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The Berthouville Silver Treasure and Roman Luxury

by Kenneth Lapatin (Editor)

Other authors: Mathilde Avisseau-Broustet (Contributor), Cécile Colonna (Contributor), Isabelle Fauduet (Contributor), Susan Lansing Maish (Contributor), Ruth Leader-Newby (Contributor)2 more, Timothy Potts (Foreword), Eduardo Sánchez (Contributor)

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In 1830 a farmer plowing a field near the village of Berthouville in Normandy, France, discovered a trove of ancient Roman silver objects weighing some 55 pounds (25 kilograms). The Berthouville treasure, as the find came to be known, includes two statuettes representing the Gallo-Roman god Mercury and approximately sixty vessels--bowls, cups, pitchers, and plates, many of which bear votive inscriptions--along with dozens of smaller components and fragments. Dedicated to Mercury by various individuals, the treasure, including some of the finest ancient Roman silver to survive, fortunately escaped being melted down. It was acquired by the Cabinet des médailles et antiques of the Bibliothèque Royale (now the Département des Monnaies, médailles et antiques of the Bibliothèque nationale de France), where it was displayed until late 2010, when it was brought in its entirety to the Getty Villa together with four large, late antique silver plates, each with its own colorful history, for comprehensive conservation treatment.   This sumptuously illustrated volume is published to accompany an exhibition of the same name, opening at the Getty Villa on November 18, 2014. It presents the highlights of the treasure and other Roman luxury arts from the holdings of the Cabinet des médailles--including precious gems, jewelry, gold coins, and colored marbles--and contextualizes them in a series of elucidating essays.… (more)
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The Berthouville silver treasure, some 90 items weighing c. 25 kg, was discovered as a result of ploughing in March 1830 at the hamlet of Le Villeret in Normandy France. The treasure was reported and acquired by the Cabinet des Médailles et Antiques of the Bibliothèque Royale in Paris for 15,000 francs. Subsequent excavations and a geophysical investigation revealed that the hoard had been deposited in a sanctuary. During the temporary closure of the Cabinet, the treasure was placed on loan with the J. Paul Getty Museum, leading to a travelling exhibition, Ancient Luxury and the Roman Silver Treasure from Berthouville, at the Getty Villa (November 19, 2014 to August 17, 2015); San Francisco, Fine Arts Museum (September 19, 2015 to January 10, 2016); Boston, Museum of Fine Arts (February 14 to May 22, 2016); Kansas City, Nelson-Atkins Museum of Art (June 25 to October 2, 2016). A “full scientific catalogue” of the treasure is also promised to mark the return to Paris. This will replace the 1916 catalogue by Ernest Babelon.

The volume under review consists of six essays exploring different aspects of the Treasure. Mathilde Avisseau-Broustet, Cécile Colonna, and Kenneth Lapatin provide the context for the find in “The Berthouville Treasure: a discovery ‘As marvellous as it was expected’”. Léon Le Métayer-Masselin uncovered part of the sanctuary in 1861. The cella was found to have contained the base of a statue. Le Métayer-Masselin linked it to the inscribed statue base of a statue of Mercury “with its own shrine” (cum sua aede), dedicated to the imperial numen, that had been reused in the church of Saint-Germain-la-Campagne some 10 km away (pp. 11-12, fig. 3). Twelve Roman coins recovered during the excavations dated from 44 BC to the early fourth century (Constantine II). Father Camille de la Croix re-excavated the site in 1896 and revealed remains of the two temples. He also located the “stone-built cavity” where the treasure had been placed within the peribolos of the sanctuary (14). The excavation additionally found the site of a theatre, capable of seating 5000 people, about 65 metres from the sanctuary. In 2005 a geophysical survey conducted by Thierry Lepert revealed a wide ditch (140 by 150 metres) on a different orientation to the temple (15). This may provide evidence that the site was occupied during the second Iron Age (though not necessarily for religious purposes).
 

» Add other authors

Author nameRoleType of authorWork?Status
Lapatin, KennethEditorprimary authorall editionsconfirmed
Avisseau-Broustet, MathildeContributorsecondary authorall editionsconfirmed
Colonna, CécileContributorsecondary authorall editionsconfirmed
Fauduet, IsabelleContributorsecondary authorall editionsconfirmed
Lansing Maish, SusanContributorsecondary authorall editionsconfirmed
Leader-Newby, RuthContributorsecondary authorall editionsconfirmed
Potts, TimothyForewordsecondary authorall editionsconfirmed
Sánchez, EduardoContributorsecondary authorall editionsconfirmed
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In 1830 a farmer plowing a field near the village of Berthouville in Normandy, France, discovered a trove of ancient Roman silver objects weighing some 55 pounds (25 kilograms). The Berthouville treasure, as the find came to be known, includes two statuettes representing the Gallo-Roman god Mercury and approximately sixty vessels--bowls, cups, pitchers, and plates, many of which bear votive inscriptions--along with dozens of smaller components and fragments. Dedicated to Mercury by various individuals, the treasure, including some of the finest ancient Roman silver to survive, fortunately escaped being melted down. It was acquired by the Cabinet des médailles et antiques of the Bibliothèque Royale (now the Département des Monnaies, médailles et antiques of the Bibliothèque nationale de France), where it was displayed until late 2010, when it was brought in its entirety to the Getty Villa together with four large, late antique silver plates, each with its own colorful history, for comprehensive conservation treatment.   This sumptuously illustrated volume is published to accompany an exhibition of the same name, opening at the Getty Villa on November 18, 2014. It presents the highlights of the treasure and other Roman luxury arts from the holdings of the Cabinet des médailles--including precious gems, jewelry, gold coins, and colored marbles--and contextualizes them in a series of elucidating essays.

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