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Annabel: A Novel by Kathleen Winter
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Annabel: A Novel (original 2010; edition 2011)

by Kathleen Winter

MembersReviewsPopularityAverage ratingConversations / Mentions
1,0087520,529 (3.97)1 / 245
Born a boy and a girl but raised as a boy, Wayne or "Annabel" struggles with his identity growing up in a small Canadian town and seeks freedom by moving to the city.
Member:sparemethecensor
Title:Annabel: A Novel
Authors:Kathleen Winter
Info:Grove Press, Black Cat (2011), Paperback, 480 pages
Collections:Your library, For Connections/Recommendations
Rating:**
Tags:Canada, transgender, coming of age, Canadian literature, family secrets

Work Information

Annabel by Kathleen Winter (2010)

  1. 81
    Middlesex by Jeffrey Eugenides (LynnB, BookshelfMonstrosity)
    LynnB: Main character is a hermaphrodite and faces similar issues.
    BookshelfMonstrosity: Annabel follows the life of a hermaphrodite who was not masculine enough to please his father. The novel explores themes of family relations, gender roles, and sexual identity similar to those in Middlesex.
  2. 20
    As Nature Made Him by John Colapinto (Citizenjoyce)
  3. 00
    Grace Williams Says it Loud by Emma Henderson (lucyknows)
  4. 00
    Good to a Fault by Marina Endicott (lucyknows)
  5. 00
    Half Blood Blues by Esi Edugyan (lucyknows)
  6. 00
    The Virgin Cure by Ami McKay (lucyknows)
  7. 01
    Mercy Among the Children by David Adams Richards (Yells)
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 Orange January/July: Annabel by Kathleen Winter13 unread / 13raidergirl3, July 2011

» See also 245 mentions

English (71)  Dutch (2)  French (1)  All languages (74)
Showing 1-5 of 71 (next | show all)
Finished reading in less than 2 days. One of the best recent books and should have won at least one of the awards it was nominated for. ( )
  Elizabeth_Blondin | May 17, 2022 |
Really beautiful coming of age story. Written with a stark simplicity in keeping with the setting. Loved the complexity of the main characters challenge, and the contrast with the bleak directness of his environment
( )
  porte01 | Jan 25, 2021 |
Ugghh.

I still have 100 pages left, but I can't contain myself any longer. I loved this book until a little after the halfway mark where the whole thing started to fall apart. The sensitivity and care shown towards the subject of an intersex person are completely destroyed by the author's sensational use of a biological impossibility on the main character. Why throw in a horrible urban legend instead of featuring the real issues and concerns an intersex person is faced with daily?

I also can't help but feel that the story itself would have been much more interesting if it had involved Annabel's coming to terms with the male/female duality of her nature, not merely focusing on the feminine half she had been denied. And don't even get me started on the heavy-handed symbolism of Annabel's friend, the girl who "lost her voice," or the rape scene haphazardly thrown in seemingly for the hell of it.

In other words, don't even bother reading this one. End of rant. ( )
  bugaboo_4 | Jan 3, 2021 |
Nominated for the three top Canadian literary prizes, this debut novel is beautifully written. There were passages and descriptions that I had to keep rereading, they just blew me away. I had some problems with the character development (the mother just fades away...), but most of the narrative rang true. The novel left me wanting more... ( )
  Rdra1962 | Aug 1, 2018 |
I so wanted to love this book, and I didn't. What a disappointment. But I believe it to be a case of "It's not you, it's me." I just wasn't in the right mood. ( )
  GaylaBassham | May 27, 2018 |
Showing 1-5 of 71 (next | show all)
Read it because it’s a story told with sensitivity to language that compels to the last page, and read it because it asks the most existential of questions. Stripped of the trappings of gender, [Kathleen] Winter asks, what are we? --The Globe & Mail, June 25, 2010
added by vancouverdeb | editThe Globe and Mail (Jun 25, 2010)
 
added by lucyknows | editSCIS
 
But can someone of two genders really find acceptance—even self-acceptance? Kathleen Winter explores that question in her utterly original debut novel, Annabel.
 
Annabel’s strength lies in probing the dilemma of sexuality and self-knowledge. I have never read such an intimate portrait of a person struggling to live inside a self that the world sees as a dreadful mistake. Born with the capacity to be both male and female, Wayne must become one and lose the other. His parents, too, must embrace a son and lose a daughter. In the end Wayne/Annabel’s mysterious, unachieved duality shimmers beside the streams of his birthplace like the mythical white caribou, while he has gone on to a compromised but acceptable existence elsewhere.

 
Finely observed detail and gut-wrenching honesty, together with some rich characters and a perfectly rendered world, make Annabel a rare treat, and [Kathleen] Winter a welcome new voice in Canadian writing. -- Winnipeg Free Press, June 26, 2010
added by vancouverdeb | editWinnipeg Free Press
 
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Epigraph
Annabel, Annabel, where did you go? I've looked high and I've looked low. I've looked low and I've looked high... - Kat Goldman
Different though the sexes are, they intermix. In every human being a vacilliation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above. - Virginia Woolf
Dedication
To my mother and father
First words
Wayne Blake was born at the beginning of March, during the first signs of spring breakup of the ice - a time of great importance to Labradorians who hunted ducks for food- and he was born, like most children in that place in 1968, surrounded by women his mother had known all her married life: Joan Martin, Eliza Goudie, and Thomasina Baikie.
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Wikipedia in English (1)

Born a boy and a girl but raised as a boy, Wayne or "Annabel" struggles with his identity growing up in a small Canadian town and seeks freedom by moving to the city.

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Book description
In 1968, into the beautiful, spare environment of remote coastal Labrador, a mysterious child is born: a baby who appears to be neither fully boy nor girl, but both at once.

Only three people are privy to the secret — the baby's parents, Jacinta and Treadway, and a trusted neighbour, Thomasina. Together the adults make a difficult decision: to raise the child as a boy named Wayne. But as Wayne grows to adulthood within the hyper-masculine hunting culture of his father, his shadow-self — a girl he thinks of as "Annabel" — is never entirely extinguished, and indeed is secretly nurtured by the women in his life.

Haunting, sweeping in scope, and stylistically reminiscent of Jeffrey Eugenides' Middlesex, Annabel is a compelling tale about one person's struggle to discover the truth about their birth and self in a culture that shuns contradiction.
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