As he does every October, in 1913, Sir Randolph Nettleby, Bart., invites some of the best shots in England to his Oxfordshire estate to shoot pheasant. The activity has a particular meaning here, for we don’t expect tweed-coated gentlemen to trample through the underbrush in their wellingtons, bagging a few birds for supper.

Rather, we have the spectacle of “beaters,” local men and boys recruited to flush the pheasant so that the frightened birds take brief flight — the only type they are capable of — toward the tweed-coated gentlemen, waiting with their loaders and dogs. Not that the participants would agree, but this is more mechanized killing than sport. The shooters take hundreds of birds, and the loaders are there to make sure the gentlemen never even have to turn their heads to receive a ready weapon, restocked with cartridges.

The novel’s opening paragraph notes that an infamous incident will take place, “an error of judgment which resulted in a death.” And since the timing is the autumn before the Great War, Colegate intends The Shooting Party as a metaphor for England on the eve of that tragic struggle.

What a metaphor it is, slaughter for its own sake, by the so-called best people in the country, no less. That the death referred to is a mistake, and that the author reveals it up front, properly removes any sense of whodunit, though the narrative does build suspense as to who will be the victim, how, and why. Instead, Colegate focuses on the characters, who represent various social classes and attitudes.

In lesser hands, this premise and approach could have devolved into a talky, theme-driven tract, populated by two-dimensional ideas rather than characters. But Colegate writes well-drawn people whose private concerns merge beautifully in a single, cohesive picture, and whose opinions often seem contradictory, which makes them more human.

For example, Sir Randolph, courteous to all despite his oft-injured sensibilities, worries that the stewards of the land, as he views himself, are a vanishing breed. Outwardly almost diffident, he nevertheless carries himself as the aristocrat born to rule, and his confusion as to how the world has changed lends him depth.

Stolid Bob Lilburn, who believes in form above all, astonishes his gorgeous wife, Olivia, by doubting that there could exist in England any people worth knowing whom he doesn’t already know. Lionel Stephens, a lawyer who seems perfect to everyone, believes he’s passionately in love with Olivia and would be willing to die for her if the fraught international situation brought war. A footman repeats this sentiment to the young parlor maid he fancies, who has the sense to think it’s twaddle.

Throughout, Colegate’s description of the shoot evokes the future conflict, often involving the manner in which the birds, fed and catered to before their destruction, are driven toward the guns. Again, a lesser author might have overplayed the symbolism, but Colegate’s hand remains deft. That’s because she’s careful to keep her descriptions active as well as physically and visually precise.

Though published forty years ago, The Shooting Party still keeps its edge. It’s one of those elegant novels I admire, in which the central action is itself an arresting metaphor. I must warn you that other than from a library (or sources in the UK), the book may be hard to find. But it is well worth your time and effort, a classic tale. ( )

"The element of ritual lent it a kind of solemnity; like so many rituals it required a sacrifice"
By sally tarbox on 21 June 2018
Format: Kindle Edition
It's 1913 and in an aristocratic household, a group come together for a shooting party. In the first paragraph the author tells us that it culminated in "an error of judgement that resulted in a death...a mild scandal at the time."
So the reader is trying to guess throughout the narrative of the preceding twenty-four hours who will be the victim...the highly strung grandson who fears for his pet duck as the shooters blast the wildfowl? The gamekeeper's studious son who's been roped in as a beater? One of the participants in extra marital liaisons? The two menservants in competition over whose master is the best shot? The socialist eccentric who's turned up preaching animal rights and equality for the poor?
The novel (inspiration for the later Gosford Park and Downton Abbey) focuses on both above and below stairs, and gives a flavour of the world on the cusp of war, the endless loss of bird life an image of what is to follow...
Enjoyable read. ( )

Short but brilliant portrait of English society on the eve of the 1st world war. ( )

Like a voice out of the past, this sad, beautiful novel so evocatively recreates the texture, language, and mores of Edwardian England. Colegate pulls off the magic trick of making this novel feel so utterly of the period, something that only the best historical fiction can achieve. The number of characters feels a little overwhelming for such a short book, but I think for the most part Colegate succeeds in making them all distinct. The book takes place during a pheasant shoot on a large country estate the fall before the outbreak of World War I. The specter of the war and of a looming death (announced in the first sentence of the book) gives the novel an airless, foreboding feeling despite the luminous writing and gorgeous setting.

I did not know anything about this author until now; her style reminded me of some other British/Commonwealth female novelists of about the same age, Jane Gardam and Shirley Hazzard, whom I also read for the first time this year. All three are superb at showing, obliquely through action and dialogue, the motivations and feelings of their characters.

This book comes out of a long tradition of similar works in British fiction; as the reviewer below noted, The Shooting Party adds to that tradition, inspiring in its turn the screenwriting work of Julian Fellowes. Colegate's wistful but guarded love letter to the Edwardians has clear echoes in Fellowes's own interpretation of the era, Downton Abbey. I will certainly have to investigate other of her novels! ( )

This short novel takes place in 24 hours in October 1913 before and during a shooting party at the Oxfordshire country house of Sir Randolph Nettlby. From the opening paragraph, you know that something bad is going to happen, but a something that will be forgotten a year later when their world is shattered by the Great War. The reader experiences the events of the day by following many characters, both aristocratic and service class.

Colgate is a fabulous writer--subtle, observant, witty, stylish. And she's writing about my favourite historical period--Edwardian England. Do I have to tell you I loved this book? I held back from giving it a full five stars because for my tastes there was a little too much detail about the actual shooting (or shall I say, needless slaughter of hundreds of pheasants, and yes, that's a metaphor for the war).

Recommended for: readers who love the Edwardian era, fans of Gosford Park and Downton Abbey, although fans of the later should take note that this is only one day in the life, and there is no Maggie Smith character making hilarious comments. It also has a less fluffy tone than Downton Abbey.

Note: The 2007 Penguin Modern Classics edition has an excellent 24 page introduction by Julian Fellowes. He was inspired by the 1980s film version of [The Shooting Party] to create Gosford Park, which further inspired him to create Downton Abbey. ( )