HomeGroupsTalkMoreZeitgeist
Search Site
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.

Results from Google Books

Click on a thumbnail to go to Google Books.

The Anatomical Venus: Wax, God, Death & the…
Loading...

The Anatomical Venus: Wax, God, Death & the Ecstatic (edition 2016)

by Joanna Ebenstein (Author)

MembersReviewsPopularityAverage ratingMentions
814335,912 (4.67)1
Of all the artifacts from the history of medicine, the Anatomical Venus--with its heady mixture of beauty, eroticism and death--is the most seductive. These life-sized dissectible wax women reclining on moth-eaten velvet cushions--with glass eyes, strings of pearls, and golden tiaras crowning their real human hair--were created in eighteenth-century Florence as the centerpiece of the first truly public science museum. Conceived as a means to teach human anatomy, the Venus also tacitly communicated the relationship between the human body and a divinely created cosmos; between art and science, nature and mankind. Today, she both intrigues and confounds, troubling our neat categorical divides between life and death, body and soul, effigy and pedagogy, entertainment and education, kitsch and art. The first book of its kind, The Anatomical Venus, by Morbid Anatomy Museum cofounder Joanna Ebenstein, features over 250 images--many never before published--gathered by its author from around the world. Its extensively researched text explores the Anatomical Venus within her historical and cultural context in order to reveal the shifting attitudes toward death and the body that today render such spectacles strange. It reflects on connections between death and wax, the tradition of life-sized simulacra and preserved beautiful women, the phenomenon of women in glass boxes in fairground displays, and ideas of the ecstatic, the sublime and the uncanny. Joanna Ebenstein is a multidisciplinary artist, curator, writer, lecturer and graphic designer. She originated the Morbid Anatomy blog and website, and is cofounder (with Tracy Hurley Martin) and creative director of the Morbid Anatomy Museum in Brooklyn, New York. She is coauthor of Walter Potter's Curious World of Taxidermy, with Dr. Pat Morris; coeditor of The Morbid Anatomy Anthology, with Colin Dickey; and acted as curatorial consultant to Wellcome Collection's Exquisite Bodies exhibition in 2009. She has also worked with such institutions as the New York Academy of Medicine, the Dittrick Museum and the Vrolik Museum.… (more)
Member:ParenthesisEnjoyer
Title:The Anatomical Venus: Wax, God, Death & the Ecstatic
Authors:Joanna Ebenstein (Author)
Info:D.A.P./Distributed Art Publishers (2016), 224 pages
Collections:Your library, Wishlist, Currently reading, To read, Read but unowned, Favorites
Rating:
Tags:to-read

Work Information

The Anatomical Venus: Wax, God, Death & the Ecstatic by Joanna Ebenstein

None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

» See also 1 mention

Showing 4 of 4
I found the book fascinating on a number of level - the mingling of art, science, religion, culture, human nature. . . Well, we have always been complex creatures, have we not? The many photographs were also quite interesting . . . though to be sure some of them were also disquieting.

I also found myself rather put off by the attitude not of the historical personages spoken of, nor the concept of the Anatomical Venus and her sisters, but by the author herself. Presenting, for example, that there is no way a modern person can truly understand the Anatomical Venus, because she hails from "a time when religion, art, science, and philosophy could exist peacefully together", and we have lost this. Also the presenting of a number of stories about men who preserved their wives (or even more creepily, exes) in effigy form or worse, their actual bodies, kept on display or in their beds or both . . . along the same lines as the models (or real human remains, or mingling of both) used for both science and art displays, for sideshows and similar. ( )
  Kalira | May 20, 2024 |
In the 18th century, Florence, Italy, had a strong Catholic faith and a long tradition of making realistic wax anatomical models for sacred votive offerings commissioned by pilgrims. The Medici Venus, a seductive wax model of a real woman, was born. Not only does this book look at the temporal context of the anatomical Venus and examine the beliefs and medical practices that led to her creation, but it also sheds light on the popular perception of it, allowing one to reflect on how the original mystical experience has been enhanced (and why the modern eye sees it as a mystery to be captivated, rather than just a dead object of educational value). It was a wonderful experience to think about the experience of looking at the specimen in the laboratory two months ago.
  Maristot | Jul 29, 2023 |
This is a beautifully illustrated book that gives a history of female anatomical sculptures. The text raises numerous philosophical issues related to the works, and one only wishes that the author had pursued her meditations in greater depth. As it stands, with its lavish and provocative illustrations, the book becomes a springboard for thought on these objects which exist at an uncanny nexus of art, science, and the erotic. ( )
  le.vert.galant | Nov 19, 2019 |
Que hermoso libro!. Y los ensayos tienen muy buena documentación histórica.
Recomiendo en la misma línea: Bourgery: Atlas Of Human Anatomy And Surgery. ( )
  CeciliaZ | Dec 6, 2018 |
Showing 4 of 4
no reviews | add a review
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Epigraph
Dedication
First words
Clemente Susini's Anatomical Venus, created 1780-82, is the perfect object: one whose luxuriously bizarre existence challenges belief.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Original language
Canonical DDC/MDS
Canonical LCC

References to this work on external resources.

Wikipedia in English

None

Of all the artifacts from the history of medicine, the Anatomical Venus--with its heady mixture of beauty, eroticism and death--is the most seductive. These life-sized dissectible wax women reclining on moth-eaten velvet cushions--with glass eyes, strings of pearls, and golden tiaras crowning their real human hair--were created in eighteenth-century Florence as the centerpiece of the first truly public science museum. Conceived as a means to teach human anatomy, the Venus also tacitly communicated the relationship between the human body and a divinely created cosmos; between art and science, nature and mankind. Today, she both intrigues and confounds, troubling our neat categorical divides between life and death, body and soul, effigy and pedagogy, entertainment and education, kitsch and art. The first book of its kind, The Anatomical Venus, by Morbid Anatomy Museum cofounder Joanna Ebenstein, features over 250 images--many never before published--gathered by its author from around the world. Its extensively researched text explores the Anatomical Venus within her historical and cultural context in order to reveal the shifting attitudes toward death and the body that today render such spectacles strange. It reflects on connections between death and wax, the tradition of life-sized simulacra and preserved beautiful women, the phenomenon of women in glass boxes in fairground displays, and ideas of the ecstatic, the sublime and the uncanny. Joanna Ebenstein is a multidisciplinary artist, curator, writer, lecturer and graphic designer. She originated the Morbid Anatomy blog and website, and is cofounder (with Tracy Hurley Martin) and creative director of the Morbid Anatomy Museum in Brooklyn, New York. She is coauthor of Walter Potter's Curious World of Taxidermy, with Dr. Pat Morris; coeditor of The Morbid Anatomy Anthology, with Colin Dickey; and acted as curatorial consultant to Wellcome Collection's Exquisite Bodies exhibition in 2009. She has also worked with such institutions as the New York Academy of Medicine, the Dittrick Museum and the Vrolik Museum.

No library descriptions found.

Book description
Haiku summary

Current Discussions

None

Popular covers

Quick Links

Rating

Average: (4.67)
0.5
1
1.5
2
2.5
3
3.5
4 2
4.5
5 4

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 207,191,894 books! | Top bar: Always visible