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Sons of the Morning

by Eden Phillpotts

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Above unnumbered sisters she arose, an object noteworthy even amid these aisles, where, spun from the survival of the best endowed, fabrics of ancient forest enveloped the foot-hills of the Moor and belted heather and granite with great woodlands. A dapple of dull silver marked her ascension and glimmered upwards through the masses of her robe. From noble girth of moss-grown trunk she sprang; her high top was full of a silky summer song; while sunbeams played in the meshes of her million leaves and cascades of amber light, born from her ripening harvest, streamed over the dark foliage. She displayed in unusual perfection the special symmetry of her kind, stood higher than her neighbours, and fretted the blue above with pinnacles of feathering arborescence, whose last, subtle expression, at that altitude, escaped the eye. Her midmost boughs tended from the horizontal gradually downward, and the nether branches, rippling to earth like a waterfall, fashioned a bower or music-making dome of translucent green around about the bole. Within this arbour the roots twisted down their dragon shapes into the dark, sweet-scented earth, and fortified the beech against all winds that blew. So she stood, queen of the wold, a creation loved by song-birds, a treasure-house for squirrels, pigeons, and the pheasants that, at autumn-time, strutted gorgeous in the copper lake of her fallen leaves. Beneath her now, cool and moist in twilight of shadows, grew delicate melampyre that brought light into the herbage, stood the wan seed-vessels of bygone bluebells, and trailed grasses, with other soft, etiolate things that had never known direct sunshine. The pale trunk was delicately wrought with paler lichens, splashed and circled upon its bark; while mossy boulders of granite, lying scattered within the circumference of the tree's vastness, completed this modest harmony of grey and silver, lemon and shadowed green.… (more)
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Above unnumbered sisters she arose, an object noteworthy even amid these aisles, where, spun from the survival of the best endowed, fabrics of ancient forest enveloped the foot-hills of the Moor and belted heather and granite with great woodlands. A dapple of dull silver marked her ascension and glimmered upwards through the masses of her robe. From noble girth of moss-grown trunk she sprang; her high top was full of a silky summer song; while sunbeams played in the meshes of her million leaves and cascades of amber light, born from her ripening harvest, streamed over the dark foliage. She displayed in unusual perfection the special symmetry of her kind, stood higher than her neighbours, and fretted the blue above with pinnacles of feathering arborescence, whose last, subtle expression, at that altitude, escaped the eye. Her midmost boughs tended from the horizontal gradually downward, and the nether branches, rippling to earth like a waterfall, fashioned a bower or music-making dome of translucent green around about the bole. Within this arbour the roots twisted down their dragon shapes into the dark, sweet-scented earth, and fortified the beech against all winds that blew. So she stood, queen of the wold, a creation loved by song-birds, a treasure-house for squirrels, pigeons, and the pheasants that, at autumn-time, strutted gorgeous in the copper lake of her fallen leaves. Beneath her now, cool and moist in twilight of shadows, grew delicate melampyre that brought light into the herbage, stood the wan seed-vessels of bygone bluebells, and trailed grasses, with other soft, etiolate things that had never known direct sunshine. The pale trunk was delicately wrought with paler lichens, splashed and circled upon its bark; while mossy boulders of granite, lying scattered within the circumference of the tree's vastness, completed this modest harmony of grey and silver, lemon and shadowed green.

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