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Art of the Western World: Volume 3: The Early Renaissance

by Geoff Dunlop (Director), Michael Wood (Host)

Other authors: Colin Eisler (Contributor), John White (Contributor)

Series: Art of the Western World (Wood) (3)

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Covers the revival and reinterpretation of the classical tradition in the works of Florentine artists Masaccio, Donatello, and Ghiberti. Discusses how these artists exemplify the merging of Christian and humanistic values. Examines the realism of Jan van Eyck and the spiritual crisis of northern Europe as revealed in Gruenwald's Isenheim altarpiece. Also discusses the spirit of the Renaissance as reflected in Albrecht Durer's work. Includes the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. Examines the Baroque style in light of the works of Bernini, Caravaggio, Valázquez, and Rembrandt.… (more)
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Author nameRoleType of authorWork?Status
Dunlop, GeoffDirectorprimary authorall editionsconfirmed
Wood, MichaelHostmain authorall editionsconfirmed
Eisler, ColinContributorsecondary authorall editionsconfirmed
White, JohnContributorsecondary authorall editionsconfirmed

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Covers the revival and reinterpretation of the classical tradition in the works of Florentine artists Masaccio, Donatello, and Ghiberti. Discusses how these artists exemplify the merging of Christian and humanistic values. Examines the realism of Jan van Eyck and the spiritual crisis of northern Europe as revealed in Gruenwald's Isenheim altarpiece. Also discusses the spirit of the Renaissance as reflected in Albrecht Durer's work. Includes the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. Examines the Baroque style in light of the works of Bernini, Caravaggio, Valázquez, and Rembrandt.

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