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Bridget Riley (2003)

by Paul Moorhouse (Editor), Robert Kudielka (Contributor), Bridget Riley (Artist), Richard Shiff (Contributor)

Other authors: Sebastion Campos (Assistant Designer), Stephen Deuchar (Foreword), Richard Hollis (Designer), Lila Szagun (Assistant Designer), Christopher Wilson (Assistant Designer)1 more, Sue Woodford-Hollick (Supporters' Foreword)

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Bridget Riley is one of Britain's most respected artists, with an international reputation. Her distinguished career encompasses forty years of uncompromising and remarkable innovation. paintings she began to make in 1961 under the 'Op Art' banner. Disseminated through the mass-media and widely plagiarized by the fashion industry, these came to epitomise an era. Since then she has remained at the forefront of developments in comtemporary painting, making highly distinctive works which seek to articulate an abstract language in which relations of colour and form generate visual sensations. includes key examples of all phases of her work. It accompanies the exhibition held at Tate Britain, Summer 2003.… (more)
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Author nameRoleType of authorWork?Status
Moorhouse, PaulEditorprimary authorall editionsconfirmed
Kudielka, RobertContributormain authorall editionsconfirmed
Riley, BridgetArtistmain authorall editionsconfirmed
Shiff, RichardContributormain authorall editionsconfirmed
Campos, SebastionAssistant Designersecondary authorall editionsconfirmed
Deuchar, StephenForewordsecondary authorall editionsconfirmed
Hollis, RichardDesignersecondary authorall editionsconfirmed
Szagun, LilaAssistant Designersecondary authorall editionsconfirmed
Wilson, ChristopherAssistant Designersecondary authorall editionsconfirmed
Woodford-Hollick, SueSupporters' Forewordsecondary authorall editionsconfirmed
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This is the catalogue for the Tate exhibition of 2003. Please do not combine it with other wotks about Bridget Riley by Paul Moorhouse.
1854374559 softcover
1854374923 hardcover
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Bridget Riley is one of Britain's most respected artists, with an international reputation. Her distinguished career encompasses forty years of uncompromising and remarkable innovation. paintings she began to make in 1961 under the 'Op Art' banner. Disseminated through the mass-media and widely plagiarized by the fashion industry, these came to epitomise an era. Since then she has remained at the forefront of developments in comtemporary painting, making highly distinctive works which seek to articulate an abstract language in which relations of colour and form generate visual sensations. includes key examples of all phases of her work. It accompanies the exhibition held at Tate Britain, Summer 2003.

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