed by a Mark Rylance-led cast on the West End and Broadway in 2009-11. The writing is extremely witty and sharp, also tersely expressive and dense in meaning, leading to the Shakespearian comparisons several reviewers have identified. This and the brief but meaningful stage directions reward the reading of this playtext. What is still missing here is some analysis, unpicking the various references to Blake's hymn, to St George, to May-day revels, presumably lamenting some kind of lost or threatened vitality in English culture, presumably again embodied in the character of the play's hero, Rooster Byron. Jerusalem is about many things, from the hard partying gang that hangs about Rooster's rickety Airstream trailer, to the sadness of the discrimination against Romanys - Gitanes - Gypsies - of which he turns out to be one. Condemned to making money as a daredevil in his youth and a blood donor in middle age, Rooster is determined to live large - while the local town does its utmost to boot him out. In between, we are treated to the magic of central England, the fairies and giants and mystical beings that inhabit the woods and glens that for centuries have provided our legends. From Robin Hood to hobbits to Shrek, this setting is as fertile as they come, and author Jez Butterworth milks it to its fullest. The first two acts are riotously funny, setting us up for the dismal fall, which is obvious from the beginning - this can't last. And it doesn't. But along the way we are treated to Rooster's intelligence, his understanding of the way things work, and his role in them. It's a remarkable story of coping and survival in a hostile environment, buried in a haze of gin and marijuana, as anybody in his situation might descend to. To that point, Jerusalem is highly believable. This could (and of course has been) going on in real life. Only the wonderfully involved massive and mammoth lies that Rooster spins are obviously made up. He has made himself into one of the great legends of the woods, remaining Rooster while generation after generation of teenagers in search of something more hang out for a while and move on. A delightfully complex story, though readers don't have to get all this from reading it. As a straight story it is highly entertaining. But make no mistake, there is a masterpiece lurking in these pages. no reviews | add a review
Belongs to Publisher SeriesNHB Modern Plays (Butterworth)
Jez Butterworth's hugely acclaimed, prize-winning play - a comic, contemporary vision of life in England's green and pleasant land. On St George's Day, the morning of the local country fair, Johnny 'Rooster' Byron, local waster and Lord of Misrule, is a wanted man. The council officials want to serve him an eviction notice, his son wants to be taken to the fair, a vengeful father wants to give him a serious kicking, and a motley crew of mates wants his ample supply of drugs and alcohol. Jerusalem premiered at the Royal Court Theatre, London, in July 2009 in a production directed by Ian Rickson and starring Mark Rylance. It transferred to the Apollo Theatre in the West End in January 2010, and played on Broadway in 2011. Jez Butterworth's play won the Evening Standard Best Play Award and the Critics Circle and Whatsonstage.com awards for Best New Play. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)822.914Literature English & Old English literatures English drama 1900- 1900-1999 20th Century 1945-1999LC ClassificationRatingAverage:
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The first two parts of the play are hilarious, packed full of creatively profane language and pop culture references, painting a picture of an England more concerned with parties and drinking than any sense of patriotism. It's setting the story up for the inevitable fall, one that must and will happen. It's a strange play, often surreal and ridiculous and definitely not for everyone, but there's something undeniably fascinating about Jerusalem. Part parable, part social commentary, part updated Shakespearean tragi-comedy, it's a mish-mash of perfectly organised chaos. There's a cutting intelligence behind the Cheryl Cole jokes and frequent use of the 'c' word, one that exposes the hypocrisy of hanging onto old traditions whilst exposing the real England. Packed full of iconic English imagery and metaphors, it's one that definitely requires a reread (and a national tour please!)
Here's a trailer for the Broadway production: http://www.youtube.com/watch?v=Fcp4mwNQ7AQ ( )